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DIO, NOOOOOOO!!!!!!!!
Harrison Armory
I think a lot of people fundamentally misunderstand Harrison Armory, Lancer fans on Tumblr especially.
Harrison Armory is not Nazi Germany. Harrison Armory doesn't actually have an exact parallel on modern-day Earth, and it would be difficult to draw them without potentially insensitive implications.
I think the closest parallel I can draw is late-stage Obama-era America, with a lot of Nordic-style public investment and China's Social Credit system.
People depicting the Armory as a cold, grind-obsessed hypercapitalist nightmare are thinking of IPS-N. The Armory looks after its citizens, at least in as much as happy workers are productive workers. Even as a colonial subject, you can expect a decent standard of living simply because they don't answer solely to shareholders - for better or for worse, the Armory has a vision, an insistence upon the dignity of Humanity which wouldn't allow them to let you live in squalor. This is a cold, haughty kind of beneficence - they don't care about you per se, it's just that allowing you to suffer would reflect poorly on them.
You will get healthcare. You will get free, frequent public transit that you might not even need to use, since every city is walkable. You will get clean water, healthy food and safe streets. You will get frequent vacations and as many sick days as you need. No matter your ethnicity, birth gender, gender identity, religion, sexuality, physical or mental ability, the Armory has a place for you. The Armory does not discriminate.
The Armory is expansionist, for sure, but it chooses its new acquisitions carefully - Diasporan worlds under the thumb of ruthless dictators, repressive theocracies, avaricious hypercapitalist oligarchs. If you're a colonial subject, the Armory have likely liberated you from tyrants.
What do you give in return? Complete cultural obedience.
You will not cause a disturbance. You will not rock the boat. You will not question the benevolent system that gave you this abundance. The Armory gives you all the choices that really matter to someone like you: eat what you want, shop where you want, buy what you want - after all, every shop, every café, every restaurant is an Armory subsidiary, so whatever cuisine you favour, whatever brand of dataslate you prefer, the Armory is making back most of the salary they pay you. The Armory puts a roof over your head. The Armory protects you from the wolves at the door. The Armory even lets you vote on your local representatives (they've all got spotless Socials, so you know that no matter who you choose, they're loyal, attentive citizens). Are you not happy? Are you not grateful?
Show us. Show us you're grateful. Show up to the Foundation Day parade. Salute the statues of Harrisons I (PRAISE THE DIRECTOR GENERAL, LONG MAY HE SERVE), II (PRAISE THE DIRECTOR GENERAL, LONG MAY HE SERVE) and III (PRAISE THE DIRECTOR GENERAL, LONG MAY HE SERVE). Recite the Pledge. Volunteer for the local Guard Corps - or better yet, the Colonial Legion. Don't you care about your community? Aren't you proud of your nation? Don't you want to give back? Aren't you a good citizen?
What's that? Dissent? You little shit! You ungrateful little worm! After all we've done for you, after all this Great Nation has sacrificed for you, you dare ask for more? Harrison I (PRAISE THE DIRECTOR GENERAL, LONG MAY HE SERVE) sacrificed himself on Union's altar for us - for YOU! Harrison II (PRAISE THE DIRECTOR GENERAL, LONG MAY HE SERVE) died refusing to bend the knee, refusing to sacrifice our freedom - YOUR LIBERTY! Harrison III (PRAISE THE DIRECTOR GENERAL, LONG MAY HE SERVE) tours the Purview to see and hear your fellow countrymen and address their concerns, and you dare question his right to rule? The Steward Council is comprised of only his most trusted advisors - do you doubt their commitment to our values?
We live in the best and brightest era of human civilization, the problems of the past all behind us, and all you can think about is ways to drag us all down. You ungrateful, shiftless, lazy little bastard. You want me to call the local Social board? See how they feel about your profile? If you don't feel like the Armory is doing enough for you? Well, let's see how you like it when the Armory does nothing for you. You clearly don't have the spirit or the courage to be truly free.
Ugh, dissenters, am I right? Fuck, sorry about that, folks. Yeah, that was... intense! Anyway, let's not let that whole sordid ordeal ruin this party. Let's all just chill, take an edible, and celebrate what we came here to celebrate - the Colonial Legion incorporated its first all-trans Genghis brigade! What a win for progressivism, right? You'd never see that in the Trade Baronies! Praise the Director General! Long may he serve!
Now THIS is neo-totalitarianism I can get behind!
Natsuko Hirose & Luke Braveheart Dynamic Analysis
Few episodes ago, Luke Braveheart monologued about how despair had him all cornered to the point he lost sight of his purpose and dare I say his will to live all along. He was born and instantly got bestowed with the title of a "Hero" a weight that no child should bear. He spent 18 years of his life mastering the arts of the sword, discarding everything that made him /him/ His aspirations, his hobbies, his interests, the things he hates, the things he loves and his dreams. None of it mattered. He had to be a hero for everyone. He is a Hero and he'll be nothing but a Hero. For 18 years, all he did and kept doing was slashing and shedding blood. He had to think of nothing but the safety of his people. After all, he is a beacon of Hope to them and not by choice.
But no matter how many foes he executed, there was no end to them. It was a cycle of killing and having to kill some more, with no light at the end of the tunnel in sight. A perpetual vicious cycle of hopelessness and helplessness is what all of this was. But Luke held onto Hope that eventually all things come to an end, good and bad. Surely, there will come a day where these foes will cease to be and that the world will finally know respite and peace. Surely, he'll be able to step down from this daunting title that has been forced on him. That he'll be able to live the rest of his life as plain Luke. Just Luke.
But none of that happened. He kept slitting and slashing and killing endlessly. With each wave, an ally, a dear friend, a family member dies. Luke had to be the witness of so many tragedies. Friends that once used to brim with so much life and vigor reduced into lifeless chunks of meat. He had to bear witness to all of that. In a way, the universe was mocking him and the title that he had to bear.
Deep down, he was aware of the cruel harsh cold reality he was in but decided against admitting it. Until he reached a wall. A realization that all of this isn't worth it anymore. This whole Hero act led them nowhere. The monsters kept coming in tremendous waves. People kept getting annihilated. Friends kept leaving him. He was on his own like he's always been. There was absolutely no hope in sight. What was he fighting for? Who was he protecting exactly? Why even bother when everything's been in a continuous state of stagnation? With each wave, his sanity slowly but steadily slipping away until he was met with nothing but dread. Dread of living and state of existentialism.
What was he there for? What was his purpose? Why was he brought upon this world? To bring it salvation when there was none to begin with? When the world was doomed from the get go, clearly mocking him? Everything is pointless. Protecting the Soul Crystal is pointless. In fact, it is the very thing that brought tragedy and agony upon them. Once represented Hope for the nation, now turned into a symbol of Despair. It is the cause of their woes. His woes. It is the reason he was stripped away from living his youth, from being a normal person. Forcefully put on a pedestal with humongous expectations only to fail them. Luke Braveheart found solace in the act of bringing an end to the source of his suffering, The Soul Crystal, pronouncing the end of the world. Its "salvation". He almost committed the deed. He was impossibly close to achieving it. But the unexpected happened. Natsuko happened, popped up out of nowhere, from nowhere, no amount of fortune telling or prophetic visions could possibly foretell the coming of Natsuko.
She came and brought the "reason" and the "purpose" but more importantly, the "person" of Luke. The phrase may sound awkward but it's intentionally written that way. Luke solely dedicated his entire life defeating abominable beings leaving no room to know anything about himself. His own person.
Through Natsuko, he learned and realized that he has a talent for cooking. He enjoys baking myriad of dishes, traditional meals and even those beyond the scope of his own world. He learned that he has knack for making hairdos and coming up with creative hairstyles for Natsuko. He learned that he enjoys seeing his friends all happy and merry when they taste his food. He learned that he enjoys gardening and looking after all the plants and flowers that color his palace. He learned that he has it in himself to have fun even on the battlefield. He learned that he could slow down and take a deep breather. He realized that he could appreciate the little things that bring him joy and mirth. He realized that he could step down from being a Hero even if it's temporary. That he could finally be himself for a while. That he could learn about who Luke Braveheart is.
But the biggest realization akin to an epiphany hit him so hard and it was that he has learned what being in love is and experienced it. He, who was stripped away from the most basic things an average person could experience, finally was able to learn what First Love was. For he fell in love with the very "reason", the very "purpose" and the very "person" who showed up in front of him seemingly out of nowhere. As if she's a miracle. A blessing. A star illuminating the dark bleak night sky but ultimately fated to fade away.
What was his purpose? Why was the title of "Hero" conferred upon him? What did he fight those atrocious and hideous-looking beings for? What did he live for?
Natsuko. Natsuko is the answer. Natsuko is his "reason" and his "purpose" and thanks to her, he shedded away the blood-stained title and became his own "person". He lives for Natsuko. He fights day in and day out to protect the world that Natsuko lives in. And he will fight till the bitter end just to ensure that Natsuko lives the rest of her life in comfort and serenity. That's what he is here for. That's why he's alive.
The massive burden on him made it so that even in his love declaration, he is self-sacrificial enough to keep the very reason of his being alive at the cost of his very own life. Within that poignant juxtaposition lies the purest form of love. Love. A word that seems to encapsulate Luke and Natsuko's dynamic.
Natsuko, hailing from a foreign land, was thrown into the universe of her favorite childhood movie. A flop of a movie that no one could've fathomed except for Natsuko who was inexplicably drawn to it. Natsuko dedicated her entire life finessing art. That tragic story ignited something in her. A fire to craft her own story. A passion to breathe life into her creations. To breathe life into characters very dear to her heart. She worked, grinded and hyper focused on that goal. Not batting an eye on her surroundings, on those she affected with her contagious zealousness. Unbeknownst to her, several people had experienced their first love because of her but she hadn't. She didn't have the time for that, after all, she had a goal that she was working so hard towards. To no one's surprise, her efforts have paid off and she reached the very pinnacle of her career as an artist and as an animator.
But heavy is the head that wears the crown. With her newfound position as a renowned animation director came taxing expectations and responsibilities. She knows she mustn't disappoint anyone, not her superiors, not the industry she works in and definitely not the fans who are waiting for her next project with bated breath. She mustn't let anyone down cuz she's a prodigy, a virtuoso. And one wrong move could spell the end of her entire career. The pressure weighed on her for years until the crackling sound of fire started to evanish.
What was once unadulterated passion, now morphed into dreadful duty. Natsuko's passion turned into her biggest fear. She couldn't live with herself if that outcome came to be. In fact, she preferred escapism and death over dealing with any of it. She found solace in putting an end to her own life if it meant that she'd run away from the scrutiny of the masses. That's how much of a coward she was.
Art, once a passion, turned into the source of her woes and suffering much like the Soul Crystal was to Luke. Natsuko took it upon herself not to rely on anyone and not to seek any form of help. She was completely submerged in the depths of darkness and despair, especially after being hit with the realization that her creations, her drawings and her art have been the cause of all the chaos and mayhem that befell the nation. Her art became a weapon of destruction rather than a tool of happiness and creativity. That was her state until a certain light has emerged.
Luke Braveheart, a fictional character of a tragic story, was a Hero who had to battle hundreds and thousands of enemies to protect his nation. He lost people who were dear to him but kept persevering until he was met with a fate worse than death. Becoming the Ultimate Void. The very thing he was fighting so hard to prevent from occurring.
Natsuko, back then, was enamored by the tragedy of Luke Braveheart. So much that he pushed her to pursue art. So much that she scribbled his figure million times on her notebook. So much that she could draw him with her eyes closed. So much that all of her allowances and the hard-earned money was spent on buying his merch. So much that her room was filled with nothing but his posters and figurines. So much that she couldn't bat an eye on her surroundings and on the people that she's affected with her passion cuz she was that fixated on Luke Braveheart. So much that she spent all-nighters learning the process of animation just so she could breathe life into Luke, running, walking, fighting and screaming. So much that he is the very "reason", the very "purpose" of which she's an artist. She became the "person" that she is, she reached the pinnacle of her career, she achieved the unthinkable thanks to Luke Braveheart.
Luke Braveheart was her passion, the fire that never ceased to crackle, the very essence of her being. Luke was her first love. Luke was the light that emerged from where she was completely overwhelmed by her own sorrows and woes. Luke Braveheart saved her by giving her a purpose in life. Just like how Natsuko saved Luke by giving him a purpose back.
There's beauty in knowing that Luke and Natsuko share a dynamic where they're both in a perpetual cycle of saving and protecting each other. Granted, Luke is a fictional character and he exists whether Natsuko interferes or not. But indulge me with this when I say that we're talking about Luke Braveheart who is not a fictional character.We're talking about the humble down-to-earth guy who likes cooking and coming up with unique hairdos. The very guy who fell in love with Natsuko. Natsuko saved that guy. But it all circles back to how HE gave her a purpose from the very start, from when she was but a 9-year-old kid. And she treated him in kind by blessing him with one too, without even being aware.
He sought to protect the world she's in yet ended up losing her. So in protest, he cursed the world itself because he lost his very reason of being and living. However, Natsuko is alive, was only temporarily engulfed by the bleak space of her doom and gloom, but she was saved by none other than the reminder that Luke Braveheart is the reason she's alive, the reason she pursued art at all and the source of her passion and joy. So now, it's her turn to emerge like the light he was to her and save him from the brink of self-destruction.
The intricate layer of their bond, the duality of despair and salvation, of burdens and purpose, and how they became each other's reason for being. It is poetry itself. Love as salvation, not just in the romantic sense, but as something deeply transformative and reciprocal. Their dynamic isn’t just about affection; it’s about identity, about rediscovering oneself through another. The way it was framed and told, Luke giving Natsuko a purpose long before she even realized it, and her returning the favor in a way that changed the very fabric of his existence—it is next-level storytelling.
It’s the kind of love that goes beyond the surface, beyond attraction or fleeting emotions. It’s like they were always meant to find each other, even across the barriers of fiction and reality. It is the very definition of soulmatism. Natsuko and Luke's story transcends that of the typical confines of what makes love /love/ and I find that ethereally beautiful and powerful.
[餘智傳] The 2nd Century Warlord (Part 2)
based on the story by @romanceyourdemons
Read part 1
ninth day as a second century warlord i try to tactfully ask my fake liege lord if he sent the assassin to kill my loser liege lord and it turns out the idea of using assassins never occurred to him, but now that i’ve suggested it he’s really into it. in order to save my loser liege lord i volunteer to be the one to kill him
tenth day as a second century warlord on my way back to my loser liege lord’s city i realize i won’t be able to collect my men from my fake liege lord until i bring back my loser liege lord’s head. this would have been a great thing to think of before i got myself in this situation. i go back to my loser liege lord and ask him to rescue my men, and he tells me that if he could sack my fake liege lord’s camp he already would have. that doesn’t change the fact that my men are still trapped. they’re prisoners, even. i go back to my room to sulk
eleventh day as a second century warlord i find a little caged pigeon in the rafters of my loser liege lord’s room and deduce it belonged to the assassin. without asking permission or telling my loser liege lord goodbye i let the pigeon loose and follow it north. don’t ask what i was doing in my loser liege lord’s room. it’s not important
twelfth day as a second century warlord i disguise myself as a wizard and enter the camp of the coalition leader the pigeon led me to. in the middle of my little sleight of hand performance i make eye contact with the coalition leader’s second-in-command. IT’S THE WIZARD THAT STOLE MY LOSER LIEGE LORD’S WIFE. after the banquet i corner the fake wizard and ask him what the fuck is going on and he just says “wouldn’t you like to know” and leaves. i don’t know what to say to that so i just let him go
thirteenth day as a second century warlord i’m honestly so sick of not knowing what’s going on, so i adjust my wizard costume to passably disguise myself as a woman and break into the women’s area of the camp, where sure enough my loser liege lord’s wife is. i ask her what she’s doing here and she tells me the fake wizard overheard her singing a poem she overheard on the street, not knowing it contains the coalition leader’s formation’s weaknesses. the fake wizard kidnapped her and assigned an assassin to kill her husband before they figured out the poem’s significance. she shares the first couplet with me but i’m discovered and thrown out before she can share any more. she doesn’t need to. through a bizarre coincidence of homophones, it’s the poop version of my misinformation nursery rhyme
fourteenth day as a second century warlord i go back to my loser liege lord and tell him everything, urging him to join with my fake liege lord to attack the coalition leader according to the weaknesses in the nursery rhyme. he tells me frankly that he doesn’t trust me anymore. i ask him to execute me if that’s really true, because i can’t bear to live if i can’t protect him and i can’t protect my men. he agrees to attack the coalition leader
fifteenth day as a second century warlord. due to the information in the nursery rhyme, and thanks to my loser liege lord reminding me of the weather conditions multiple times while planning our battle strategy, our alliance carries the day. my loser liege lord gets his wife back. my men tell me that our fake liege lord actually treated them really well and they’d like to stay with him if i don’t mind. i do mind, now that neither the men i love nor the man i love have any use for me, but i don’t tell them that
sixteenth day as a second century warlord i’m preparing to leave to i don’t know where, maybe to try to become a wizard for real, when my loser liege lord stops me and asks me where i’m going. he says he had hoped i would continue to work as his advisor. i was unaware i was his advisor in the first place. i agree, and he tells me he’s truly honored to have me in his service at last. he has known i am a rare and talented man with a strategic intelligence far above his ever since the day he witnessed me tying branches to my horses’ tails in six inches of mud, and could not for the life of him figure out why
The end.
Thanks for reading! Notes under the cut
[餘知傳] The 2nd Century Warlord (Part 1)
based on the story by @romanceyourdemons art by @its-not-a-pen
first day as a second century warlord i have my men tie branches to their horses’ tails to stir up dust and make it look like there’s a lot of us but i forget it just rained so there isn’t any dust and the enemy can clearly see there’s like twenty of us all spread out in a line
second day as a second century warlord i bribe a bunch of kids to start singing a nursery rhyme i carefully crafted to spread misinformation and further my strategic ends but they change the lyrics to be about poop and the enemy isn’t misdirected at all
third day as a second century warlord i lure my enemy into a narrow valley and send a team of archers to shoot them from the high ground but there was a feral hog napping on the trail up to the overlook and they couldn’t decide whether to try and shoot it or just go around and by the time the hog woke up and left on its own the enemy had already passed safely below
fourth day as a second century warlord we attempt to join a battle on the side of the guy we want to ally with but he and the guy he’s fighting have really similar names and it’s finally dusty and i misread the standards and attack the wrong guy. so now we’re stuck with this total loser of a liege lord, because how the fuck do you explain that after a battle?
fifth day as a second century warlord and some sort of wizard wanders into camp, my loser liege lord wants to execute him for being a wizard but i convince him to let the wizard stay, because i want to do more weather-based strategies and i’m pretty sure having a camp wizard can help with that. after the welcome to the team banquet the wizard steals half the treasury and my liege lord’s wife and leaves
sixth day as a second century warlord my loser liege lord sends me to reinforce a city he’s taken, but in the confusion of leaving i forgot to take the token that would have gotten us into the city, so my men have to wait outside the city walls for like eight hours while i ride back to get it
seventh day as a second century warlord and my loser liege lord finally joins me in the city, it turns out he’s actually a pretty cool guy, and he isn’t even that mad at me for letting the wizard steal his wife. i decide to shoot my shot but i’m really nervous and keep on stalling because what if i mess up our relationship and by extension jeopardize the security of my men, and eventually he just says goodnight and goes back to his room, where an assassin is in the process of setting up to kill him
eighth day as a second century warlord and my loser liege lord tells me to fake defect to his rival warlord, the one i originally wanted to ally with, to find out if he was the one who sent the assassin and why. but my whole way over to the rival warlord i’m worried that this has something to do with the wizard thing or how awkward i made it last night End of Part 1 This comic was made independently from the creator, I'm just a fan and these are my own interpretations. Notes under the cut:
TWO NITPICKS:
- The second century was the 100s AD, not the 200s AD, which was the third century
- The abundance of homophones wasn’t a thing until Late Middle Chinese. 餘知 would be La Tre, while 魚 would be nga.
^^ very good addition by @duct-taping-zhenguo! 1. I decided to bump the timeline forward into the 3 kingdoms era (3rd century) bc Han (2nd--early 3rd century) was too peaceful and stable whereas the chaos of the 3k era could turn mat weavers into emperors and allow a minor warlord to have a meteoric rise. Sorry I wasn't clear in my notes! 2. you're right! Old Chinese was the language spoken during Early Han. Linguistic nerds should check it out, it sounds like someone from Vietnam tried to learn Japanese and Cantonese at the same time and then had an intense fever dream.
btw do you know where i can find an old chinese translator? I wanted to write the dates in old chinese but couldn't find sources ;n;
Tldr: the adventures of La Tre the Early Third Century Warlord
first day as a small-town sherif and you discover that some of the convicts you're transporting managed to escape in the night and since the penalty for letting prisoners escape is death, and the penalty for being late because you were looking for escaped prisoners is also death, you decide to free ALL of them and go hide out in the wilderness for a bit, except the convicts are super grateful so they make you their leader and it turns out they're decent guys who were exploited by a tyrannical government, so long story short you're crowd-sourcing for a peasant uprising and would anyone like to chip in?
3650th day and due to a series of unforeseen events you are now the emperor and founder of the han dynasty.
-a Qinghua graduate in the court of the warlord Cao Cao- part 1
Me designing Guo Jia: what if Zhuge Liang brushed his hair and was like, 2% more evil.
this popped into my head while i was reading wikipedia. Guo Jia would have been around 27-30 when he joined Cao Cao's administration and he was very much a "have you considered Violence, my liege," type of advisor. He accurately predicted Cao Cao's seemingly impossible victory against Yuan Shao, told him to go north and attack the Xianbei people, and depending on which account you read, urged Cao Cao to kill Liu Bei before he stopped being a loser and started consolidating power. (Spoiler: the Sandalweaver has plot armour).
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birthay
Congrats you are one day closer to the Event
While we're on the subject of Greek Monsters being Victims
I honestly feel pretty bad for the Minotaur.
First some backstory; A prince named Minos was competing with his brother from the throne of their island, Crete, and decided the best way to get a one up on his brother was to show the gods favored him. So he prayed to Poseidon for his favor and Poseidon decided, "Yeah, sure", and gifted Minos a pure white bull as a sign of favor.
(A side note, historically ancient Crete had a huge thing for Bulls, most of their surviving culture heavily featured bovine sigils which might explain how this story came to be and so on).
The Cretans, who loved Bulls, of course recognized what this meant and Minos ascended to the throne. Of course, here is where the classic mortal arrogance steps on divine pride comes in. See, Minos was supposed to sacrifice the bull to Poseidon as a show of thanks but Minos decided that he liked the white bull far too much to simply kill, so he sacrificed a different bull and kept Poseidon's cow hoping he could have his cake and eat it too. Poseidon was reasonably a bit pissed that this mortal reneged on their very simple deal and decided some wildly indiscriminate divine judgement was called for.
Poseidon decided the most poetic thing to do was to make Minos' wife love the Bull even more than anyone on Crete, even Minos... by, like, a lot. Like, a lot. Long story short, Minos had a bastard son who was half bull and was horrified. According to the myth, the Minotaur was originally raised by Minos' wife but quickly became vicious and as an unnatural beast feasted on human flesh since it had no actual place in the food chain. To contain it, Minos tasked Daedalus to construct a massive labyrinth to contain the Minotaur.
There it would languish for years, lost in the dark and even used as a sadistic form of execution for Minos' enemies, specifically Athenian men and women handed over to Minos after he waged war with them until eventually Theseus would arrive and slay the Minotaur.
Now, you may be wondering why I would feel bad for this guy. By all accounts, the Minotaur had no chance of growing out of its monstrous ways. Very quickly it turned into a man-eating beast with violent tendencies. How can it compare to another tragic myth like Medusa?
Generally, I think the fact it had no chance to begin with is tragic in and of itself. Medusa was a victim of divine crossfire between Athena and Poseidon, while the Minotaur was a victim of Divine Circumstance. Poseidon didn't care what became of the Minotaur after it was born, merely that it came into this world to torment Minos after he was slighted by the mortal. Perhaps there was a chance it could have overcome its base instincts, but the Minotaur was from the start designed and intended to be a horrifying beast.
It was despised by Minos from the moment it drew breath, and it certainly horrified the people of ancient Greece. It must have grown physically much faster than it did mentally, and with an unnatural mix of animalistic instinct and human mentality would have made it difficult to handle without being able to rip men and women limb from limb. It would spend the rest of its life wandering a dark maze, feasting on whoever Minos threw in there to survive.
I think the last point that gets me is that monsters don't have names. Minotaur is an anglicized version of its Greek name, Minotauros, meaning the Bull of Minos, which was a description of what it was but it also had a name; Asterion, after Minos' foster father. It was a half-animal that probably deserved to be put down, but in the end it was a thing that was brought into a world that would despise it and never had the chance to learn and be better.
It makes me wonder if the Minotaur being a mindless monster with no hope is the better option than a confused and neglected creature who had no choice but to become the beast his people saw him as.
I am become woman
NO WAIT THAT'S NOT WHAT I MEANT TO ADD
IT WAS THIS ONE
both are fine
Not that being a girl will increase your chances of getting laid.
With Lethal Company rapidly gaining popularity, its almost inevitable that the Bracken will become a Tumblr Sexy Man.
Like, some person will see the vaguely humanoid shape of the Bracken with its bright eyes, who stalks people and breaks their neck before they even know he was there and get turned on by it enough to draw a thirsty fan art of it, and then people will start referring to the Bracken like they do Sans Undertale.
YOU’RE TOO LATE SPIDERMAN! YOU’LL NEVER GET YOUR TURKEY DEFROSTED IN TIME! THANKSGIVING IS DONE FOR! NYEHEHEHEHE
Okay I've had this project open for like. Way too long now and I've hit a brick wall with it but i still would like to share what I have so here's this idea I've been mulling around about the disco skills being court jesters. I only have the psyche skills done but hopefully soon I'll have the inspiration for the others and also fully color these. Enjoy
transgender beam
gay lightning
I'm out of spells
Bisexual Bio-Chemical Attack
internet censorship bill about to pass congress:
ao3 is facing a ddos attack from an overseas right-wing anonymous group because it contains "degeneracy and disgusting things like LGBT and NSFW".
they're not the only right-wing group that is attacking fanfiction sites because of queer & nsfw content. the Heritage foundation, the US right wing think tank that writes laws for republicans, wrote an article about how "big tech turns kids trans" in which they're advocating for the Kid's Online Safety Act to pass because it will give state attorney generals power to sue websites for "potentially harmful content towards minors". in this article they point out websites like wattpad, tumblr, tiktok, twitter as sites that GOP attorney generals can and will target for censorship if this bill passes. all places where fandom, that's mostly queer, hangs out.
if you think this bill has no chance of passing because of all the red flags it poses, think again. it currently has 38 cosponsors in the senate, and is being pushed by the democrats as a "protecting the children!!" type bill.
there are left-aligned orgs in congress rn lobbying for this bill to pass. july is extremely decisive, because if KOSA goes through to markup it'll be bundled with the Earn It act, Restrict, and all the other bad internet bills and passed as a package, completely censoring the internet forever.
if you want to learn more about the bill, go here. also sign the open letter against it here
it's ESSENTIAL that you call your members of congress, specifically Maria Cantwell (you can call from out of state) and tell them DO NOT PASS KOSA. this site here connects you to your members of congress and gives you a short simple script to read off of! super easy and doesn't take much out of your day! please do this now!!
All of the bad internet bills. One website.
Made to organize my mind since the game itself is pretty vague on how Legion society is constructed and the roles they have.
Until I receive word that I’m allowed to include these two marvels (Aquilifer by yeehawknight and Eques by owligator), I cannot publish the definitive version. Hope you like it!
Updated version. I kept this post since it’s the one who has more interactions. I deleted the other one.
Fanfiction/Roleplaying resource.
Big image, open in a new tab.