Did an update of an old art of her to fit the true color scheme (:
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@normalaboutstories
Did an update of an old art of her to fit the true color scheme (:
It's that time of year soooo here's my artfight!!! (Link is on my main blog cause tublr nerfs any post with non-local links lol)
💬 0 🔁 0 ❤️ 0 · Art Fight · An art gifting game My artfight!!! Challenge me!!
this creature killed me so many times
DELTARUNE WEIRD ROUTE SPOILERS IN IMAGE BELOW
Let's do something crazy
Emilia from episode 11! I was really taken by the way she sliced away the witch's cocoon like that. She was both kind and badass this episode, it was a really strong hilight for her.
How is this my first time drawing art for this show? Anyway season 4 is great, I had to do a quick doodle to celebrate. I love my protagonist with a concrete identity.
Oh he's really screwed isn't he
Hooogh Re:zero. I'm an anime only, but I'm gonna go into my impressions on arc six ep 8 because I have thoughts. Spoilers for the ep below.
Ough. Ough. He's just a kid. He's so young and innocent. Why. Anyway in clearer words: yeah zerobaru getting his shit kicked in is rough. He's in way too high level an area and is dealing with way too much on every front completely unprepared. But the thing that gets me, from a character angle, is that in the past Subaru always chose the loops to some degree. He didn't try to get killed on purpose, obviously, but he always had an option to run away and didn't take it because it meant protecting his loved ones. But this Subaru is trapped. And to him, he doesn't have any loved ones. He's just been suddenly tossed into a terrifying hellscape for no reason, and can surmise that he either hasn't been able to or didn't want to escape it for a year straight. And he can't possibly comprehend the determination his past self had, because he doesn't have anyone to protect. Its just. Ooooough.
She then proceeded to encourage the chaos.
Redraw of my most popular art piece ever because GUYS STOP SHARING THE OLD ONE IT LOOKS BADDDD 😭😭😭😭😭😭😭 I'm so tired of seeing it everywhere, post this one instead.
Old art from last year below ↓
I found an old comment I made a few months ago elsewhere and I decided that I should make it into an actual post:
(read the page on the right first / image description in the alt text of the first image)
The thing is that what drives Nami to ask Luffy for help is seeing the villagers she was trying to save deciding to die fighting rather than let her suffer any longer
She was willing to keep working, she was committed to sacrificing herself for the sake of her village. But the villagers chose to stop her from doing that, so she could be free. They are returning the favour and sacrificing themselves for her
Her despair doesn't come from her own suffering but from the realisation that everyone she loves is about to die and there's nothing she can do about it
She isn't asking Luffy to save her, she's asking him to help save her loved ones, because she realises now that she can't do it on her own
That's why she's not a "damsel in distress" here: she's not the one in danger. She's perfectly capable of running away and taking care of herself. She has the option of leaving and never seeing the Arlong pirates again, and the villagers gave her their blessing to do so. But she can't, because her village means everything to her
(Yes, it's also about her finally opening up to her crewmates and being vulnerable for the first time in her life, and yes, it's also about her finally accepting that she can't just be a lone wolf and that she needs help, which is later echoed by Luffy's speech about how he too can't live without the help of his crew, but those are things other people have already talked about at length)
Also this is only tangentially related to that last post but
Nowadays Nami would beat Arlong so easily 😌
I don't know how much he's been training off-page, wherever he is, or if we'll ever even see him again, but I'm pretty sure he still couldn't take a giant lightning bolt in the face
Arlong was freed from prison and he became a petty landlord in the backwoods of the planet
Nami was freed from Arlong and she became a fucking weather wizard and then stole a piece of an Emperor's soul to make herself even more powerful
Something I appreciate about Luffy and Vivi's moment on Drum Island when Vivi calls him out is that Luffy immediately gets it AND it makes sense that he does. I think he saw some of Shanks in Vivi in that moment, a different flavour of the same thing: pride doesn't matter, protecting your friends does. Don't escalate a situation unnecessarily.
He needed to learn that lesson but he was also already primed to learn it. This is why chapter 1 is so so so important.
And I really appreciate One Piece for not insisting on forcing the characters to go on a whole arc to learn a lesson even when it shouldn't be that hard for them. Luffy didn't need to have it demonstrated to him why Vivi was right, he's got enough wisdom of his own to understand, he just needed to be called out.
Of course this later backfires when Iceberg does it in Water Seven. Luffy tries to take it to heart but it goes very wrong. That's where we did need a whole arc, for both Luffy and Usopp, and frankly the whole crew as a whole. (I have complicated feelings about the conclusions but that's maybe just a me thing, and it still works very well in the story)
There are not that many moments of character growth for Luffy in One Piece, and even the stuff that's there is subtle (and I think that's a GOOD thing, for the record, Luffy's purpose in the narrative isn't primarily about his growth but the change he inspires in others) but when he has them they're so well done and hit so hard. Even the smaller moments like the one with Vivi.
I'm firmly of the opinion that Luffy actually didn't need to learn that much, he just needed experience. He's a bit of a dumbass, but he understands the important things, he has his priorities in order, and that genuinely makes him wise beyond his years.
Even in Water Seven I would argue that a lot of the problem stemmed from Luffy struggling to handle the pressure and the distress he was feeling. He decided to act in a very un-Luffy-like way (hiding his feelings) to try to cope with the stress, and it didn't go well. He was trying to be more mature and went about it the wrong way. He needed to find a more Luffy-ish way to be mature, and he did.
This got a bit rambly but I hope my points came across
Major spoilers for One Piece chapters 179-181 below!
Ok lets get things straight its analysis time. I have a hill I'm willing to die on.
This fucker doesn't actually look like that ^ Why? Well. First off, the shillouette doesn't match up. And yes, I know, Oda's original shilouettes are often misleading compared to the final character designs, but thats not whats going on here. For Loki and Kaido, those shilouettes were both presented hundreds of chapters before their debut, and they were people imagining what the characters looked like. For Imu, his (their?) debut was physical. They were shadowed, but that was their actual real body. Second, look at Imu's shilouette body even from the chapter this design dropped.
The shoulders aren't NEARLY broad enough. And look at that wrist! It's skinny! There's no way in hell this could physically be the same built guy we see only panels later. And obviously, Oda knew what the design was going to be at this point.
Second! We know that Imu already has at least some control over his appearance. When he fights Loki, he grows to the size of a giant. He seems to be able to summon and disappear his massive wings at will. And when he first arrives at Elbaf, he seems to undergo some kind of painful physical transformation.
Not to mention when he seems to turn into this giant, horrifying thing when facing down Sabo???
It seems to go a bit beyond a normal Zoan transformation. Maybe he just has more control, like Luffy or Chopper. Not neccesarilly full-on shape shifting, but certainly enough to change his appearance to a degree.
Third, hey Imu, we know what you look like so why are you still a shillouette in this flashback?
You could argue its just because the original Joy Boy is a shillouette too, but notice that Imu's shillouette isn't his demon pretty boy one. Its his veiled persona. Almost like that's a "true form" that he would've used in a casual conversation like this seemed to be. And notably, a true form that the author still wants to keep hidden. Fourth. The design is too cool. This ones less of a concrete point, but I still think its important. He looks like goddamned Sephiroth. Handsome, scary, way-over the top outfit, not a single "quirky" or "joke" element in his design. Its not very One Piece like. And that all makes sense if you imagine that this appearance is one Imu designed for himself. Its his ultra-edgy unbeatable self-insert OC. And that makes it interesting in parallel with Nika, doesn't it? Nika is a clown, his power comes from laughter, while Imu's appearance begs you to take him uber-seriously. There's something really pathetic about a scrawny guy who hides in his room and stabs photos of people he doesn't like trying desperately to present himself as shadow the hedgehog. Its fascinating, and it makes me really interested where hes gonna end up as a villain.
My sister has a theory about what the weapon that destroyed Lulusia is
call me terminally academia-brained but i do think a lot of the fun of character analysis is figuring out how to build a compelling argument for a particular reading using lines of evidence from canon as well as meta/intertextual support
and you could say that what i’m saying here is basically “a lot of the fun of doing character analysis is doing character analysis” but let’s be real a lot of fandom character analysis is pretty heavily vibes-based. and i think that’s where i really chafe up against the traditional thought-terminating fandom attitude of like, everyone’s opinions hold equal weight and any interrogation of that is inherently hostile. because i think it’s fascinating to dig into where others are coming from in terms of their views on characters or dynamics or whatever, especially when they differ significantly from more commonly expressed views, and part of that digging is asking people okay what parts of canon are you drawing from to support your opinion? what parts of canon are you disregarding or downplaying? how does this argument hold up in the light of how race, gender, class, ability, etc. operate both in the piece’s in-fiction and real world contexts?
oh another op fandom complaint i have is the fact that so many op fans are fans of a ship first and the series second. i’m sorry but it’s true. their meta analysis is completely dependent on their ship which like. you can make a compelling argument for why a ship is cool without having your ship be the ONLY lens through which you view the series, because that causes issues and generates some weird bits of analysis that i see floating around constantly. i like certain ships but im ultimately a fan of the series first and my ships second lol.