We're an angel / a witch / christ & a demon / a witchfinder / the adversary [...] we're hereditary enemies.
&& Last scenes.

JVL
h

oozey mess

No title available
styofa doing anything
will byers stan first human second
I'd rather be in outer space 🛸
taylor price

No title available
Peter Solarz
Jules of Nature

Kaledo Art
Three Goblin Art
tumblr dot com

@theartofmadeline
art blog(derogatory)
Sade Olutola

PR's Tumblrdome

⁂
trying on a metaphor
seen from United States

seen from United States

seen from Malaysia

seen from Malaysia

seen from United States

seen from Türkiye
seen from France

seen from Malaysia
seen from United States
seen from United States
seen from United States

seen from Russia
seen from United States

seen from Malaysia
seen from United States
seen from United States
seen from United States
seen from United States
seen from Greece

seen from United States
@nicgoldomens
We're an angel / a witch / christ & a demon / a witchfinder / the adversary [...] we're hereditary enemies.
&& Last scenes.
LORD ARCHDUKE SLORCH THE VILE and Angel Crowley <3
S2E2
"Sherry for me, please, a large one."
Thank you for the wonderful suggestions @queerbookbitch ! I think we all love this scene <3.
wanted to do a color study! :)
A bright light, perhaps of nothingness and perhaps of everythingness, shone through the bookshop windows, illuminating all the empty books as God and Satan listened to Aziraphale and Crowley’s decision.
“We know what we’re asking for,” Aziraphale said. He and Crowley joined hands, staring down their maker.
Behind them, the shop bell jingled urgently.
A humanoid being barged through the doors. In the same way that Crowley, Aziraphale, God, and Satan were presenting in specifically human shapes that represented beings of a vaguer nature, this being was presenting in a vague shape that represented a specific group of humans. Its edges were fuzzy. It shimmered strangely, not exactly with light, but with a fast flickering of different faces and bodies. It seemed to be trying to look like thousands of people at once. There was a strange fringe around it, not unlike the kind VFX artists grapple with when placing characters in front of a CGI background.
The being tripped on its way in, catching itself with an odd sound that may have been the collective version of a grunt.
“Hi, yes. Excuse us, but, um— come with us,” it said in the voice of a crowd as it pulled itself to its feet. It held its hand out in Aziraphale and Crowley’s direction.
God and Satan raised their eyebrows.
“We still have your universe, but without the, you know, the problems. Come on!” Although the appearance of its face changed many times every second, one could get a general impression of its expression. Currently, it seemed to be impatient and out of breath.
“Er, you are…?” Aziraphale prompted, not unkindly.
“You can probably call us, uh,” the being hesitated. “The Fanatic Domain,” it concluded, with some satisfaction.
“The Fandom. Humans,” God said, smiling mysteriously.
Crowley had been looking around wildly, and he finally checked through the windows as if the crowds had returned to Whickber Street outside. “Humans? Where’d you come from? How’d you get in here?”
“We crawled in through a plot hole,” admitted the Fandom. “But that doesn’t really matter. The point is,” it reached out again, more impatient this time, “come with us.”
Aziraphale and Crowley, still holding hands, shot each other and God a confused look.
“I’m their God and your canon,” God said to the Fandom. “You can’t undo what you already know happened. It will always have happened. If not here, elsewhere.”
The Fandom considered God for a moment. “You can do literally anything you want. Why this?”
God only smiled.
“Fine, then.” The Fandom sat on the ground (mostly; there were a few flickers indicating that perhaps all of it didn’t, but the gesture was conveyed). It crossed its arms. “You and we can sit here and stare at each other forever.”
“I've got eternity,” said God.
“See if we're going to let that mean anything,” said the Fandom.
There was an awkward pause as the Fandom sized God up and God enigmatically watched the Fandom.
By now, Aziraphale and Crowley had relaxed a little. “If we're planning to be a while,” said Aziraphale, very tentatively, “should I make us some hot cocoa?”
“None for me,” said God.
“No, thank you,” said Satan.
“Cocoa would be lovely, thank you,” the Fandom said.
Crowley said nothing; he just followed Aziraphale closely. The Fandom glowered at God until the pair returned. It felt a little guilty about accepting a treat from an angel with one foot in oblivion, but something was going to have to happen to pass the time.
As Aziraphale handed over the cocoa, Crowley leaned on the pillar next to the Fandom. “She isn't a genie. She's not granting a wish,” he said so gently it was painful. “We criticised Her game, so we get to choose freedom for humans like you or the existence we’ve already had for thousands of years. ‘Both’ isn't one of the choices. She’s making a point.”
“We know you think you're making a selfless choice, but we're human, too. You're part of us.” The Fandom’s face crumpled like a tissue. “Look, we can't be entirely sure how any of this works. We're flying by the seat of our pants here. We just know more chances to make more choices are out there, and we can bring you to them."
Aziraphale smiled at Crowley. “What do you think?”
“Well, anything's worth a shot, I suppose.” Crowley looked the Fandom up and down. “This isn’t part of Ineffability, is it?”
“Where we come from,” the Fandom said with conviction, “ineffable is just a word referring to things that are too profound for other words. And by definition, we expect plans to be effable.”
“Remember: you're here because you know what happens,” said God.
“You’ll always know what was there. Underneath,” Satan added.
“Sure. So they still have the Godless universe they asked for and we have them,” the Fandom said. “It doesn’t have to be about erasing or undoing. It can be about…answering. Making it so this doesn’t have to be the only thing that happened. And we're real, so you can't stop us any more than we can stop you.”
God chuckled. “That is fair enough, I suppose. But,” she said to Crowley and Aziraphale, “when you put your faith in humans, you can only last as long as they do. And these ones are in a state of high conflict.”
The Fandom managed to convey a collective sigh. “That’s none of your business,” it said. “We’ll sort it out with them.”
Once again, Aziraphale reached for Crowley’s hand. “This is unexpected, isn’t it?” he asked gently.
“Yeah,” Crowley said. “Yeah, it is. But looking back, I’d say putting faith in humans is the only thing that’s ever really worked for us.”
“Well, after you,” the Fandom said hopefully, turning its back to God and Satan, gesturing toward the door.
And so Crowley and Aziraphale stepped out of their Eden and into the unknown together.
The entrance to Aziraphale's bookshop is shaped like a snowglobe✨️
GOOD OMENS TV TROPES — Aziraphale
Something that’s been very interesting to me, in this new wave of post-miniseries Good Omens fandom, is the apparent fannish consensus that Crowley is, in fact, bad at his job. That he’s actually quite nice. That he’s been skating by hiding his general goodness from hell by taking credit for human evil and doling out a smattering of tiny benign inconveniences that he calls bad.
I get the urge towards that headcanon, and I do think the Crowley in the miniseries comes off as nicer than the one in the book. (I think miniseries Crowley and Aziraphale are both a little nicer, a little more toothless, than the versions of themselves in the book.) But maybe it’s because I was a book fan first, or maybe it’s because I just find him infinitely more interesting this way–I think Crowley, even show!Crowley, has the capacity to be very good at his job of sowing evil. And I think that matters to the story as a whole.
A demon’s job on Earth, and specifically Crowley’s job on Earth, isn’t to make people suffer. It’s to make people sin. And the handful of ‘evil’ things we see Crowley do over the course of the series are effective at that, even if the show itself doesn’t explore them a lot.
Take the cell phone network thing, for instance. This gets a paragraph in the book that’s largely brushed off in the conversation with Hastur and Ligur, and I think it’s really telling:
What could he tell them? That twenty thousand people got bloody furious? That you could hear the arteries clanging shut all across the city? And that then they went back and took it out on their secretaries or traffic wardens or whatever, and they took it out on other people? In all kinds of vindictive little ways which, and here was the good bit, they thought up themselves. For the rest of the day. The pass-along effects were incalculable. Thousands and thousands of souls all got a faint patina of tarnish, and you hardly had to lift a finger.
In essence, without any great expenditure of effort (look, I’d never say Crowley isn’t slothful, but that just makes him efficient), he’s managed to put half of London in a mental and emotional state that Crowley knows will make them more inclined to sin. He’s given twenty thousand or a hundred thousand or half a million people a Bad Day. Which, okay, it’s just a bad day–but bad days are exhausting. Bad days make you snap, make you fail at things, make you feel guiltier and more stressed out in the aftermath when you wake up the next day, makes everything a little worse. Bad days matter.
Maybe it’s because I’m a believer in the ripple effect of small kindnesses, and that means I have to believe in its opposite. Maybe it’s just that I, personally, have had enough days that were bad enough that a downed cell network (or an angry coworker because of a downed cell network) would honestly have mattered. But somebody who deliberately moves through the world doing their best to make everyone’s lives harder, with the aim of encouraging everybody around them to be just a little crueler, just a little angrier, just a little less empathetic–you know what, yes. I do call that successful evil.
It’s subtle, is the thing. That’s why Hastur and Ligur don’t get it, don’t approve of it. Not because Crowley isn’t good at his job, but because we’ve seen from the beginning that Hastur and Ligur are extremely out of touch with humanity and the modern world and just plain aren’t smart enough to get it. It’s a strategy that relies on understanding how humans work, what our buttons are and how to press them. It’s also a strategy that’s remarkably advanced in terms of free will. Hastur and Ligur deliberately tempt and coerce and entrap individuals into sinning, but Crowley never even gets close. We never see him say to a single person, ‘hey, I’ve got an idea for you, why don’t you go do this bad thing?’ He sets up conditions to encourage humans to actually do the bad things they’re already thinking of themselves. He creates a situation and opens it up to the results of free choice. Every single thing a person does after Crowley’s messed with them is their own decision, without any demonic coercion to blame for any of it.
You see it again in the paintball match. “They wanted real guns, I gave them what they wanted.” In this case, Crowley didn’t need to irritate anybody into wanting to do evil–the desire to shoot and hurt and maybe even kill their own coworkers was already present in every combatant on that paintball field. Crowley just so happened to be there at exactly the right time to give them the opportunity to turn that fleeting, kind-of-bad-but-never-acted-upon desire into real, concrete, attempted murder. Sure, nobody died–where would be the fun in a pile of corpses? But now forty-odd people who may never have committed a real act of violence in their entire lives, caught in a moment of weakness with real live weapons in their hands, will get to spend the rest of their lives knowing that given the opportunity and the tiniest smidgen of plausible deniability, they are absolutely the sort of people who could and would kill another human being they see every single day over a string of petty annoyances.
Crowley understands the path between bad thought and evil action. He knows it gets shorter when somebody is upset or irritated, and that it gets shorter when people practice turning one into the other. He understands that sometimes, removing a couple of practical obstacles is the only nudge a person needs–no demonic pressure or circumvention of free will required.
I love this interpretation, because I love the idea that Crowley, who’s been living on Earth for six thousand years, actually gets people in a way no other demon can. I love the idea that Crowley, the very first tempter, who was there when free will was invented, understands how it works and how to use it better than maybe anyone else. And I really love the idea that Crowley our hero, who loves Aziraphale and saves the world, isn’t necessarily a good guy.
There’s a narrative fandom’s been telling that, at its core, is centered around the idea that Crowley is good, and loves and cares and is nice, and always has been. Heaven and its rigid ideas of Right and Wrong is itself the bad thing. Crowley is too good for Heaven, and was punished for it, but under all the angst and pain and feelings of hurt and betrayal, he’s the best of all of them after all.
That’s a compelling story. There’s a reason we keep telling it. The conflict between kindness and Moral Authority, the idea that maybe the people in charge are the ones who’re wrong and the people they’ve rejected are both victim and hero all at once–yeah. There’s a lot there to connect with, and I wouldn’t want to take it away from anyone. But the compelling story I want, for me, is different.
I look at Crowley and I want a story about someone who absolutely has the capacity for cruelty and disseminating evil into the world. Somebody who’s actually really skilled at it, even if all he does is create opportunities, and humans themselves just keep living down to and even surpassing his expectations. Somebody who enjoys it, even. Maybe he was unfairly labeled and tossed out of heaven to begin with, but he’s embraced what he was given. He’s thrived. He is, legitimately, a bad person.
And he tries to save the world anyway.
He loves Aziraphale. He helps save the entire world. Scared and desperate and determined and devoted, he drives through a wall of fire for the sake of something other than himself. He likes humans, their cleverness, their complexities, the talent they have for doing the same sort of evil he does himself, the talent they have for doing the exact opposite. He cares.
It’s not a story about someone who was always secretly good even though they tried to convince the whole world and themself that they weren’t. It’s a story about someone who, despite being legitimately bad in so many ways, still has the capacity to be good anyway. It’s not about redemption, or about what Heaven thinks or judges or wants. It’s about free will. However terrible you are or were or have the ability to be, you can still choose to do a good thing. You can still love. You can still be loved in return.
And I think that matters.
ALL OF THIS.
I can describe my feelings about this take only in one sentence: shades of grey. That’s why I love Crowley and Aziraphale so much.
They’re both good and bad at the same time. Crowley isn’t a perfectly good or kind person, he can be evil and do bad things, he can do genuine evil and sometimes enjoy it. And he does all of that. But at the same time, he often chooses to do good. He chooses to love Aziraphale, he chooses to love humans and admire how they often surpass anything any demon, including himself, could possibly be capable of, and how they can do good deeds and kindness that no angel (well, maybe except Aziraphale) can.
🖤Ineffable Husbands🤍
watching the BTS clip was so heartwarming. say what you will about the finale, but the cast and crew definitely put their heart and soul in it <3
just a little watercolour thing
A month ago, Good Omens tv ended on a sour note. Yet, our fandom has always been bigger than just a tv show. Whether you love the original book, the radio play, the book based first season, or even the whole tv trilogy, what unites us matters so much more. We are full of love.
One day I’ll stop painting Good Omens. Today is not that day…
Prints and other stuff on my Society6 and RedBubble
This is insane!!!
Good Omens and the wrong thing
Bonus silliness:
don’t worry guys, they’re just fine… they’re hanging out and talking over breakfast in their snow globe pocket universe…
(yeah their outfits aren’t totally accurate but it’s because i couldn’t look at pictures of them without getting upset </3)
Aziraphale + Crowley 👼😈❤️🔥 - "You're My Best Friend" (Queen)
[ Good Omens seasons 1, 2 & 3 ]
My favourite headcanon, which many of us seem to agree on, is that Anthony walks past the bookshop several times before gathering the courage to step in. --- So that's why Derek was so sure Anthony likes Asa. 🤣 --- @goodomensafterdark
oil pastels and oil paints of my favouritest bookshop ever
Crowley and Aziraphale through the years.