Satan’s School for Girls | 1973
RMH
Sweet Seals For You, Always
Monterey Bay Aquarium
Aqua Utopia|海の底で記憶を紡ぐ
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izzy's playlists!
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Jules of Nature
Xuebing Du
sheepfilms
TVSTRANGERTHINGS
I'd rather be in outer space 🛸

Kiana Khansmith

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cherry valley forever
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pixel skylines
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Satan’s School for Girls | 1973
Cauldron of Blood (1970)
The air itself is filled with monsters.
Mädchen Amick & Heather Graham | Twin Peaks
The Craft (1996) dir. Andrew Fleming
That’s it, that’s the show
Le Petit Soldat (1963)
TOMBOY by Ebony Stewart, from their book WASH.
Paris, Texas (1984), dir. Wim Wenders
Brigitte Bardot & Jane Birkin
Johnny Cash having a cigarette outside of Folsom Prison in California, 1968.
Tura Satana
Faster, Pussycat! Kill! Kill!
“Faster, Pussycat! Kill! Kill! is, beyond a doubt, the best movie ever made. It is possibly better than any film that will be made in the future. I first saw the film in 1966 at a local drive-in after being attracted to the radio ad that blared “It will leave a taste of evil in your mouth!” At the time, I was totally unfamiliar with Russ Meyer’s work, but after seeing Faster, Pussycat he became my lifelong idol … Faster, Pussycat! Kill! Kill! is a violent gothic melodrama built around three psychotic go-go girls: Varla, Billie and Rosie. The film opens with an off-screen narrator lecturing the audience about the possibility of running into violent women (“One could be your secretary, your next-door neighbour”) and suddenly cuts to the three stars wildly Watusi-dancing in a bar as dirty old lechers cheer them on (“Go, baby. Go! Go! Go!”). As the credits begin, we hear a group called the Bostweeds sing the title song “Faster Pussycat” and we see Varla, Billie and Rosie cruising around the desert in their three separate Porsches, looking for trouble …”
/ From Shock Value: A Tasteful Book About Bad Taste by John Waters, 1981 /
“Ladies and gentlemen, welcome to violence.” YES! Russ Meyer’s life-changing exploitation masterpiece Faster, Pussycat! Kill! Kill! was released on this day (6 August 1965) in Los Angeles sixty years ago. Pictured: Meyer’s remarkable trio of leading ladies: Lori Williams (Billie), Haji (Rosie) and Tura Satana (Varla). Excitingly, an in-depth documentary about Tura Satana is dropping soon.
Carmen Yazalde in A Virgin Among the Living Dead (1973)
Betty Blue (Jean-Jacques Beineix, 1986)