Put it in your pod feed then put it in your calender.
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will byers stan first human second
tumblr dot com

pixel skylines

izzy's playlists!
Cosimo Galluzzi
macklin celebrini has autism
One Nice Bug Per Day
DEAR READER
occasionally subtle

#extradirty

if i look back, i am lost
Misplaced Lens Cap

oozey mess
we're not kids anymore.
Xuebing Du
Sweet Seals For You, Always

blake kathryn
Peter Solarz
TVSTRANGERTHINGS

seen from Türkiye
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@oddsocs
Put it in your pod feed then put it in your calender.
guest post by Oliver Morris, writer and director of Ms. Shipton's Travelling Tea Shop
How does Oliver Morris—writer and director of Ms. Shipton's Travelling Tea Shop and co-creator of @kaneandfeels—think about sound design? It's a lot like taking someone's brain out of their head and wearing it like a hat. Er, wait.
274?
274 is the mindbending surreal supernatural detectives Kane and Feels! Kane and Feels is horror noir, with every new demon or fey creature a new case for our hardboiled detectives. Kane and Feels is brilliant at writing, at music, and just generally cool--in 2023 they spent a year releasing an episode only on equinoxes and solstices. If you want to explore the limits of what audio drama can be, K&F is the show for you.
Send me a number between 1 and 307 and I will recommend an audio drama!
Be there and Get SAD with us
A cat is known by it's territory... Starring: Lou Sutcliffe as The Cat. Maria Corcobado as Redd Jeff Van Dreason as Tubbs Greta Clarkson as
get yer paws on this then...
It's Juvinilia Season
Yes, the makers of Kane and Feels are sticking their old work up on Patreon from back when they were itty bitty tiny 20 year olds. See their nonsense develop in real time and watch how their shows used to sound much much worse. Tune in on Patreon! Every Monday we'll drop some fresh cringe!
Hackles rise and relations cool as Kane and Feels suffer through summer Lucifer Kane -Jack Fitzpatrick Brutus Feels – Oliver Morris Voic
Happy Solstice
being a self-taught artist with no formal training is having done art seriously since you were a young teenager and only finding out that you’re supposed to do warm up sketches every time you’re about to work on serious art when you’re fuckin twenty-five
someone: oh yeah, do this exercise during your warm ups! it’ll help
me: my what
What’s up I have an actual college degree in art and I was never ONCE taught to do warm ups.
when i was in undergrad, it was kind of mentioned in and offhand way that we should do warmups, but we were never shown what that meant. And, y’know, we were young so it didn’t matter so much.
Being older now and having an art job it’s…kind of essential.
So: a quick primer for those of you who are like ‘ok but how do i actually go about doing this warmup thing.’
1) you may be tempted to do ‘a warmup drawing’ which is just a drawing that will take longer than it needed to and probably be frustrating and kind of bad because you didn’t warm up first. It’s tempting but always a trick your brain is playing on you! Do not trust!
2) warmups will vary based on what feels good to you/what task you’re about to do/what motor skills you want to practice. That being said, some good standbys:
a) circles. Just a whole page of circles on whatever drawing surface you’re going to be using, whether that’s your tablet or your sketchbook or a drawing pad on an easel. For these circles you should make sure that you’re drawing from your shoulder and not your wrist. In fact, you want to be drawing from your shoulder rather than your wrist most of the time! forever! your wrist is delicate please preserve it!
In order to ensure that you’re drawing from your shoulder, when you’re holding your pencil or whatever drawing tool you’re using, the only part of your hand that should be touching the drawing surface is part of the last two fingers–some people prefer the finger tips, but I tend to favor the first knuckles. Either way, the fingers should really be ghosting over the surface, providing guidance rather than support.
I usually start with big circles and then go to smaller circles and lines of ellipses, and then try to fit circles and ellipses inside other shapes i’ve already drawn as a precision exercise, but i don’t do that unless i’m feeling loose
b) spirals! i don’t always do spirals, but if i’m stiff and the circles just aren’t cutting it, spirals are a good fall back. I start from the center and work outward, going both clockwise and counterclockwise until i feel comfortable with the whole range of motion. Some people really care about getting perfect spirals but for me it’s all about making sure i’m comfortable with how i’m moving so who really even cares about how the spirals look. Not me!
c) lines! straight lines! in parallel! i do a mix of vertical, horizontal, and diagonal. These are often more from the elbow than the shoulder, especially if I’m working on a smaller surface. For this exercise, I recommend holding the drawing tool perpendicular with the surface
d) connect the dots. This is a precision and accuracy exercise and takes two forms. The first is to draw two dots and then draw a straight line between them. The second is to draw three dots and draw the curve that connects them. This sounds a lot simpler than it is in practice. Take time to ghost over the line you plan to draw before actually committing to your line. (I don’t always remember where I picked up my warm up exercises, but I’m pretty sure I got this one from Scott Robertson. His how to draw and how to render books are very technical but also accessible and worth checking out)
e) cubes, spheres, cones, and cylinders. These help get your brain into a more volumetric space. I draw multiples of each, rotating the forms around, and I’ll often take the time to do some rough shading on at least a few of them
f) spidermans! This one is really good if you’re going to be storyboarding or working on dynamic poses. Just fill a page full of spidermans doing all sorts of acrobatics.
g) beans. I don’t do beans too much anymore, but I know a lot of people like it so I’m mentioning it here. Fill an area with different size bean shapes without lifting your pencil off the paper.
h) short medium and long line repetition. draw a short, medium, and long line on your page, and then draw directly on top of them 8 to 12 times, doing your best to exactly trace what you’ve already drawing. Repeat with a wavy line. I’m bad at this one, which means I probably need to do it more.
And there are lots more options too! Hit up youtube to see what other people recommend, put together your own go-to list, mix it up when you’re getting bored, etc.
This is a long list, I know, but I usually don’t take more than 10 to 15 minutes to warm up, and I can warm up one handed while I’m drinking coffee, so, multitasking hurrah.
Sometimes I’ll advance to a precision warmup and find that I haven’t loosened up enough yet; it’s totally ok to go back to an earlier exercise! Also, all of this has the added benefit of kind of ritualistically getting you into the drawing mode so even if I’m not feeling it before I start, by the time I’ve gotten to the end I’m usually Ready For Drawin’. Brain hacks.
so, yeah! that’s a lot of words, but! Warmups are important! Save your joints, take less advil, do better drawings!
How on earth are you supposed to draw from a sholder? might as well tell me to draw from the foot. It makes no sense
https://youtu.be/pMC0Cx3Uk84
https://youtu.be/NBE-RTFkXDk
:3
Reblogging to save a wrist
the vertical cog is very hard to travel to, surrounded by hundreds of miles of freezing temperatures. the vertical cogs itself is home to creatures originally native to other realms, angels, devils, demons and those in between.
Enjoy some Vibes
Creative way of saving camels from getting run over
Creative way of saving camels from getting run over
Thank you for engaging in the mortifying ordeal of being known so that I may partake in the euphoric experience of knowing you.
Jed portrayed the shapeshifting alien taking the form of a Norwegian dog in John Carpenter’s The Thing (1982). Jed was half-wolf, half Canadian malamute, and according to Carpenter, was an excellent animal actor—after becoming familiar with the cast and crew, he would not look at the camera, crew, or dolly during scenes. Jed’s quiet manner perfectly reflected the alien’s unsettling nature. Jed would go on to act in a few other movies, and lived on his trainer Clint Rowe’s animal sanctuary until his death at age eighteen—quite old for a dog of his breed.
literally where is his oscar
say what you will but nothing in cartoons will ever beat the moment THIS frog
starts to sing in a beautiful low baritone for no explained reason and then it never happens again
This is ‘how the gentle winds’ erasure
An enigmatic Kane pulls Brutus Feels out of the metropolis and into the strange suburbs of Foxburn Green. With only their wits and the clothes on their back, they find themselves at odds with an entity far more terrifying than any other: The local town council. Follow us @kaneandfeels on Twitter, Tumblr & Facebook. CREDITS Jack Fitzpatrick - Lucifer Kane Oliver Morris - Brutus Feels Dave Pickering - Geoff Grace Ali Campbell - Ms. Carter Mark Waylett - Basil French MP Written by Jack Fitzpatrick & Oliver Morris Directed by Jude Hodgson Hann Produced by Jude Hodgson Hann & Oliver Morris for Skadi's Symphony All SFX sourced from Freesound.Org (Creative Commons) All music composed by Oliver Morris TRIGGER WARNINGS Reference and portrayal of narcotics use.
Episode 3 of Kane and Feels