critic alan hughes on the fifth act of merchant, 1972 [x]
$LAYYYTER
"I'm Dorothy Gale from Kansas"
No title available
Claire Keane

ellievsbear
Aqua Utopia|海の底で記憶を紡ぐ
RMH
art blog(derogatory)

Origami Around

Kiana Khansmith

blake kathryn
occasionally subtle

Product Placement
I'd rather be in outer space 🛸
Three Goblin Art

Discoholic 🪩

if i look back, i am lost
Acquired Stardust

Andulka

titsay
seen from Belgium

seen from Germany
seen from United States
seen from Malaysia

seen from Argentina

seen from Italy

seen from Germany
seen from China

seen from Germany
seen from Norway
seen from Germany
seen from Romania

seen from United States

seen from Malaysia

seen from India
seen from Czechia
seen from United States

seen from Malaysia
seen from Germany

seen from United States
@niktipolos
critic alan hughes on the fifth act of merchant, 1972 [x]
“There is so little to remember of anyone—an anecdote, a conversation at table. But every memory is turned over and over again, every word, however chance, written in the heart in the hope that memory will fulfill itself, and become flesh, and that the wanderers will find a way home, and the perished, whose lack we always feel, will step through the door finally and stroke our hair with dreaming, habitual fondness, not having meant to keep us waiting long.”
— Marilynne Robinson, Housekeeping
Sasha Dugdale, Deformations
The fate of peoples is made like this, two men in small rooms.
- Wolf Hall by Hilary Mantel
Then England—southern England, probably the sleekest landscape in the world. It is difficult when you pass that way, especially when you are peacefully recovering from seasickness with the plush cushions of a boat-train carriage underneath you, to believe that anything is really happening anywhere. Earthquakes in Japan, famines in China, revolutions in Mexico? Don’t worry, the milk will be on the doorstep tomorrow morning, the New Statesman will come out on Friday. The industrial towns were far away, a smudge of smoke and misery hidden by the curve of the earth’s surface. Down here it was still the England I had known in my childhood: the railway-cuttings smothered in wild flowers, the deep meadows where the great shining horses browse and meditate, the slow-moving streams bordered by willows, the green bosoms of the elms, the larkspurs in the cottage gardens; and then the huge peaceful wilderness of outer London, the barges on the miry river, the familiar streets, the posters telling of cricket matches and Royal weddings, the men in bowler hats, the pigeons in Trafalgar Square, the red buses, the blue policemen—all sleeping the deep, deep sleep of England, from which I sometimes fear that we shall never wake till we are jerked out of it by the roar of bombs.”
― George Orwell, Homage to Catalonia.
Bust of the Two Faced Janus. c.1775-1800. Italian. anonymous. marble. Hermitage Russia. http://hadrian6.tumblr.com
[T]he language of fascism is written in the language of love. Love is made into the primary quality of attachment, what motivates individuals into fascism: ‘we hate foreigners because we love our country.’ […] Love has an enormous political utility: transforming fascist subjects not only into heroic subjects, but also into potential or actual victims of crime as well as those who ‘alone’ are willing to fight crime. Fascist subjects become freedom fighters, willing to stand against the ‘swamp’ or ‘tide’ of the incoming others, who themselves are narrated as hateful: as being not only worthy of our hate, but as full of hate for what we are and have.
Sara Ahmed, “The Bond of Belief” (see also: "Fascism as Love")
Wells Cathedral
Absolutely insane lines to just drop in the middle of an academic text btw. Feeling so normal about this.
[ A Critical History of English Literature, Vol. 1, Prof. David Daiches, first published in 1960 ]
“As the late Gilles Deleuze once put it, the cry of the Zionists to justify their racist violence has always been “we are not a people like any other,” while the Palestinian cry of resistance has always been “we are a people like all others.” European intellectuals must choose which cry to heed when addressing the question of Palestine.”
— Joseph Massad (via stay-human)
Anaïs Nin, from The Diary of Anaïs Nin, Vol. 5: 1947-1955
Leslie Feinberg on trans exclusion in feminist spaces.
“We’re in danger of losing what the entire second wave of feminism, what the entire second wave of women’s liberation was built on, and that was ‘Biology is not destiny’. ‘One is not born a woman,’ Simone de Beauvoir said, ‘one becomes one’. Now there’s some place where transsexual women and other women intersect. Biological determinism has been used for centuries as a weapon against women, in order to justify a second-class and oppressed status. How on Earth, then, are you going to pick up the weapon of biological determinism and use it to liberate yourself? It’s a reactionary tool.”
From TransSisters: The Journal of Transsexual Feminism, issue 7, volume 1. 1995
Betty Smith, A Tree Grows in Brooklyn
miranda july
It is not a terrible thing to love the world, knowing that the world is always passing and irrecoverable, to be known only in loss. To love anything good, at any cost, is a bargain.
Wendell Berry, Jayber Crow.
bertie wooster, king of biting insults