Zinaida Nikolaevna Gippius, from Selections; “My Most Intimate Life in Ruins,”
Today's Document
Not today Justin
almost home
One Nice Bug Per Day

Origami Around
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Aqua Utopia|海の底で記憶を紡ぐ

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Kaledo Art
taylor price
TVSTRANGERTHINGS
DEAR READER
Cosmic Funnies
KIROKAZE
Sade Olutola
Game of Thrones Daily
Jules of Nature
Sweet Seals For You, Always

Product Placement
he wasn't even looking at me and he found me
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@no-delight
Zinaida Nikolaevna Gippius, from Selections; “My Most Intimate Life in Ruins,”
Be silent. Be silent. Don’t talk to people, don’t lift the veil from your heart. All the people on earth — please understand! — are not worth one single word.
Zinaida Nikolaevna Gippius, tr. by Simon Karlinsky, from “Admonition,” (via violentwavesofemotion)
Plastic Death clear plastic cigarette case.
Eclipse + Afterlife + Grave + Waltz
Simon Marmion - Man of Sorrows (c. 1460). Detail.
Tapestry of sculptures, II.
New Sprezzatura
« Beauty is rarely soft or consolatory. Quite the contrary. Genuine beauty is always quite alarming. »
Donna Tartt, The Secret History
(via Takt Studio shades its drawing pavilion with corrugated plastic shutters)
Albertus of Orlamünde, Philosophia Pauperum, 1496
Our New Way round the World, 1869
Allegory of Death (ca. 1577-1586 - Etching) - Nicolas Beatrizet
Danse Macabre (Early 18th Century / Ivory - h/13cm) - Origin: Southern Germany by Unknown
@didoeas requested ▻ ereshkigal, babylonian queen of the dead
Vangelis Kyris, “Vanity” from Sins (2005)
https://www.instagram.com/p/BUWvT7eF6w6/
Saint Sebastian Tended by Irene and her Maid (detail), Hendrick ter Brugghen, 1625