萩原 卓哉/Hagihara Takuya
Archive
No title available
Jules of Nature

if i look back, i am lost
wallacepolsom
AnasAbdin
Keni
Today's Document

@theartofmadeline
Lint Roller? I Barely Know Her

No title available

Love Begins

Kaledo Art
dirt enthusiast
"I'm Dorothy Gale from Kansas"
cherry valley forever
h

Andulka
🪼

titsay
styofa doing anything

seen from United States

seen from United States
seen from Chile

seen from Malaysia

seen from United States

seen from United States

seen from Japan

seen from Australia

seen from United States

seen from Russia

seen from Romania
seen from Malaysia
seen from United Kingdom

seen from United States
seen from United Kingdom

seen from Iraq

seen from United States
seen from Argentina
seen from South Korea

seen from Serbia
@obratnoe
萩原 卓哉/Hagihara Takuya
Archive
Lucie Rie (1, 2)
ESTEFANIA LORET DE MOLA | @stefyloret | 2020
Montmorency cherries. [Van Holderbeke Nursery Company catalogue, Spokane, Washington]. 1909.
Timber wolves. How to grade furs. 1975.
WIth or WIthout Me by Miklós Erhardt
We love collaborating with other people, we love talking to people who work collaboratively, we love talking about collaboration with people who work collaboratively, and we love when other people also feel the impulse to talk to people about working collaboratively and then make books of their conversations! Our Hungarian friend Miklós Erhardt has made one such book and we are very happy to carry it. With or Without Me includes great little interviews with TOmi Scheiderbauer, Oliver Ressler, Gil & Moti, Eva Egermann, Jiri Skála, Henrik Mayer, Djordje Balmazovic, Lasse Lau, Mai Abu ElDahab, Tammo Rist, Milica Tomic, and Gregory Sholette. Forgoing images in favor of a direct presentation of these conversations (presented entirely in English), Miklos Erhardt gets right to the heart of collaboration and the interviews are a fascinating read whether you know the work of the artists interviewed or not. Of course Erhardt provides website URLs and quick intros for further investigation but part of what makes this book so useful and a lot of fun are the blunt questions he asks: “Have you ever been frustrated in a collaborative situation?”, “Have you ever felt exploited in a collaborative situation?”, “What kind of projects do you prefer to do alone?”, “What do you think of compromises?”, and “Are you limiting yourself when you work in a collective?” It almost goes without saying but Half Letter Press is probably the only place you will find copies of this book in the United States. Click the cover for more information
cover the earth in tear gas and tell me what remains