HELLO and GOOD MORROW to the influx of readers to my Kendall x Jess fic who came inĀ AFTER HE YELLED AT HER.
Itās called āThe Desert.ā I hope you like it here. Next chap coming up.Ā
Peter Solarz
šŖ¼
cherry valley forever
Cosimo Galluzzi
he wasn't even looking at me and he found me
AnasAbdin
Jules of Nature

blake kathryn

titsay
Monterey Bay Aquarium
we're not kids anymore.
trying on a metaphor
noise dept.

No title available
I'd rather be in outer space šø
i don't do bad sauce passes

#extradirty
h

romaā
Lint Roller? I Barely Know Her

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@mspenelopelane
HELLO and GOOD MORROW to the influx of readers to my Kendall x Jess fic who came inĀ AFTER HE YELLED AT HER.
Itās called āThe Desert.ā I hope you like it here. Next chap coming up.Ā
A Loathsome Lodestar ā Mon Mothma x Orson Krennic drama angst fic.Ā A Mothic Romance. Orson Krennic uses Mon Mothma as a way to further his superweapon project. What he didnāt count on were her feelings (not to mention his own). Their choices over the final months of the Clone Wars dictate every breath they take for the rest of their lives. Much romance. So angst. Slow Burn. If you are looking for a happy ending, you may want to look away.
https://www.fanfiction.net/s/12314774/1/A-Loathsome-Lodestar
Mon Mothma in the Andor Season 2 Trailer
Ben Mendelsohn in Andor Season 2 Official Trailer
I just fell to my KNEES
Anyway. Read my crack ship fic from 2017 (written in world where Krennic and Mothma did NOT even meet in canon š„¹):
https://archiveofourown.org/works/9265445/chapters/20999543
Obsessed with character.ai rn
Hey, I'm reading The Desert and loving every bit of it. I'm obsessed, really. I wanted to ask you if you had any songs in mind for them.
Thank you in advance for your answer.
Contrats for your writing.
Xx
Hello!
Thank you so much for reading!! Iām so happy you are enjoying it. As for music, thereās a slight Beatles motif in the most recent chapters. I also think of āMona Lisas and Mad Hattersā and Iāll be extending the musical motif into upcoming/final chapters, but I donāt want to give away the songs yet š«£
Iām slow to update, but Iāll be back to writing soon.
Thanks for your words!
You can tell she started practicing her resignation speech that night.
āI WILL be taking a sick day for this party.ā
Oasis, in which Ray is proven to be the asshole we all knew him to be, Kendall Roy becomes a white knight for the MeToo movement and Jess says āfuck you.ā š„°https://archiveofourown.org/works/46262341
An Archive of Our Own, a project of the Organization for Transformative Works
you're literally my hero for writing that romanwilla fic years ago. i go back to it like every week and i desperately wish there was more out there for them. you're truly a prophet ahead of your time. thank you for your service. š«¶š«
Ahhhhh! Thank you so much!! š that little fic is very dear to me and Iām so glad you like it!!!
I was so pleased to see that moment between them on the stairs in Rehearsal ššI do wish there were more moments between them. I have to comb through the scripts now that I have them to see what else I can find.
You can tell she started practicing her resignation speech that night.
SUCCESSION āøSeason 1 | Season 2
Bonus
So some folks say Jess is out of character here. And that is validāI can totally see it. But I think thereās room for another interpretation here (as usual with Successionās writing!)
Letās rewind a little bit and see where these lines end up in the course of the scene (because that was my first question when I saw thisāāwhere does this happen?ā)
Kendall has made it clear (ānot going to let her upā) that theyāre having this talk whether she wants to or not. But Jess has already made her decision. Like so many other instances, Kendall is too late. The die is already cast. This relationship has reached the point of no return.
She presents her speech that sheās prepared, trying to navigate this with resolveāand to end on a good note. This is not a āfuck you, Iām quitting speech.ā
But what type of conversation does this end up being?
Kendall becomes increasingly desperate (all happening within an hour of his breakdown with Rava and the kids) but Jess is resolved. Throughout the course of their interaction, he tries different tactics, different appeals (access, liking one another, anger, truth; in this draft he specifically asks about Mencken twice and both times she chooses to not give him a true answer. He knows itās Mencken.)
He wants her to answer his questions (Juliana Canfield has said Jess is not the type to speak up about things but that sheās āstarting to pick up on [being feisty.]ā ā as she mentioned in the Vulture article right after America Decides premiered.
Sheās making a tough decision, but sheās still avoiding āgetting into itā while also not sugar coating and saying āitās not Mencken! Donāt worry!ā Sheās toeing the lineāand doing a fucking professional job of it.
Part of jessā job is give Kendall answers, especially when he pointedly asks her questions. But here we see her dodge them repeatedly, with half or vague answers or she chooses to not answer them outright (like when he asks āwhat exact roleā was she moving on to). Again, she doesnāt want to get into it, but sheās also not going to lie. She also now does not owe him answers.
Jess is navigating this extremely tough conversation because she does care about Kendall but sheās taking care of herself. (JC said on twitter:
Sheās being careful to not answer questions and she knows Kendall is starting to spiral (because she knows him really, really well.) sheās reading the room; he is not (or cannot).
So here we areāwe see him inquiring about whether she likes him (as he mentions he likes her three times) as a question in a long string of questions as he spirals and tries desperately to hang on to, as Jeremy Strong said, his āsafe spaceā that heās found with her. Heās doomed to lose her as his fights this mortal wound.
We also see her cite the āhard timeā as something of a general reason for her moving on. Because her answer to ādo you like meā is YES, but she knows she canāt say that now. If she does, heāll use it as a way to try to convince her, to draw out this awful conversation minutes before his fatherās funeral.
And he collapses into himself, throws his shades on to hide his emotions and lashes out at her for doing exactly what he asked her to that morning, which was tell him what the meeting was about š©.
Also, donāt mind the highlights. Theyāre for research purposes only š¤
Kendall likes the drama of public interactionsābut is sure to let Jess know sheās on speaker š¤š¤š¤š¤š¤
Oh just Kendall trying to shield Jess from Roman, calling her J each time OKKKKš
Oh ME? FINE. Iām FINE. WHY DO YOU ASK