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we're not kids anymore.
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DEAR READER
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@nonbinarytheatrekid07
“In 1984, when Ruth Coker Burks was 25 and a young mother living in Arkansas, she would often visit a hospital to care for a friend with cancer.
During one visit, Ruth noticed the nurses would draw straws, afraid to go into one room, its door sealed by a big red bag. She asked why and the nurses told her the patient had AIDS.
On a repeat visit, and seeing the big red bag on the door, Ruth decided to disregard the warnings and sneaked into the room.
In the bed was a skeletal young man, who told Ruth he wanted to see his mother before he died. She left the room and told the nurses, who said, “Honey, his mother’s not coming. He’s been here six weeks. Nobody’s coming!”
Ruth called his mother anyway, who refused to come visit her son, who she described as a “sinner” and already dead to her, and that she wouldn’t even claim his body when he died.
“I went back in his room and when I walked in, he said, “Oh, momma. I knew you’d come”, and then he lifted his hand. And what was I going to do? So I took his hand. I said, “I’m here, honey. I’m here”, Ruth later recounted.
Ruth pulled a chair to his bedside, talked to him
and held his hand until he died 13 hours later.
After finally finding a funeral home that would his body, and paying for the cremation out of her own savings, Ruth buried his ashes on her family’s large plot.
After this first encounter, Ruth cared for other patients. She would take them to appointments, obtain medications, apply for assistance, and even kept supplies of AIDS medications on hand, as some pharmacies would not carry them.
Ruth’s work soon became well known in the city and she received financial assistance from gay bars, “They would twirl up a drag show on Saturday night and here’d come the money. That’s how we’d buy medicine, that’s how we’d pay rent. If it hadn’t been for the drag queens, I don’t know what we would have done”, Ruth said.
Over the next 30 years, Ruth cared for over 1,000 people and buried more than 40 on her family’s plot most of whom were gay men whose families would not claim their ashes.
For this, Ruth has been nicknamed the ‘Cemetery Angel’.”— by Ra-Ey Saley
She’s 60 now, she’s still doing activist and advocacy work, and working on a memoir.
my favorite thing about this story is that ruth had inherited a large family graveyard and never really knew wtf she was going to do w dozens and dozens of empty grave plots but then the AIDS crisis happened and she realized what she could do with it
When Burks was a girl, she said, her mother got in a final, epic row with Burks’ uncle. To make sure he and his branch of the family tree would never lie in the same dirt as the rest of them, Burks said, her mother quietly bought every available grave space in the cemetery: 262 plots. They visited the cemetery most Sundays after church when she was young, Burks said, and her mother would often sarcastically remark on her holdings, looking out over the cemetery and telling her daughter: “Someday, all of this is going to be yours.”
“I always wondered what I was going to do with a cemetery,” she said. “Who knew there’d come a time when people didn’t want to bury their children?”
(x)
Articles:
Ruth Coker Burks, the cemetery angel: https://arktimes.com/news/cover-stories/2015/01/08/ruth-coker-burks-the-cemetery-angel
Caring For AIDS Patients, ‘When No One Else Would: https://www.npr.org/2014/12/05/368530521/caring-for-aids-patients-when-no-one-else-would
And a final quote from the first article:
She hasn’t been back to Files Cemetery since her stroke. While she made sure it was kept up back when she lived in Hot Springs, it appeared to have been let go a bit when the reporter visited in late December, some of the tombstones pushed over and broken, the snag of a dead oak left to rot among the graves. Even without knowing the story of the place, it might have been downright spooky if not for the constant stream of traffic cruising by at 10 miles an hour over the speed limit.
Before she’s gone, she said, she’d like to see a memorial erected in the cemetery. Something to tell people the story. A plaque. A stone. A listing of the names of the unremembered dead that lie there.
“Someday,” she said, “I’d love to get a monument that says: This is what happened. In 1984, it started. They just kept coming and coming. And they knew they would be remembered, loved and taken care of, and that someone would say a kind word over them when they died.”
[id: photo of Ruth as a young woman with large 80s curls.
Photo of an older Ruth standing on the edge of the cemetery, between a chain link fence and simple headstones.]/end id.
extra verse in the squip song (bmc 2.0 / 2018) i miss you so bad
Bro why are a bunch of smaller Broadway shows closing while others are celebrating their 10+ year anniversary??? New York, New York gave one week of notice for their closing, Good Night Oscar and Grey House are both closing before August and Camelot and Parade aren't even making it through august. Why is this happening???
I question this all the time. I’ve been wanting to share my thoughts about it, so I might as well do it now. Prepare for a long ride.
In my opinion, there are FOUR kinds of shows on Broadway nowadays:
The limited runs
The stunt cast
The revivals
The “regular” Broadway shows (I didn’t know what to name this last category sorry lmao)
Shows with limited runs are expected to close at a certain date and tickets sell REALLY WELL and more often than not, producers decide to extend the run for a bit because, well- tickets sell really well. Parade and Camelot are both perfect examples. Both great, popular shows with successful runs- but the runs were limited to begin with, which is why the closing may seem so premature- but it was planned that way.
The stunt cast shows (or sometimes called ‘star’ casting) are just shows that cast a celebrity or more well known Broadway actors to boost ticket sales. Some of these actors are great (stars), others are… meh (stunt). Think Jordan Fisher, Hugh Jackman, Brendan Urie, maybe even Josh Groban (Even though I’d see Sweeney Todd no matter who’s in it)… Also think Cameron Dallas. Seriously, who’s idea was that? Whether it’s stunt or star, it’s all just a ploy to sell more tickets. Chicago does it every two seconds.
The revivals. Shows everyone loves to death. Shows everyone wants to see. Classic Broadway at its finest. A lot of revivals tend to also be limited runs (which I hate). Those have no problem selling tickets. Again, Parade did this. So did Into the Woods, and also Deaf West Spring Awakening back in 2015, and Merrily We Roll Along will do it once it opens this fall.
Now we get to the “regular” new Broadway shows. We get the enigma that is “Making it on Broadway”. Brand new shows that we get to see a sneak peak of at BroadwayCon or Broadway in Bryant Park. These are the shows that could go one of two ways. It can be an overnight sensation and last 10 years on Broadway- or it can unfortunately slip through the cracks and close after a few weeks or months. The mystery is: It doesn’t even matter if the show is good or bad or the best thing anyone has ever seen. Some shows just slip through those cracks and either don’t sell well or maybe isn’t as popular as other shows (due to other shows using stunt casting maybe), or maybe the running cost is too high. There are even some shows that are Tony Nominated or Tony Winners that close too soon. To be honest, I believe sometimes it’s chalked up to luck. Some examples of shows that had the better route: Hamilton (duh), Wicked, Dear Evan Hansen… Recently MJ, Moulin Rouge, Hadestown. Shows that slipped through the cracks despite popularity or achievements: Natasha, Pierre, and the Great Comet of 1812. Recently Almost Famous, Life of Pie, New York, New York. Some of these shows get Touring runs. Some aren’t so lucky and are designated as flops.
There’s also a fifth category I could add. That would be Disney shows. Disney Theatrical Productions always wants to have at least two shows running on Broadway at once. They are familiar, good for any age, and always sell well. Disney is always making sure they have multiple shows on stage and in the works at all times.
Bottom line is: I do believe that some shows just get lucky and last on Broadway while other shows with possibly the same amount of talent, interesting storylines, great music, great design, and great characters don’t- and boy it’s harder now than it ever has been. Audiences are picky. Audiences are tough. Audiences move on so quickly, wanting the next Hamilton or next Wicked. Audiences give up and move on when a show isn’t as good as Hamilton or Wicked, whereas I could see certain “average” shows 1200 times and never get tired. Also limited runs are ruining Broadway in my opinion- there’s just too many of them. I’m fine with two or three but I feel like every other damn show is a limited run. Parade, Camelot, Good Night Oscar, Grey House, Merrily We Roll Along, Gutenberg, Titanique, The Shark is Broken, and many others are strictly limited engagements!!That’s more than enough! One day every show will be limited and that’s just not fair. I don’t know. Ticket prices have never been higher, and all I hear about is record breaking grosses. I don’t get it. It’s impossible for all 41 shows to last forever, I know that- but there are too many shows that close too abruptly and it doesn’t sit well with me.
I come from a long line of people with something wrong with them
babygirl I’m on all the spectrums
Yeah. You understand
im normal about all of my interests.
Not to be cringe but- *feral animal noises*
girls will literally be like "oh yeah people can't be all good or all bad bc it's not actually black-and-white and everyone has good in them because humanity is inherently good. unless it's me because i'm a bad person"
Hey guys I fucked up my hand because i accidentally punched a wall, any tips for not doing that again?
i said wat i said
Also nudity is not inherently sexual OR evil, y’all really need to learn to unpack that Christianity shit that’s been so enmeshed in our (Western) culture.
I’m always really moved by sex-repulsed people who are still able to be allies to extrasexual people. I deeply appreciate yall.
twink takes chill pill, what happens next may shock you (and him)
"you cant get married platonically, marriage is about LOVE and COMMITMENT" yeah love for the bit commitment to the bit
its been an hour and a half and this has 800 notes can you understand my pain
"do you take this person to be your partner, to have and to hold, in good times and bad, in sickness and in health, until death do you part?"
"yes, and..."
I wish to be held
The difference between Ryan and Shane’s instagram bios will never not be funny to me
The sad realisation that you're not actually a quiet person, you have just been forced and shamed into hiding your entire personality and expressing joy.
WEIRD TO DISCOVER IT IN MY 20s!!! FR!FR!
Do you know how awkward it is to realise you CAN actually make new friends easily and you LOVE talking on and on?? Do you know how awkward it is TO NOT KNOW YOUR OWN PERSONALITY?????
MVP therapist?? (depending on if they were right)
hugs my friend. apologies for unsolicited advice but you should look into "childhood trauma" and hypervigilance. there are many many free resources from actual therapists on social media now and it has literally turned my life around.