a comic drawn by leslie ewing published in the program guide for the march on washington for lesbian gay and bi equal rights and liberation, april 1993

Kiana Khansmith
macklin celebrini has autism
Fai_Ryy
PUT YOUR BEARD IN MY MOUTH
No title available
almost home

@theartofmadeline
art blog(derogatory)
Sweet Seals For You, Always
Sade Olutola

ellievsbear
official daine visual archive
No title available
RMH
No title available
🩵 avery cochrane 🩵
tumblr dot com
No title available

No title available
Xuebing Du
seen from France
seen from United States
seen from Russia

seen from Türkiye
seen from United States
seen from Indonesia
seen from Peru
seen from Finland
seen from United States

seen from United States
seen from Brazil

seen from United States

seen from United States

seen from Netherlands
seen from Ecuador

seen from United States
seen from France
seen from United Kingdom
seen from Hong Kong SAR China

seen from United States
@muffdagger
a comic drawn by leslie ewing published in the program guide for the march on washington for lesbian gay and bi equal rights and liberation, april 1993
[“Child removal proved to be a profitable career path for many white women. The civilizing machine required humans to run it: white women teachers. The boarding school movement presented them with significant new career opportunities. Middle-class white women in the mid- to late nineteenth century were still largely confined to the private sphere. But civilizing the West was deemed an appropriate extension of women’s domestic duties. This “manifest domesticity,” in scholar Amy Kaplan’s memorable phrase, thrust white women’s work into the center of the settler colonial enterprise. White women could respectably extend their own realm of power and influence through adopting a maternal attitude that saw Natives as children in need of their guidance. According to historian Margaret Jacobs, “the majority of boarding school employees nationwide” were white women.”]
Kyla Schuller, The Trouble With White Women: A Counterhistory of Feminism
Sophie Lécuyer (French, b. 1987, Épinal, France) - From series The Time Of Anemors, 2016 Etchings, Aquatints printed in Green Ink on Fabriano Paper
The work of artist David Curcio
1. Happy House, 2007
2. Ice Age, 2007
3. Mirage, 2007
Dinner for one tea light holders. Clay and acrylics, 2021. instagram
The work of artist David Curcio
1. …Who Shall I Say…, 2012
2. Bad Dreams, 2010
3. What Will You Do…?, 2012
4. Sunny’s Burning (Flame On!), 2012
5. The Hour of Defeat, 2011
6. What Will Survive of Us Is Nothing, 2011
7. Joyce Carol Oates: Never Stay a Minute Too Long/Don’t Forget the Best Will Go Wrong, 2013
The Court Wizard and His Apprentice (it's his first day, be nice.)
[ID in alt text]
Foie 2021 --- photo is of gaby herstik
Three Black Cats by Maud Lewis, 1955
Cory Feder - "Same Place, Different Time" Original Work
listen this isn’t rat related but I’m going off the walls right now this is literally so fucking funny
orange bear puppet: i think tutter’s looking a little tired, don’t you?
tutter (mouse puppet): [panting and screaming]
Embroidery from The Jewish Museum, New York’s Collection.
PLEASE SPREAD
the west end islamic center in located in glen allen, virginia experienced 2 vandalisms within the first 6 months of opening — one of them during Ramadan. they've set up a donation page on their website so they can restore their mosque and install a security system.
My Cat, Keiko Hiratsuka Moore.