I just added a new piece of art to Saatchi Art! Composition with Three Trees
untitled
Show & Tell

No title available
The Bowery Presents

shark vs the universe

#extradirty

Origami Around
h

blake kathryn
almost home

Game Changer & Make Some Noise
noise dept.

gracie abrams

❣ Chile in a Photography ❣
Aqua Utopia|海の底で記憶を紡ぐ
Lint Roller? I Barely Know Her
Sade Olutola
macklin celebrini has autism

Product Placement
todays bird
seen from United States

seen from Ukraine
seen from United States
seen from United States
seen from Brazil
seen from Vietnam

seen from United States
seen from Germany

seen from Malaysia
seen from Spain
seen from Colombia
seen from United States

seen from Malaysia
seen from Bangladesh
seen from Vietnam

seen from Singapore

seen from Philippines
seen from Germany

seen from T1

seen from Malaysia
@nathanflis-art
I just added a new piece of art to Saatchi Art! Composition with Three Trees
I just added a new piece of art to Saatchi Art! Abstract Seascape
I just added a new piece of art to Saatchi Art! Abstract Seascape
I just added a new piece of art to Saatchi Art! Abstract Seascape
View Nathan Flis’s Profile on Saatchi Art. Find art for sale at great prices from artists including Paintings, Photography, Sculpture, and Prints by Top Emerging Artists like Nathan Flis.
The great divide (another detail)
Rifts in the earth (detail)
Rifts in the earth
Begun November 2012; completed August 2013
India ink and graphite on Arches paper
22 x 30 in.
Figures toil on the surface, either to harvest from or reconstruct these wounds in the earth, while others seek repose under trees that double as smoke stacks.
Inspired by Georg Philipp Telemann’s Changeante (early 18th century), an overture for strings characterized by unpredictable changes in melody. In the past, ‘changeante’ was often invoked with reference to changes in the humours or temperaments.
There are pleasures divine
Begun March; completed August 2013
India ink and graphite on Arches paper
22 x 30 in.
A parade of figures and birds pass underneath a tree-like structure, which is full of star-like shapes, the “seeds of matter” that give rise to life’s diversity. Below, the tree’s roots are interspersed with fish, frogs, oysters with pearls, and plant life.
Soul of the World! Inspir'd by thee [Cecilia or music],
The jarring Seeds of Matter did agree,
Thou didst the scatter'd Atoms bind,
Which, by thy Laws of true proportion join'd,
Made up of various Parts one perfect Harmony.
Title drawn from Henry Purcell’s music for the play, Timon of Athens (after 1678); and the lyrics quoted are from Purcell and Nicholas Brady’s Ode to St. Cecilia (1692)
There are pleasures divine (detail)
nathanflis.com
As steals the morn (detail)
nathanflis.com
As steals the morn
Completed September 2013
Pen and India ink on Arches paper
22 x 30 in.
The sun breaks over the clouds, which contain the dark materials, or stuff of the world’s creation. Instead of overtaking the darkness, a balance is struck between light and dark.
As steals the morn upon the night,
And melts the shades away:
So Truth does Fancy's charm dissolve,
And rising Reason puts to flight
The fumes that did the mind involve,
Restoring intellectual day.
Lyrics from George Frederick Handel’s ode L’Allegro, il Penseroso ed il Moderato (1740), based on the poetry of John Milton, rearranged by Charles Jennens. L’Allegro is the joyful man, and il Penseroso is the contemplative/melancholy man in Milton’s original pastoral ode (1645); il Moderato is the happy medium added by Jennens to create a third movement for Handel’s music.
View other drawings from this series
Rifts in the earth (detail)
About these drawings: FIGURAL LANDSCAPES
View other drawings on my website
The great divide (detail)
The great divide
Completed September 2013
India ink and graphite on Arches paper
22 x 30 in.
A group of figures attempts to span a lake with ropes, a seemingly futile exercise. The lines crisscross, passing through the tree on the right, and are anchored by the roots of the tree on the left.
Initially inspired by a crescendo moment in the Kyrie of André Campra’s Requiem (c.1723), which is accompanied by the ‘tugging’ of strings.
View other drawings from this series on my website
Cortège (detail)