My boredom

This is my nonsense, reblog-anything blog.

[bakugoon-deactivated20161125]

holy HELL ive never hated drawing so much

[notobscurevideogames]

Ape Escape (Sony - PSX - 1999)  

[todayintokyo]

Jizō figures at Hase-dera (長谷寺), Kamakura

[aureliax0]

[ieafy]

[retrogamingblog]

Legend of Zelda Concept Art by Katsuya Terada

[gembroni]

Into the Breach pilot portrait for Clarke! big ups to justin ma who made the original bg art/sent me a ref so I could remake it pixel by pixel because I hate myself l o l

[incorrectzeldaquotes]

Ganondorf: A wolf? He’s supposed to be DEAD!

Zant: Yeah, weird.

[gembroni]

outfit of the many days ago

[gembroni]

sutha is a death dog mom now

[no-melon]

hi guys! i’m in deep need of money right now so i’m opening commissions. 

20 gbp for a single character, half body. +10 per extra character

50 gbp for a half body painted piece - example bottom right

dm or email me if you are interested ([email protected])

thanks for reading : ) 

[seinaet]

[gembroni]

WASSA MATTA YOU, G O T T A  N O  R E S P E C T  ! ! !

[y2kaestheticinstitute]

Visual Analysis of the Wipeout logo designed by tDR – A Design Post

The Wipeout logo was designed by The Designers Republic in 1995, a landmark icon in Y2K graphic design. Upon looking at the design closely, one can notice these letters are actually made from partial 8 glyphs. Below are the overlays of the Wipeout logo with Eurostile’s 8 glyph.

Why the repeating 8s? In an LCD screen, all numerals in a 7-segment display are created with the 8 numeral. 

Why the ‘ and “ marks? They detonate the minutes and seconds used in racing and implies speed. 

And finally, why is the typography set in Eurostile? Eurostile, and its look-a-like Microgramma, has been established in the sci-fi canon since the late 60s as a symbol of futurism, as seen in user interfaces, signage, and in interiors. This makes it a perfect fit for the futuristic world of Wipeout.

I contacted Ian Anderson, the lead designer of tDR, and he confirmed my observations. 

Successful design is always intentional. Every decision here made in the Wipeout logo has a logical connection back to racing, and within the in-game universe of Wipeout. This teaches us a lesson to always make sure your design decisions hold weight. – Froyo

[n-holland]

My lizardfolk cleric, now animated!

An infinitely looping gecko that never learns his lesson about staring directly at magical maces. 

[n-holland]

Started a new campaign in D&D recently and this is my lizardfolk cleric, Chozk.

He’s a terrifying, socially awkward gecko who just wants to help.

[theaglad]