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Haendel : Concerto pour orgue, en la majeur, HWV 307 (II-A tempo ordinario)

The Amsterdam Baroque Orchestra

Ton Koopman (orgue et direction)

Enr. 1984

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Six Lieder, Op.13 - 6. Die stille Lotosblume

Barbara Bonney, Soprano and Vladimir Ashkenazy, Piano

Clara Schumann, Composer / Librettist: Emanuel Geibel (Nos.3, 4, 6)

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Harpsichord Concerto No.2 in E major, BWV 1053 - II. Siciliano

By Composer Johann Sebastian Bach - Conductor Ivor Bolton, David Ponsford (harpsichord) and The St. James Baroque Players

J.S. Bach: Harpsichord Concertos ℗ Regis (2000)

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Keyboard Sonata In D Minor, K.34 ; L.S7 ; P.15 - By Composer Domenico Scarlatti - Scott Ross, Clavicembalo (No.34)

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Sonata No.3 In A Minor, RV.43, Op.14 - IV. Allegro 

By Composer Antonio Vivaldi

Jaap Ter Linden (Cello) ~ Lars Ulrik Mortensen (Harpsichord) 

“Rococo Music Scene” By Artist Antonio Zoppi (1860-1926)   

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Aaron Copland - Appalachian Spring Suite, II. Allegro

Conductor - Leonard Bernstein

Performed by - New York Philharmonic

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Requiem For Maurice Ravel 🎵

(March 7, 1875 - December 28, 1937) 

String Quartet In F Major ( Written In 1903 )

I. Allegro Moderato : Tres’ Doux II. Assez Vif. Tres’ Rythme III. Tres’ Lent IV. Vif et Agite

By Composer Joseph Maurice Ravel

Performed By The Alban Berg Quartett

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Requiem For Fryderyk Chopin 🎵

(March 1, 1810 - October 17, 1849)

Ballade No. 2 In F Major, Op. 38 

By Composer Fryderyk Franciszek Chopin

Idil Biret, Pianist

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Tchaikovsky Symphony No.4 2nd mov.

Live at Powell Hall (3.14.2015)

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Concertino Pour Flûte, Op.107

By Composer Cécile Chaminade 

Bülent Evcil, Flute and Phillip Moll, Piano 

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George Frideric Handel (1685-1759) - March in D-Major for Trumpet, 2 Oboes, Bassoon and Continuo, HWV 416. Performed by Il Complesso Barocco on period instruments.

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Fryderyk F. Chopin 

“His music was spontaneous, miraculous. He found it without seeking it, without previous intimation of it. It came upon his piano sudden, complete, sublime, or it sang in his head during a walk, and he was impatient to hear it himself with the help of the instrument. But then began the most desperate labor that I have ever witnessed. It was a succession of efforts, hesitations and moments of impatience to recapture certain details of the theme he could hear; what he had conceived as one piece, he analyzed too much in trying to write it down, and his dismay at his inability to rediscover it in what he thought was its original purity threw him into a kind of despair. He would lock himself up in his room for whole days, weeping, pacing back and forth, breaking his pens, repeating or changing one bar a hundred times, writing and erasing it as many times, and beginning again the next day with an infinite and desperate perseverance. He sometimes spent six weeks on one page, only in the end to write it exactly as he had sketched at the first draft.”

( Written by George Sand )

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A daily dose of Bach 

Ach Gott und Herr, BWV 714    

Piet Kee, organ

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Fantasiestücke, Op.12 - IV. Grillen In D♭ Major

Composition Year : 1837 (July)

By Composer Robert Schumann

Dubravka Tomšič Srebotnjak, Pianist

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Trois Gymnopédies, IES 26 : I. Lent et douloureux   II. Lent et triste  III. Lent et grave

By Composer Erik Satie

Håkon Austbø, Piano

“Portrait of Erik Satie at the harmonium” (c.1890′s) By Artist Santiago Rusiñol

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Beethoven : Sérénade, en ré majeur, Op. 8. (III-Adagio-Scherzo-Adagio-Allegro molto)

Grumiaux Trio (Arthur Grumiaux : violon, Georges Janzer : alto, Eva Czako : violoncelle)

Enr. 1968. 

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Francois Boieldieu | Arp Konçertosu, Allegro agitato