John Gutmann Heading to the King Zulu Ball, New Orleans 1937
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@myhelenefff
John Gutmann Heading to the King Zulu Ball, New Orleans 1937
da5
Opeyemi Olukotun.
Opeyemi Olukotun (Nigerian, 1989), The Weight They Cannot See, 2024. Acrylic on canvas, 60 x 48 in.
Photo by Bruce Weber, 2010
Lee Miller. Piano by Broadwood, London, England 1940.
Helena Georgiou
She stunned the world as the Machine-Human in Metropolis—then walked away from it all.
Brigitte Helm was just 17 when she became an icon. Cast as both the innocent Maria and her mechanical double in Fritz Lang’s Metropolis (1927), she delivered a performance that defined silent film science fiction. Her expressive range and haunting beauty captivated audiences across the globe.
Helm went on to star in a string of provocative films, including Alraune, a dark tale of scientific manipulation and identity. But as the 1930s unfolded, Helm became increasingly disillusioned—both with the roles being offered to her and the political climate overtaking Germany. In 1935, she left the film industry and the country entirely, quietly relocating to Switzerland.
She turned down Nazi propaganda film offers and rejected the fame she once had, choosing instead a life of privacy and principle. She rarely gave interviews and never returned to the screen. When she passed away in 1996, at age 90, it marked the end of a luminous yet quietly defiant life.
Helm remains a symbol of early cinema’s golden age—and of the strength it takes to walk away when your heart tells you it’s time.
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I went back in time to places that were oh so beautiful,
To wonderful people, to pure hearts and oh so precious,
To people who changed and to those who changed me ,
To people who were able to make me happy,
To people who I don’t know what happened to them,
Who …. at one time were everything…
... flower power ...
📷 Robert Mapplethorpe