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2025 on Tumblr: Trends That Defined the Year
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@mrsenjan
Chelsea Gordon-Ratzlaff - Character Animation Reel 2016 from Chelsea G.R. on Vimeo.
Some of my animation work! Enjoy! Contact me at [email protected]
Shot breakdown:
Phonecall - Personal work "Captain!" - iAnimate assignment "The great thing about that place" - iAnimate assignment "Make it right" - iAnimate assignment "Actors" - Personal work Teenage Mutant Ninja Turtles - Responsible for all layout and animation
TMNT belongs to Nickelodeon
Lunarbaboon Patreon Video from Lunar Baboon on Vimeo.
Video for the webcomic Lunarbaboon's Patreon page.
FORMcard from Peter Marigold on Vimeo.
FORMcard is a handy, pocket sized card of meltable bio-plastic.
You can buy FORMcard here: indiegogo.com/projects/formcard/x/12940714#/
Simply drop it in a cup of hot water to make little solutions to everyday problems. When it's cool it's really strong like nylon, so you can make solid durable solutions with it, and then you can reheat it again and again to adapt, change and reuse it. Because it's a convenient card size, you can keep one in your pocket, wallet, kitchen drawer or tool box so that it's there whenever and wherever it's needed.
A great benefit is that when it's very hot, it sticks to some other plastics, so you can actually use it to instantly fix say.... a favourite plastic shovel when you are on holiday.
Available to buy now from: indiegogo.com/projects/formcard#/
Tenggrenska Logo Animation from Tenggrenska on Vimeo.
Inspired by Bauhaus, both in terms of music and shape, we decided to give life to our logo. All sounds are generated from a Roland SH2000, a Yamaha CS-5 and a Yamaha PSR-6.
Thumbs up to Sander Van Dijk's Ray Dynamic Color. You can find it here: aescripts.com/ray-dynamic-color
If you want to look closer, download the AE project files here: we.tl/WzbRpVooEp
Also, head over to our site for some process material: tenggrenska.se/work/logo-animation
Bird Rig demo from Håvard Forland Isaksen on Vimeo.
Silhouette Bird rigged in After Effects. The bird is fully costumizeable.
MEGALIZER II from MEGALIZER on Vimeo.
Music by: "edIT" - if you crump stand up => editbeats.com/
Animated by:
Vic CHHUN - [00'05"] William LABORIE - [00'25"] David MAINGAULT - [00'40"] Leyla KADDOURA - [00'55"] Faouzi HAMMADI - [01'10"] Anne-Lou ERAMBERT - [01'25"] Raphaël CHABASSOL - [01'40"] Abdel Raouf ZAIDI - [01'55"] Yvon JARDEL - [02'10"] Thierno BAH - [02'25"] Viviane KARPP - [02'40"] Jeremy PIRES - [02'55"] Delphine DUSSOUBS - [03'10"] Jonathan Djob NKONDO - [03'25"] Mehdi TEBBAKH - [03'40"] Mohamed FADERA - [03'55"]
Organised by: Vic CHHUN & Mohamed FADERA Compositing by Vic CHHUN & Pierre MORIN
Anything but abstract from Christoffer Morales on Vimeo.
This is a little something I've made in-between jobs at work. It started out as just a few motion tests but I thought it would be nice to make it into a bigger thing and actually show it. So this is yet another abstract piece by me!
Animation - Christoffer Morales Sound design - Alexius - soundcloud.com/alexius Font - Woodwarrior by Anton Bohlin
The Jester Till from Uriel Mimran on Vimeo.
Here are a couple scenes from a movie I was supervising on in Munich, back in 2002. There are scenes that make you grow professionnally, and the first one definitely fits that description. 30 seconds long, two characters interacting with each other. Whew. It was a tough assignment.
Still, after all this time I'm still happy about these two shots.
Atcham from Uriel Mimran on Vimeo.
Quelques plans d'Atcham, un des méchants de Dofus, le film.
TWENTYFIVE% from Erik Hellmouth on Vimeo.
Since genetic engineering is getting more advanced and impressive, its hard to not get fascinated of what scientists can do these days. This particular idea came from a swedish tv-show where someone said that he could not eat meat he once had eye contact with, and I thought it was pretty funny said.
This project started out as a still frame for my % serie. erikhellmouth.tumblr.com/image/136485454469
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Sound Design: Christoffer Moe Ditlevsen / Ola Bäckström
" BRAINDUMPS // 2014 " from Erik Hellmouth on Vimeo.
Andrew Chesworth Animation Reel 2011 from Andrew Chesworth on Vimeo.
Samples of my 2D / 3D character animation work.
©Andrew Chesworth 2011 ©MAKE 2011
Week 5
Turns out my roomie was very occupied with homework, so I decided to instead continiue on my previous sketch and fulfill it. It took many hours overall, but hopefully speed will pick up as I progress. All in all it’s just so enjoyable to dance around with the pen and progress at natural pace (natural for my novice skill, that is lol).
Obviously inspired from the legendary ace attourney pose; Phoenix Wright (for the Nintendo DS series) by Capcom.
The hands and body overall was a pain to work with, but I’m glad I actually managed to pull it off. Got some ideas to work on now after this… Yes I know there’s been a ton of art only, but worry not, the next week I’ll try hard to get time to actually animate. My plans for the future involve a lot of 3D modelling, and possibly character animation at a new level. So next week: I will dig into Maya! Not sure what to make yet, though…
Week 4
Well, here we are. Five faces, and fundamental experimenting.
Now this… took much longer to draw than I wish to admit. By the time you’d finish a full comic page/painting, I’ve finished an early draft of a sketched face.
Two days, two long sessions, and I’ve finally begun drawing seriously.
While my skills leave much to desire, I must say I haven’t had this much fun and feel-good in a long time. To sit for hours upon hours and just play around, trial and error, slowly progressing, it has been a blast.
Now, I know I have an incredible LOT to learn, in terms of, well… everything. But I’d be more than happy to hear your thoughts and feedback on my procedures. I’m currently undergoing a lot of tutorials from Schoolism and various guides located through-out the web. But nothing beats personal criticism and suggestions. I’d be eternally happy. I’ve spent most of my “drawing hours” looking at references, trying to understand how they’ve structured and composed their drawing, taking the teachings from the tutorials into practice. Pretty sure I’m not doing this the “most correct/efficient” way, so feel free to comment about it.
Reference #1: Tira Li & Catahee (Planktonheretic) Reference #2: Druid Touch. (ChaloDillo @ DevArt)
I’m thinking about drawing and uploading a draft every Wednesday or so.
Oh, and word of warning. There will be a lot of anthropomorphic art, because of broader practice, and especially broader inspiration. So if you’d by any chance take offence / have huge distaste for that, this might not be a blog for you to follow. Just saying, so we’re clear on that part!
(Note to self: Just… draw. Draw a lot. Nothing else. Just do it).
ZERO-DAY from beeple on Vimeo.
The next world war will not be invisible. | fullscreen please |
After the success of STUXNET, a virus written by the United States to destroy Iranian uranium enrichment facilities, the U.S. government could no longer deny it was developing cyber weapons meant to do physical damage. With US companies and agencies under constant attack from state-sponsored Chinese hackers, it is only a matter of time before tensions boil over and more sensitive infrastructure is targeted. As more of our devices (cars, homes, etc) become connected, we will become more and more vulnerable to the physical threat of cyber warfare.
directed by: beeple video: beeple audio: standingwave
PROCESS VIDEO: vimeo.com/140163256 BEHANCE W/ STILLS: behance.net/gallery/29729491/BEEPLE-ZERO-DAY
download the entire Cinema4D / SFX project files: beeple-crap.com/resources.php
more creative commons: vimeo.com/channels/beeple info: beeple-crap.com daily artwork: facebook.com/beeple | instagram.com/beeple_crap twitter: twitter.com/beeple standingwave: soundcloud.com/standingwave
Ride Of Passage from The Animation Workshop on Vimeo.
Bachelor film project 2012 from The Animation Workshop.
animwork.dk/en/ facebook.com/#!/pages/The-Animation-Workshop-Official-Page/1045254...
Story Toki's tribe expects him to bring home the head of the biggest animal possible. In return, he will receive honor and respect. However, this rite of passage does not turn out as planned. With the help of a colorful new friend, he achieves something much bigger.
By: Christian Bøving-Andersen, Casper Michelsen, Eva Lee Wallberg, Tina Lykke Thorn, Søren B. Nørbæk, Allan Lønskov, Jakob Kousholt, David F. Otzen
rideofpassagefilm.blogspot.com/
Week 3
A shorter one this week, as I went to Dreamhack for a visit, and my original project for this week’s idea has went missing.
The main idea is here though. I’m working with a fun program called WoW Modelviewer, and it’s exactly what it sounds like, a model viewing program for World of Warcraft. I can basically take out any character or creature I want, set them to various poses, and then record them in front of green/bluescreens.
Trying to follow Ola’s example from week 1, to stick to a more limited colorscheme, I decided to work with one of my old mains, a red-transmogged hunter firing ablazed arrows. Hover here for a GIF-demo of how Modelviewer works / looks like. By using a greenscreen rather than a bluescreen, the keylight tool pulled out the green details of the 3D character. This actually made a unexpected change for the better, as the character was now less green and more brown, thus sticking more closer to one solid color scheme.
…more problems occured, though. I originally planned for my hunter to fire a series of arrows throughout 5 seconds as usual, but not only because lack of time, the amount of transitions between certain poses in Modelviewer are extremely few, if you are trying to go for a little more unique/aerial combination of movesets. As you can see, there are no real perfect transitions from any of the poses. I’ll have to reserve more time to explore the program deeper and see which poses have proper transitions.
…But hey! Now you have a small taste of what I used to play around with back in 2011 (Hover here!).
Except more of this popping up now and then :>
