autumn leaves

˚. ⋆ ☾ ⋆⁺₊ ✧ laura. 1999. 𝐚𝐫𝐭 ⋆｡𖦹°⭒˚｡⋆ "what horrifies me most is the idea of being useless"

[lindadarnell]

Marlene Dietrich in BLONDE VENUS 1932 | Josef von Sternberg

[alicerohrwacher]

DIE WITH A SMILE (2024)

[bedtmestories]

I can't see me cry

can't see me cry

ever

again.

[ironmaidenhead]

THE WOMEN (1939) Dir. George Cukor

[spellboundcinema]

[bygone-hollywood]

Source: Modern Screen Magazine (November 1930)

[galinda-uplands]

Carol (2015) dir. Todd Haynes

[die-rosastrasse]

Dreamy mood in the paintings by Henri Le Sidaner (French, 1862-1939)

[screengoddess]

Joan Crawford 1935, photo by Hurrell

[opsena]

[rhettroblues]

THE BRIDE WORE RED (1937) — dir. Dorothy Arzner

[narcisablackk]

𝐚 𝐥𝐢𝐭𝐭𝐥𝐞 𝐰𝐢𝐭𝐜𝐡 ✨

you can find more of my art here 🥺

[galindaelphaba]

MICHELLE YEOH wins BEST ACTRESS at the 29th SAG Awards

[beaunydoorin]

strong contender for pic of all time

[lizmitches]

the holy trinity of blonde repressed lesbians who have tough exteriors and soft gooey centers

[alexcabotgf]

LAURA PETERSON + looks

bonus:

[snstitre]

In the opening scene of Todd Haynes’ Carol (2015), Cate Blanchett’s eponymous character places a hand on the shoulder of Rooney Mara’s Therese as they apparently bid goodbye to one another. The narrative subsequently tracks back to the pair’s first meeting before following their relationship chronologically. When, just under two hours later, the action returns to that same moment in context, the electricity sparking from a tumult of passion, loss, restraint and resolve - conducted by that hand and shoulder - is almost overwhelming. (x) Carol (Dir. Todd Haynes, 2015)