Lint Roller? I Barely Know Her
No title available
he wasn't even looking at me and he found me
Aqua Utopia｜海の底で記憶を紡ぐ
Alisa U Zemlji Chuda
will byers stan first human second
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titsay
Three Goblin Art
Peter Solarz
izzy's playlists!
"I'm Dorothy Gale from Kansas"
Jules of Nature
we're not kids anymore.
Cosimo Galluzzi
PUT YOUR BEARD IN MY MOUTH
Kiana Khansmith
🪼
Mike Driver
No title available
seen from United States
seen from United States
seen from Malaysia
seen from Malaysia
seen from Sweden
seen from Türkiye
seen from Netherlands
seen from United States
seen from Netherlands
seen from Spain
seen from Mexico
seen from Morocco
seen from United States
seen from Malaysia
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
@nisheink1
"AMONGST THE SHADOWS & THE STONES"
This abstract visual was created on instant photographic Polaroïd film by manipulating the emulsion during the developing process with different chemicals, inks, and pressure at specific and measured times.
Daily : https://www.instagram.com/nisheink
Originals : https://nisheink.bigcartel.com
"DISSOLVE" This abstract visual was created on instant photographic Polaroïd film by manipulating the emulsion during the developing process with different chemicals, inks, and pressure at specific and measured times. Daily : https://www.instagram.com/nisheink Originals : https://nisheink.bigcartel.com
“NEWBORN”
Acrylic paint and liquid chrome ink on canvas, 50 x 40 cm, 2019.
Daily :
https://www.instagram.com/nisheink
Originals :
https://nisheink.bigcartel.com
“Order in chaos.
Using a combination of organic and strict visuals, as well as a duality between abstract and planned elements, this project is exploring the meaning of “human” life in our current era, and the impact of new technologies.
Those paintings constantly jeopardize the fact of being in control and losing control, as a metaphorical representation of the uncontrolable side of organic elements in opposition to the human need of mastering “life”.
While questioning the relationship of digital and virtual symbols to traditional mediums (painting), this project is also a wild gathering of getting out of context and remixing all the visual acronyms that we cross everyday in our daily lives, work, hobbies.
Reminiscent shapes of those symbols we see, but choose not to interpret sometimes.
Technological nature.“
“OUTBURST & COEVOLVE”
Acrylic paint and ink on canvas, 40 x 30 cm, 2019.
Daily : https://www.instagram.com/nisheink Originals : https://nisheink.bigcartel.com
“Order in chaos.
Using a combination of organic and strict visuals, as well as a duality between abstract and planned elements, this project is exploring the meaning of “human” life in our current era, and the impact of new technologies.Those paintings constantly jeopardize the fact of being in control and losing control, as a metaphorical representation of the uncontrolable side of organic elements in opposition to the human need of mastering “life”.While questioning the relationship of digital and virtual symbols to traditional mediums (painting), this project is also a wild gathering of getting out of context and remixing all the visual acronyms that we cross everyday in our daily lives, work, hobbies.Reminiscent shapes of those symbols we see, but choose not to interpret sometimes.Technological nature.“
“XENOS” (Acrylic paint and liquid chrome ink on canvas, 50 x 40 cm, 2019.) “Organized chaos. Using a combination of organic and strict visuals, as well as a duality between abstract and planned elements, this project is about the meaning of “human” life in our current era, and the impact of new technologies on our consciousness. Those paintings constantly jeopardize the fact of being in control and losing control, as a metaphorical representation of the uncontrolable side of organic elements in opposition to the human need of mastering “life”. While questioning the relationship of digital and virtual symbols to traditional mediums (painting), this project is also a wild gathering of getting out of context and remixing all the visual acronyms that we cross everyday in our daily lives, work, hobbies. Reminiscent shapes of those symbols we see, but choose not to interpret sometimes. Technological nature.“
“VIRTUAL - SURVIVAL” (Acrylic paint and liquid chrome ink on canvas, 50 x 50 cm, 2019.) “Organized chaos. Using a combination of organic and strict visuals, as well as a duality between abstract and planned elements, this project is about the meaning of “human” life in our current era, and the impact of new technologies on our consciousness. Those paintings constantly jeopardize the fact of being in control and losing control, as a metaphorical representation of the uncontrolable side of organic elements in opposition to the human need of mastering “life”. While questioning the relationship of digital and virtual symbols to traditional mediums (painting), this project is also a wild gathering of getting out of context and remixing all the visual acronyms that we cross everyday in our daily lives, work, hobbies. Reminiscent shapes of those symbols we see, but choose not to interpret sometimes. Technological nature.“
“AMNESIAS” (Acrylic paint, holographic foil, liquid chrome ink on canvas, 50 x 40 cm, 2019.) “Organized chaos. Using a combination of organic and strict visuals, as well as a duality between abstract and planned elements, this project is about the meaning of “human” life in our current era, and the impact of new technologies on our consciousness. Those paintings constantly jeopardize the fact of being in control and losing control, as a metaphorical representation of the uncontrolable side of organic elements in opposition to the human need of mastering “life”. While questioning the relationship of digital and virtual symbols to traditional mediums (painting), this project is also a wild gathering of getting out of context and remixing all the visual acronyms that we cross everyday in our daily lives, work, hobbies. Reminiscent shapes of those symbols we see, but choose not to interpret sometimes. Technological nature.“
“EVER-LAST” (Acrylic paint and liquid chrome ink on canvas, 50 x 40 cm, 2019.) “Organized chaos. Using a combination of organic and strict visuals, as well as a duality between abstract and planned elements, this project is about the meaning of “human” life in our current era, and the impact of new technologies on our consciousness. Those paintings constantly jeopardize the fact of being in control and losing control, as a metaphorical representation of the uncontrolable side of organic elements in opposition to the human need of mastering “life”. While questioning the relationship of digital and virtual symbols to traditional mediums (painting), this project is also a wild gathering of getting out of context and remixing all the visual acronyms that we cross everyday in our daily lives, work, hobbies. Reminiscent shapes of those symbols we see, but choose not to interpret sometimes. Technological nature.“
Work in progress. (Acrylic paint and liquid chrome ink on canvas, 50 x 40 cm, 2019.)
“ENTROPY” (Acrylic paint and liquid chrome ink on canvas, 50 x 50 cm, 2019.) “Organized chaos. Using a combination of organic and strict visuals, as well as a duality between abstract and planned elements, this project is about the meaning of “human” life in our current era, and the impact of new technologies on our consciousness. Those paintings constantly jeopardize the fact of being in control and losing control, as a metaphorical representation of the uncontrolable side of organic elements in opposition to the human need of mastering “life”. While questioning the relationship of digital and virtual symbols to traditional mediums (painting), this project is also a wild gathering of getting out of context and remixing all the visual acronyms that we cross everyday in our daily lives, work, hobbies. Reminiscent shapes of those symbols we see, but choose not to interpret sometimes. Technological nature.“
“SEARCH - CHASER” (Acrylic paint and liquid chrome ink on canvas, 30 x 40 cm, 2019.) “Organized chaos. Using a combination of organic and strict visuals, as well as a duality between abstract and planned elements, this project is about the meaning of “human” life in our current era, and the impact of new technologies on our consciousness. Those paintings constantly jeopardize the fact of being in control and losing control, as a metaphorical representation of the uncontrolable side of organic elements in opposition to the human need of mastering “life”. While questioning the relationship of digital and virtual symbols to traditional mediums (painting), this project is also a wild gathering of getting out of context and remixing all the visual acronyms that we cross everyday in our daily lives, work, hobbies. Reminiscent shapes of those symbols we see, but choose not to interpret sometimes. Technological nature.“
“ISOLATED - LOST IDEA” (anagram) (Acrylic paint and liquid chrome ink on canvas, 50 x 50 cm, 2019.) “Organized chaos. Using a combination of organic and strict visuals, as well as a duality between abstract and planned elements, this project is about the meaning of “human” life in our current era, and the impact of new technologies on our consciousness. Those paintings constantly jeopardize the fact of being in control and losing control, as a metaphorical representation of the uncontrolable side of organic elements in opposition to the human need of mastering “life”. While questioning the relationship of digital and virtual symbols to traditional mediums (painting), this project is also a wild gathering of getting out of context and remixing all the visual acronyms that we cross everyday in our daily lives, work, hobbies. Reminiscent shapes of those symbols we see, but choose not to interpret sometimes. Technological nature.“
“GLOBALIST - GLOBAL LIST” (Acrylic paint and liquid chrome ink on canvas, 48 x 55 cm, 2018.) “Organized chaos. Using a combination of organic and strict visuals, as well as a duality between abstract and planned elements, this project is about the meaning of “human” life in our current era, and the impact of new technologies on our consciousness. Those paintings constantly jeopardize the fact of being in control and losing control, as a metaphorical representation of the uncontrolable side of organic elements in opposition to the human need of mastering “life”. While questioning the relationship of digital and virtual symbols to traditional mediums (painting), this project is also a wild gathering of getting out of context and remixing all the visual acronyms that we cross everyday in our daily lives, work, hobbies. Reminiscent shapes of those symbols we see, but choose not to interpret sometimes. Technological nature.“
“COERCIVE” (Acrylic paint and liquid chrome ink on canvas, 50 x 50 cm, 2019.) “Organized chaos. Using a combination of organic and strict visuals, as well as a duality between abstract and planned elements, this project is about the meaning of “human” life in our current era, and the impact of new technologies on our consciousness. Those paintings constantly jeopardize the fact of being in control and losing control, as a metaphorical representation of the uncontrolable side of organic elements in opposition to the human need of mastering “life”. While questioning the relationship of digital and virtual symbols to traditional mediums (painting), this project is also a wild gathering of getting out of context and remixing all the visual acronyms that we cross everyday in our daily lives, work, hobbies. Reminiscent shapes of those symbols we see, but choose not to interpret sometimes. Technological nature.“
“HISTORY - SHY RIOT” (anagram) (Acrylic paint and liquid chrome ink on canvas, 30 x 40 cm, 2018.) “Organized chaos. Using a combination of organic and strict visuals, as well as a duality between abstract and planned elements, this project is about the meaning of “human” life in our current era, and the impact of new technologies on our consciousness. Those paintings constantly jeopardize the fact of being in control and losing control, as a metaphorical representation of the uncontrolable side of organic elements in opposition to the human need of mastering “life”. While questioning the relationship of digital and virtual symbols to traditional mediums (painting), this project is also a wild gathering of getting out of context and remixing all the visual acronyms that we cross everyday in our daily lives, work, hobbies. Reminiscent shapes of those symbols we see, but choose not to interpret sometimes. Technological nature.“
“EARTHLING - NEAR LIGHT” (anagram) (Acrylic paint and liquid chrome ink on canvas, 30 x 40 cm, 2018.) “Organized chaos. Using a combination of organic and strict visuals, as well as a duality between abstract and planned elements, this project is about the meaning of "human" life in our current era, and the impact of new technologies on our consciousness. Those paintings constantly jeopardize the fact of being in control and losing control, as a metaphorical representation of the uncontrolable side of organic elements in opposition to the human need of mastering "life". While questioning the relationship of digital and virtual symbols to traditional mediums (painting), this project is also a wild gathering of getting out of context and remixing all the visual acronyms that we cross everyday in our daily lives, work, hobbies. Reminiscent shapes of those symbols we see, but choose not to interpret sometimes. Technological nature.“
“Obsolescence XX9” 📸 More daily pictures : https://www.instagram.com/nisheink/ About the project : This photo series called “Obsolescence” is an art experiment about abstract life / death of technological and digital mediums & products. It was made by using various manipulations (camera hacks, chemicals, alcohol, ink, paint, …) on Polaroid shots at different developing times. 📸🎨