Prada’s posse react for Spring Summer 2014’s video offering from the indubitable house.

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Today's Document
DEAR READER
Mike Driver
trying on a metaphor
Sweet Seals For You, Always
todays bird
Not today Justin

if i look back, i am lost

tannertan36
d e v o n
$LAYYYTER
Lint Roller? I Barely Know Her
we're not kids anymore.
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almost home
taylor price

pixel skylines
Cosmic Funnies

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@newyorkeur
Prada’s posse react for Spring Summer 2014’s video offering from the indubitable house.
Mood board, early 2014
Post-holidays winter months can be challenging. One experiences the emotional slump after a full month of social engagements, gift-giving, rich foods, and (probably) stress. And the payoff can be hard to find! The days are still short, dark, and cold. No wonder wellness resolutions fall apart pretty quick, eh?
Still, I find something cleansing about the frigidity of a New Year, in this part of the world where January is typically snowy and dark. The pastels on the runway this past season--along with the prevailing love of the 1990s going on lately--have brought me back around to pinks. How perfect, then, that Pantone would pick Radiant Orchid as its color of 2014.
Last year for me was a lot about reds and Flemish details, but I feel something decidedly softer may be in the forecast this year. I took advantage of the after-holiday sales to pick up some beautiful calf-hair and leather gloves from Banana Republic (they're on sale and still available!) in a fuschia pink, and one of J. Crew's wonderfully-fitting boyfriend sweaters in a neon coral. 2013 was a big year for me in experimenting with fashion, so 2014 is about continuing to find new ways to be expressive, with a more editorial eye. Right now: a color pallette of black with minty greens and pinks. Black over-the-knee boots with green silk blouses peaking out from a black cocoon coat, and these sweet pink gloves for a pop of color, like dormant bare trees reminding you that they will bud and flower in a few months. Until then, brew some tea and rest up.
Diane Kruger in Mary Katrantzou resort 2014.
In other news, I'm flailing.
When I started going to shows in the early nineties, when I was at British Vogue, nobody could see the clothes except the buyers and the press, and then the customer saw it when it came out in the magazine and the stores. Now, you have a show, it's on Style.com, and as a consumer, I can look at those pictures for six months before the product gets into the store. When it finally does get there, I feel like it's been overexposed. There's sort of a fatigue to it. By the time it's in the stores, she's already seen the next collection, so she wants that. I want to create that excitement for the customer again, and also put clothes in the right season: what you want to wear when you want to wear it.
Tamara Mellon talks her new namesake collection and shaking up the fashion industry with STYLE.com
Wicked Clothes presents our latest item: the ‘Neutral’ Sweater!
"If you are neutral in situations of injustice, you have chosen the side of the oppressor. If an elephant has its foot on the tail of a mouse, and you say that you are neutral, the mouse will not appreciate your neutrality." — Desmond Tutu
Use coupon code ‘TUMBLR’ for an EXTRA 20% off your ENTIRE order!
Hurry and order now!
If you feel like making as much impact as possible with the sweatshirt trend, here's an idea.
I share concern for the emasculation of black men in our country today. But I don’t see it happening in instances of creative men stepping outside of the box and expressing themselves through fashion—to me, those are defiant acts of freedom. Instead, I see emasculation through the outlandish prison rates of black men in America or oppressive policies like stop-and-frisk that target young black men and turn them into statistics.
From “Black Man in a Dress” by Wilbert Cooper in VICE.
Nicki Minaj featured in W magazine transformed by Francesco Vezzoli. Director of photography: Pasquale Abbattista. Styled by Edward Enninful. Hair by Terrence Davidson at I.A.T. Management. Makeup by Aaron de Mey for Lancôme at Art Partner. Set design by Stefan Beckman at Exposure NY.
1 - Nicki Minaj as Françoise Athénaïs de Rochechouart de Mortemart, Marquise de Montespan
Dior Haute Couture’s silk embroidered ensemble. Saint Vintage brass and vintage Czech glass bead necklace (in hair); David Yurman 18k yellow gold and pearl necklace.
Françoise Athénaïs de Rochechouart de Mortemart, Marquise de Montespan by Elle Louis-Ferdinand.
2 - Nicki Minaj as Marie Jeanne Bécu, comtesse du Barry
Dior Haute Couture’s silk chiffon embroidered dress. Mastoloni 18k white gold, cultured pearl, and diamond bracelets; vintage Manolo Blahnik shoes.
Marie Jeanne Bécu, comtesse du Barry by Francois-Hubert Drouais.
3 - Nicki Minaj as Jeanne Antoinette Poisson, Marquise de Pompadour
Western Costume Company’s lace and silk brocade dress. Mastoloni 18k white gold, cultured pearl, and diamond bracelets.
Jeanne Antoinette Poisson, Marquise de Pompadour by François Boucher.
4 - Nicki Minaj as Madame Barbe de Rimsky-Korsakov.
Vera Wang’s garza and French tulle ballgown.
Madame Barbe de Rimsky-Korsakov by Franz Xaver Winterhalter.
NICKI MINAJ AS MME DE POMPADOUR YESSSSSSSSS
DIY Know Your Shoes Guide from Enerie here. My favorite shoes aren’t listed yet - Louis Heels which were popular in the 1920s. First seen at inspiration & realisation’s Facebook page.
Well hello, fashion vocabulary.
Cheap garment-factory labor doesn't always equal cheap clothes. The availability of low-cost workers has sent mass-market clothing labels of all stripes—H&M, Gap, Wal-Mart, Zara and others—into Bangladesh's $20 billion garment industry. But designer brands including Giorgio Armani, Ralph Lauren and Hugo Boss also have outsourced manufacturing to Bangladesh, where worker safety has become a huge issue following several fatal accidents. Indeed, high-end labels often use the same factories as their discount peers.
"What Do Armani, Ralph Lauren and Hugo Boss Have in Common? Bangladesh," by Christina Passariello, Tripti Lahiri, and Sean McLain, Wall Street Journal
raf is crusty as f*ck number one crusty arse award
In other news, Raf Simons is insane.
Thinking aloud: the perfect wardrobe
Since I’ve started this blog I’ve been thinking a lot about the perfect wardrobe. Obviously the word “perfect” tends to connote something universal in its idealism, which isn’t necessarily what I’m getting at, so I’ll be more specific. I’ve been thinking about how to build the kind of wardrobe that speaks perfectly to me on a variety of levels. In particular,
It’s small in size but endlessly versatile.
The pieces are good quality and help create a physical presence that is appealing to me (what some would call “flattering”).
And importantly, it makes a clear statement on my aesthetic tastes.
If you’re thinking that it sounds like a daunting task, you’d be right. This is the work that is the livelihood of stylists, designers, editors, and some bloggers—I concede, of course, that it’d be wrong to pretend like these roles are all synonymous—and it takes a great amount of time, thought, and creativity. It also takes, I’ve noticed, some discipline. After all, it might be all fine and good to buy anything that catches your fancy and think about fitting it into your wardrobe later, but if the goal is a clear point of view that is efficient, impactful, and high quality, suddenly you have a lot more questions for that pair of peep-toe booties than you thought. Don’t I already have a pair just like this? How many things can I wear this with? Does it really make sense in the context of my overall look?
And, let’s be real, it’s hard to stay focused when matters of price point, size availability, and the origins of the things we wear are salient. It’s easy for some of us to preach the Investment Piece ethos of buying fewer high-quality things, but it’s not always/ever an option to everyone. Sometimes disciplined wardrobe building is a reflection of luxury; other times it’s just kind of forced on you, especially if you’re poor, fat, or uncomfortable with what’s offered to you.
Nevertheless, I think there are a lot of ways to be creative in this process, and there are a lot of benefits to building a directional wardrobe, in addition to those above. Fashion is a reflection of our times and sensibilities, and having a honed awareness of your place within that moment—a sartorial opinion, if you will—is not just chic. It’s courageous. Call any revolutionary moment to mind and you won’t have to dig deep to find a look that told the world who was committed and not afraid to show it. Images are powerful, and the fashion industry continues to spark endless controversies over violent and racist images in advertisements and editorials. But there are also amazing examples all over the Web and in magazines and design houses of people making themselves visible through fashion, from queer hard femmes to gender-bending models. And how revolutionary is it, after all, for many of us to dress in the morning with the goal of looking as much like ourselves as possible? If not revolutionary, then at the very least it’s a lot of fun.
I’ll be writing more on this in the next few weeks, so keep your eyes peeled for more!
I feel fairly certain that 16-year-old fashion boys, and probably some 25-year-olds, were on their computers on Wednesday night, dying over these clothes.
Cathy Horny on Raf Simons SS14.
(via vl4da)
Prada, too. Pretty much the only time I've ever envied men anything.
Beautifully vibrant hair in “The Faces” for Fallen Magazine Australia October 2012
Outfit ideas: Day at the museum
So let's say you're meeting someone for the first time. They might be cute and interesting, who knows. It's just a hypothetical. We won't call it a date, and this might just be me, but dressing up for dates is passé anyway. However, let's also just say you've been dying to break out some Carven and work those summer whites. Nothing wrong with dressing to impress if the point is to make this cute stranger understand your closet is on-point, right? Because it's not a date. Just a hypothetical.
Carven printed shirt / J.Crew chino shorts / Jeffrey Campbell Oxford shoes / Rag & Bone Pilot satchel / Carven perfume
Real talk: I need these.
Congrats to Eva on this very exciting news.
Whoa. Go Eva!
FASHION: Givenchy Resort 2014
Givenchy’s upbeat resort 2014 collection was a cool mix of florals, trench coats, denim, suits, lace, and white. Anyone who’s had an eye on past collections will recognize this as a ‘collection cousin’. More after the jump:
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Givenchy just keeps getting better and better.