Jon-El @never-the-one-nathanrivier - Tumblr Blog

I would love to see more cherik mpreg stuff! Maybe more from the au where Charles tries to baby trap Erik to stay at the mansion?? I love your style and your ideas!!

glad you like this concept as much as i do ❤️‍🔥 this is a scene from the fic by @dorkysunflower219, which is inspired by the same au! if you haven’t read it yet you MUST bc it’s so immaculate and on point with what i imagine how cherik’s dynamic would be

gilderoy-lockhart-n1fan

So sick of the "Neville's boggart" argument, like, GUYS, it's obviously meant to represent Neville's fear of disappointing stern figures of authority, he also said he didn't want it to turn into his grandma either. It's clear that, to him, they're on the same level and replacing one with the other wouldn't help.

McGonagall was Hermione's boggart and she obviously represented her fear of failure.

And Lupin's boggart was just a full moon, c'mon guys, think, do you really believe Remus Lupin is afraid of the moon? They're all meant to be symbolic, it's about what it symbolizes!!

kateksmallcuteowl

Cherik the morning after the Paris Proposal. Part 2/2

Erik, no, no kisses!

worldwright

his little sister has grown up and he finally accepts that her path is her own

he trusts Erik with his little sister. even now. he trusts him

velvet4510

“All those years wasted fighting each other, Charles … to have a precious few of them back …” is one of THE most romantic lines in movie history and I don’t get how anybody can possibly be blind to their being in love when these are canonical words, spoken in the most passionate and profound delivery by Sir Ian McKellen (the LONGING in his voice, you guys), followed by Sir Patrick Stewart managing to convey a million different emotions without moving a single facial muscle in the reaction shots, and then a closeup of their hands perfectly fitting together like puzzle pieces. This is some Wuthering Heights-level yearning; it ain’t subtle. I’ve heard some people say this doesn’t really count as an apology, and those people have zero media literacy; this is an even MORE powerful statement than either “I’m sorry” or “I love you” could ever be. It’s the echo of the theme of “Time in a Bottle,” which not so coincidentally earlier played in the scene where the two of them are saved from a brutal death by their son in the past. It’s a perfect summary of the entire tragedy and beauty of their relationship.