By yama-bato
RMH
Alisa U Zemlji Chuda
Keni
styofa doing anything
One Nice Bug Per Day
No title available
KIROKAZE
occasionally subtle
let's talk about Bridgerton tea, my ask is open
h

❣ Chile in a Photography ❣
AnasAbdin
hello vonnie

No title available

⁂
Today's Document

izzy's playlists!
tumblr dot com
ojovivo
TVSTRANGERTHINGS

seen from France

seen from United States
seen from Türkiye
seen from Iraq

seen from United States
seen from Belgium

seen from United States
seen from Germany

seen from France
seen from United Kingdom

seen from Türkiye
seen from Germany

seen from Germany

seen from Singapore

seen from United States
seen from Netherlands

seen from United States

seen from Azerbaijan

seen from Germany

seen from United Kingdom
@nabulione
By yama-bato
A diminutive stone circle at Kealkil, Co. Cork. These moments typically date to the Bronze Age
The Rue Montorgueil, Paris, 1878, Claude Monet
Holme Fen, Cambridgeshire, England by John Checkley
The Ghost and Mrs. Muir (1947) dir. Joseph L. Mankiewicz
Lunar night, 1870, Ivan Aivazovski
Impression, sunrise, 1873, Claude Monet
Medium: oil,canvas
1.
Willem van de Velde, the Elder
The Battle of Livorno
1654, pen and ink on white prepared ground, Rijksmuseum, Amsterdam
Arashiyama by Bernard Languillier
Henri Chapu (1833-1891) “Jeanne d'Arc à Domremy” (“Joan of Arc in Domremy”) (1872) Marble Neoclassical Located in the Musée d'Orsay, Paris, France
Harry Dean Stanton: Partly Fiction(2012) dir. Sophie Huber
Portrait of an Old Man with Beard, 1885, Vincent van Gogh
Medium: oil,canvas
The Port of Bordeaux, 1871, Edouard Manet
Medium: oil,canvas
Takeshi Kitano, Hana-bi, 1997
“Let everything that’s been planned come true. Let them believe. And let them have a laugh at their passions. Because what they call passion actually is not some emotional energy, but just the friction between their souls and the outside world. And most important, let them believe in themselves. Let them be helpless like children, because weakness is a great thing, and strength is nothing. When a man is just born, he is weak and flexible. When he dies, he is hard and insensitive. When a tree is growing, it’s tender and pliant. But when it’s dry and hard, it dies. Hardness and strength are death’s companions. Pliancy and weakness are expressions of the freshness of being. Because what has hardened will never win.”
Stalker (1979, Andrei Tarkovsky)
cinematography by Aleksandr Knyazhinskiy, Georgi Rerberg, and Leonid Kalashnikov