A LUTA CONTINUA.
occasionally subtle

romaâ
hello vonnie
TMBGareOK. The Official They Might Be Giants tumblr

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let's talk about Bridgerton tea, my ask is open
Keni
The Stonewall Inn

izzy's playlists!
noise dept.
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taylor price
Noah Kahan
cherry valley forever
I'd rather be in outer space đž
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ojovivo

bliss lane

Love Begins
EXPECTATIONS

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@nordeste-brasileiro
A LUTA CONTINUA.
Foto no Parque Estadual de Canudos, palco da guerra de mesmo nome. A foto do centro Ă© uma reprodução de foto tirada na Ă©poca de residentes do Arraial de Belo Monte, hoje coberto (as ruĂnas) pela ĂĄgua do açude de CocorobĂł.
Como dito por Euclides da Cunha em Os SertÔes, as pedras parecem brotar do chão.
2017 marcarĂĄ 120 anos do final desta Guerra em que a RepĂșblica massacrou os residentes de Belo Monte, seu prĂłprio povo. Neste confronto, mais de 20 mil pessoas morreram, entre soldados e, principalmente, conselheiristas.
A origem do termo em portuguĂȘs brasileiro favela surge no episĂłdio histĂłrico conhecido por Guerra de Canudos. A cidadela de Canudos foi construĂda junto a alguns morros, entre eles o Morro da Favela, assim batizado em virtude da planta Cnidoscolus quercifolius (popularmente chamada de favela por produzir um semente leguminosa em forma de favo) que encobria a regiĂŁo. Alguns dos soldados que foram para a guerra, ao regressarem ao Rio de Janeiro em 1897, deixaram de receber o soldo, instalando-se em construçÔes provisĂłrias erigidas sobre o Morro da ProvidĂȘncia. O local passou entĂŁo a ser designado popularmente Morro da Favela, em referĂȘncia Ă "favela" original. O nome favela ficou conhecido e na dĂ©cada de 1920, as habitaçÔes improvisadas, sem infraestrutura, que ocupavam os morros passaram a ser chamadas de favelas.
(fonte: wikipédia)
Foto da favela tirada em outubro de 2016 no Parque Estadual de Canudos, palco de um dos massacres mais violentos da histĂłria do Brasil.
Açude de CocorobĂł sobre as ruĂnas de Belo Monte - Canudos
Vaqueiros #vaqueiro #vaqueiros #foto #fotografia #nordeste #NE (Publicado com o Instagram)
Brazil, Bahia State, Salvador. Beach scene 1996, A. Abbas.Â
Como Ă© que uma nação pode perder o amor por suas crianças? Como elas podem estar soltas no mundo, abandonadas? O Brasil nĂŁo tem um bezerro abandonado, um cabrito. Um frango qualquer que vocĂȘ encontra, tem dono. Mas tem milhares de crianças abandonadas.
Lamenta Darcy Ribeiro no documentårio Um Vulcão de Idéias (2007), dirigido para a TV Escola por Isa Grinspum Ferraz (via pensacomigo)
Indigenous clay sculptures by Mestre Francisca Rodriguez Ramos. SĂtio Tope, Visoça do CearĂĄ, Brazil Photo: Valdemir Cuña
Pierre Verger
Salvator de Bahia, 1940s
The U.S. stance on Brazilâs turmoil has been overlooked â until now.
Hereâs another good article at The Intercept about brazilian politics, this time explaining last night, and commenting on the dubious impeachment process and the US position.Â
Manchete do O Globo apoiando o golpe militar de 1964
a brazilian psa
The story of Brazilâs political crisis, and the rapidly changing global perception of it, begins with its national media. The countryâs dominant broadcast and print outlets are owned by a tiny handful of Brazilâs richest families, and are steadfastly conservative. For decades, those media outlets have been used to agitate for the Brazilian rich, ensuring that severe wealth inequality (and the political inequality that results) remains firmly in place.
Indeed, most of todayâs largest media outlets â that appear respectable to outsiders â supported the 1964 military coup that ushered in two decades of rightwing dictatorship and further enriched the nationâs oligarchs. This key historical event still casts a shadow over the countryâs identity and politics. Those corporations â led by the multiple media arms of the Globo organisation â heralded that coup as a noble blow against a corrupt, democratically elected liberal government. Sound familiar?
For more than a year, those same media outlets have peddled a self-serving narrative: an angry citizenry, driven by fury over government corruption, rising against and demanding the overthrow of Brazilâs first female president, Dilma Rousseff, and her Workersâ party (PT). The world saw endless images of huge crowds of protesters in the streets, always an inspiring sight.
But what most outside Brazil did not see was that the countryâs plutocratic media had spent months inciting those protests (while pretending merely to âcoverâ them). The protesters were not remotely representative of Brazilâs population. They were, instead, disproportionately white and wealthy: the very same people who have opposed the PT and its anti-poverty programmes for two decades.
Corruption is just the pretext for a wealthy elite who failed to defeat Brazilâs president at the ballot box
The kind of people who want Dilma Rousseff's impeachment
O atual cenĂĄrio polĂtico brasileiro estĂĄ longe de merecer um âparabĂ©nsâ. Mas durante a maratona de votação do impeachment da presidente Dilma Rousseff na...
#naoaogolpe #foracunha #foratemer