Marlene Dietrich in BLONDE VENUS 1932 | Josef von Sternberg
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Marlene Dietrich in BLONDE VENUS 1932 | Josef von Sternberg
DIE WITH A SMILE (2024)
I can't see me cry
can't see me cry
ever
again.
THE WOMEN (1939) Dir. George Cukor
Source: Modern Screen Magazine (November 1930)
Carol (2015) dir. Todd Haynes
Dreamy mood in the paintings by Henri Le Sidaner (French, 1862-1939)
Joan Crawford 1935, photo by Hurrell
THE BRIDE WORE RED (1937) — dir. Dorothy Arzner
𝐚 𝐥𝐢𝐭𝐭𝐥𝐞 𝐰𝐢𝐭𝐜𝐡 ✨
you can find more of my art here 🥺
MICHELLE YEOH wins BEST ACTRESS at the 29th SAG Awards
strong contender for pic of all time
the holy trinity of blonde repressed lesbians who have tough exteriors and soft gooey centers
LAURA PETERSON + looks
bonus:
In the opening scene of Todd Haynes’ Carol (2015), Cate Blanchett’s eponymous character places a hand on the shoulder of Rooney Mara’s Therese as they apparently bid goodbye to one another. The narrative subsequently tracks back to the pair’s first meeting before following their relationship chronologically. When, just under two hours later, the action returns to that same moment in context, the electricity sparking from a tumult of passion, loss, restraint and resolve - conducted by that hand and shoulder - is almost overwhelming. (x) Carol (Dir. Todd Haynes, 2015)