Beasts - 19x15 cm paper, ballpoint pen
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@ohsisyphus
Beasts - 19x15 cm paper, ballpoint pen
really helpful technique ^ once you know how to divide by halves and thirds it makes drawing evenly spaced things in perspective waaay easier:
Too many artists are held back by outdated and bad color theory rules, or even rules that are fine but have built in limitations that you should know and I want to set everyone free.
Tertiary Red and Secondary Blue could be in your color theory understanding and make paint mixing way easier but they played you
Also hot takes:
Learning color theory through oil painting is more difficult than learning it through gouache & watercolor, primarily because it takes way more time to find mass tone and mix everything and also it's much less obvious to easily and quickly discern if a paint pigment is highly staining or transparent.
Oil painters like to seem like they have the richest and most storied traditions in color theory to past down but also inevitably they are the most likely to retain an extremely limited chroma palette based on classical palettes for the sake of classicism and not always make that fact very apparent to a beginner aside from saying it's an "old masters palette" watercolor/gouache painters are bad at using paints that are not light-fast and clinging to them despite having better alternatives, but generally still understand chroma gamuts and pigment importance better or at least talk about them more.
When you're mixing paints, the earth colors (browns) don't need to handled and thought of as brown. Ask yourself if the brown is yellow, orange, red, or leaning towards a black (which would be treated as a violet or blue, depending on whether black is warmer or cooler).
Yes there are cool reds and warm blues
Any reference color wheel that places red on the very top hurts my feelings, stop doing this just because you learned "roygbiv". Yellow is at the top and the Indigo-Blue range is on the bottom because this also means the color with the lightest possible value is opposite the color with the darkest possible value, so you have the colors arranged with a value scale from top to bottom BUILT IN.
this is related to why ivory black is actually very dark blue.
@rizahawkeyesmuscles
This makes me think makeup artists have good color theory, having to understand undertones of skin, warm v neutral v cool toned red lipstick....
Yes!!! I mean first of all, makeup artists are artists.
and they are ALSO ultimately just blending pigments to produce certain colors and effects, so yeah professionally do study the basics of color theory and then necessarily have to adapt it to their medium. And they tend to generally add like, what you talked about with recognizing cool/warm/olive/neutral undertones and such as a big consideration to their canvas.
And that IS why people will say "this is a cooler red lipstick" (although even cooler than that would be magenta or fuschia!).
I think the only thing I've noticed wrt to honestly mostly beauty influencers and not actual professional MUAs is that too many people buy an eyeshadow palette of cool tones in the palette and then put it on and complain it pulls "too warm for their cool skin." And it "isn't actually a true cool tone palette."
I just want to grab all these people by the face and say:
"Shhhhhh. Color temperature is relative. Although you have cool skin undertones, you ALSO have blood under your skin which will inherently make your base skin-canvas slightly warm no matter your foundation shade. So when you put any kind of pigment that isn't fully opaque onto your skin, the transparency WILL be warmed by your skin because you're alive and have blood still. The eyeshadow palette IS a cool palette. You're just not a vampire, which is why that cool taupe shade suddenly looks different from the mass tone in the palette."
These influencers would understand this better if they did some watercolor painting on pre-tintedpaper and then compared it to painting on pure white.
But a MUA probably already figured this out yeah.
In case anyone is curious here are my top color recommendations
Handprint.com is hands down the most comprehensive scientific explanation of how different color wheels or palette choices work. It's big and dense and exceptionally thorough. I skim frequently and find myself always learning more. https://handprint.com/HP/WCL/water.html everything is done using watercolors as a reference point but a LOT of this translates to other mediums. For the record his CIECAM color wheel is what I consider to be the best (not 3 dimensional) color wheel for artists. Period.
He uses pigment numbers for some of the most common watercolors rather than specific paint brands or color names to place the pigments. It's also a case study in why yellow being at the top is the best because it also means you have a value scale from top to bottom (since black paints are just dark violets or blues, ultimately.)
When you look at this, you can start realizing more and more why the earth colors can be used as if they were like, straight red, or yellow, or orange. Like if you wanted to make a limited palette, you could use "burnt sienna" as your dark yellow (which will make the whole palette lean orange!) Or it could be your orange or you could use burnt sienna as your red. (Look at gamut masking links below)
Seriously it's good to try and swatch your medium (even really quickly!) Within a CIECAM Artist's color wheel. Below are two of my attempts:
From loose memory and then mapping pigments roughly.
He also discusses the difference between visual complements and mixing complements!
Anyways absolutely try to read bits and pieces. The whole site is amazing. Handprint is amazing.
Also:
https://gurneyjourney.blogspot.com and James Gurney's book: Color and Light: a guide for the realist painter. James Gurney is the dinotopia guy. That book is also amazing for painting fantasy with lots of fantastical examples. Here are two short videos on gamut mapping and gamut masking. Accompanying blog posts.
No surprises here! His book also charts pigments:
Actually these are my four favorite books hands down:
Color and Light: a Guide for the realist painter - James Gurney
Color for Painters: a guide to traditions & practice - Al Gury
The oil painters color handbook - Todd m casey
Artist's master series: Color & light - 3d total publishing. This one emphasizes digital!
The first two have been out for awhile now and you can more easily find them cheaper/used online than the latter two which are relatively newer and hefty hardbacks.
Also, from personal experience: al gury is a sweetheart angel who is a huge crazy cat man. I adore him, he's so kind and helpful. I think it's a little late to join the current session (although they did only start Jan 28, so you can always ask! Class videos are recorded), BUT he frequently offers a class on color that is fully online through PAFA continuing education, as well as other classes. I haven't taken it yet, but I HAVE taken other classes online with Al and he's really great.
Oh also online gamut masking tools:
In krita: https://docs.krita.org/en/user_manual/gamut_masks.html
https://claudiamatosa.com/resources/gamut-masking simple tool
https://mypaintingclub.com/blog/post/39-The-Gamut-Mask-Tool another tool with more complexity
The tl;Dr of a gamut mask is to show you the full range of possible colors you can mix within a given palette (choices of colors/pigments).
Magali Cazo, Entre chien et loup
watercolor and colored pencil of some of my found ceramic pieces 🫖
the work is endless + sometimes it inspires me + sometimes it breaks me
HEY THIS IS IMPORTANT whats your favorite place to find drawing references?
so far we’ve got
senshi stock
croquis cafe
line-of-action.com
quickposes.com
posemaniacs
clip studio paint models
pexels.com
sketchdaily
eggazyoutatsu atarichan drawer
designdoll
if you have any more please reply!
Unsplash: All photos published on Unsplash can be used for free. You can use them for commercial and noncommercial purposes. You do not need to ask permission from or provide credit to the photographer or Unsplash, although it is appreciated when possible. More precisely, Unsplash grants you an irrevocable, nonexclusive copyright license to download, copy, modify, distribute, perform, and use photos from Unsplash for free, including for commercial purposes, without permission from or attributing the photographer or Unsplash. This license does not include the right to compile photos from Unsplash to replicate a similar or competing service.
Freeimages: You can use the images in digital format on websites, blog posts, social media, advertisements, film and television productions, web and mobile applications. In printed materials such as magazines, newspapers, books, brochures, flyers, product packaging for decorative use in your home, office or any public place or personal use. The rights granted to you by FreeImages.com are: Perpetual, meaning there is no expiration or end date on your rights to use the content. Non-exclusive, meaning that you do not have exclusive rights to use the content. FreeImages.com can license the same content to other customers. Unlimited, meaning you can use the content in an unlimited number of projects and in any media. For purposes of this agreement, “use” means to copy, reproduce, modify, edit, synchronize, perform, display, broadcast, publish, or otherwise make use of.
Stocksnap: Every single image on StockSnap are governed exclusively by the generous terms of the Creative Commons CC0 license. Specifically, that license means you can do any and all of the following: Download the image file.Publish, revise, copy, alter, and share that image. Use the image (as-is or as you’ve altered it), in both personal and commercial contexts. Moreover, you can put StockSnap CC0 images to any of these usages without buying the right to do it, acquiring written permission from the image’s creator, or attributing the work to the image creator. In other words, there’s no fee to download or use these StockSnap images in accordance with the CC0 license. They’re free to download, free to edit, and free to use - even in a commercial project! You don’t even need to attribute the image to the creator, the way you do with other CC or traditional copyright licensing schemes. (However, even though it’s not required, we here at StockSnap do encourage you to include an appropriate attribution. It’s a nice thing to do.)
Burst.Shopify: Burst is a free stock photo platform that is powered by Shopify. Their image library includes thousands of high-resolution, royalty-free images that were shot by their global community of photographers. You can use their pictures for just about anything — your website, blog or online store, school projects, Instagram ads, facebook posts, desktop backgrounds, client work and more. All of their photos are free for commercial use with no attribution required.
Pixabay: Images and Videos on Pixabay are released under Creative Commons CC0. To the extent possible under law, uploaders of Pixabay have waived their copyright and related or neighboring rights to these Images and Videos. You are free to adapt and use them for commercial purposes without attributing the original author or source. Although not required, a link back to Pixabay is appreciated.
Viintage: All images hosted by Viintage.com are considered to be public domain images, each image is presumed to be in the public domain. It may be distributed or copied as permitted by applicable law. Viintage.com assumes no ownership of the images and they may be downloaded and can be used free of charge for any purpose. They may be downloaded and used for commercial and personal use. Understand “public domain” as the permission to freely use an image without asking permission from the photographer or the illustrator. Thus, the creator of the work will not sue you for violating his/her copyrights. It is your responsibility to make sure, displaying the image does not violate any other law. Viintage.com assumes no responsibility for how or where you use the images found on the site.
Gratisography: You may use Gratisography pictures as you please for both personal and commercial projects. You can adapt and modify the images and get paid for work that incorporates the pictures. This includes advertising campaigns, adding your logo or text to an image, printed in any size print runs (e.g., book covers, magazines, posters, etc.), on your website, blog, or other digital mediums, and on merchandise as long as the picture itself is not the merchandise.
As someone who draws a lot of faeries, Faestock is godlike.
A wonderful addition to the list!
Unsplash. Another whopping huge free images site like pixabay: free for commercial and noncommercial use and remixing; just don’t sell the photos unmodified or add them to other photo-sharing sites.
Morguefile. Big old free photo archive from the dawn of the web. “We are a community-based free photo site, and all photos found in the Morguefile archive are free for you to download and re-use in your work, be it commercial or not. The photos have been contributed by a wide range of creatives from around the world, ranging from amateur photo hobbyists to professionals.”
Open Access at the Met. The Metropolitan Museum of Art in New York: “Whether you’re an artist or a designer, an educator or a student, a professional or a hobbyist, you now have more than 406,000 images of artworks from The Met collection to use, share, and remix—without restriction.”
Smithsonian Open Access. Download, share, and reuse millions of the Smithsonian’s images […] from across the Smithsonian’s 19 museums, nine research centers, libraries, archives, and the National Zoo.
Limited use, if you’re doing a Science and need control panels/rockets/futuristic an image search with qualifier site: nasa.gov You have to double-check a photo’s caption it’s really a NASA photo, but photos which were taken by NASA spacecraft and astronauts are public domain, since they’re funded by taxpayer dollars. (This also goes for images of animals archived at the USFWS Digital Library, i.e the US Fish and Wildlife Service, or rocks and landscapes on USGS websites.
Okay updating and consolidating lots of info here; as well as adding links for ease of access. Adding a brief description for some too; as is the case that not all of them have descriptions above. (Warning that some of these links contain nude refs, I will try to mark where possible which ones have more prominent ones.)
Posing Sites and Apps:
Adorkastock. Stock photos for pose refs. DeviantArt gallery started in 2007.
FreePhotoMuscle.com. (translated page link click here) Japanese stock photo pose site that includes buff people, but in funny poses and costumes.
CroquoisCafe. (NSFW, nude model poses warning) A stock photo pose site. You should be aware this org has been linked as pro-Trump. I leave it to y’all to decide if you want to use the resources or not. I highly encourage not financially supporting them and trying to support the individual models if you can.
Line of Action. Fantastic site that includes posing refs, community discussions from other artists, figure study, anatomy, etc. So much stuff in here.
PoseSpace. Extensive library of poses. Some free resources others are paid. I’ve not fully evaluated both, but you should be able to use this all mostly free and get great use out of it.
SketchDaily. This one is one of the better ones out there. You can time yourself, search by pose, clothing options, body type, perspective, etc. All real models.
JustSketch.me. A pose app for any device. Has apps for most devices and a webapp. Customize and pose models/props/scenes.
Quickposes. Pose site that gives you timed challenges to become more proficient at poses.
POSEMANIACS. Ref site with anatomical poses. All the ref pics are of 3D models with only the bones and muscles. Can be helpful for seeing how muscles behave in certain poses. limited to two body types tho.
MagicPoser. A wonderful app that’s great on mobile. Lets you choose size of models, number of them, style, etc. Significant features are use of snap point with the physics engine, adjustable lighting, multiple perspective, 360 angle, articulated hand posing.
Clip Studio Paint Modeler. Free 3d tool that works with Clip Studio Paint. You can import your own data or other models you find online. Not quite an alternative to Blender, but the integration with CSP is very nice.
Egg a Zyoutatsu Atarichan Drawer. (requires enabling flash player or downloading and using standalone flashplayer) Drawing tool for pose practice. The developer is working on an html5 version.
DesignDoll. One of the best pose tool apps out there. You can customize so many things. They also have an extensive collection of ready made poses here. You can use the free or pay once for life and have the poses integrated into the client as well as the ability to export your obj to other programs like blender or smt.
Stock Photo Sites:
Unsplash. Giant free stock image site.
freeimages.com. Another stock photo site, less features than some others.
StockSnap.io. Stock photos with a creative commons CC0 license, which essentially means you can use the photos however you want and don’t have to attribute to them. (though its nice if you do attribute)
Burst.Shopify. Tons of royalty free high quality images. Similar licensing to StockSnap.
pixabay. I feel like most people know about this one, but it features entirely free CC0 licensed Photos, Videos, and Music. No attribution required, but still nice to support a giant site with all this content.
Viintage. Big collection of public domain vintage photos.
Gratisography. For commercial or personal use. They specialize in odd, quirky, wild stock photos.
pexels. Great free stock photos and videos. Only a few stipulations of what they don’t allow, but their license info can be found here.
Faestock. An artist and model with a huge amount of fantasy and fae and other types of photos available. Their terms for use are here.
MorgueFile. Old stock photo archive that’s been around a long time.
Museum and Institution Open Access sites:
USA National Gallery of Art. Over 50k works available for download.
New York Metropolitan Museum open access. 490k works to browse. Even codes for Animal Crossing New Horizons patterns.
The Smithsonian Institution open access. Probably one of the largest open access collections available online. Around 3.9 million items available to view.
Many More. This article from Apollo magazine has an extensive list of open access museums and institutions from around the world. A brief list of places includes: Art Institute of Chicago, Belvedere, Vienna , Birmingham Museums Trust , Cleveland Art Museum , Harvard Art Museums , J. Paul Getty Museum, Los Angeles , Kunstmuseum Basel , Library of Congress, Washington, D.C., Los Angeles County Museum of Art , Mauritshuis, The Hague , Minneapolis Institute of Art , Munch Museet, Norway , Museum of New Zealand Te Papa Tongarewa, Wellington , Národní galerie Praha , Nationalmuseet Danmark , Nationalmuseum, Stockholm , New York Public Library , Paris Musées , Pinakotheken, Munich, Rijksmuseum, Amsterdam, Städtische Galerie im Lenbachhaus, Munich, Statens Museum for Kunst, Copenhagen , Wellcome Collection, London , Yale University .
wow its been a while since ive seen this post, im so glad more useful info has been added!
[ID: A stylized drawing of three cows against a white-ish background. One is stationary, one is walking forward, and the third is charging. /End ID.]
Sister Corita Kent: Immaculate Heart College Art Department Rules, 1965
source
another important thing to remember is 1) u can pick up any hobby at any point in ur life and get outstandingly good at it & 2) the project u've been working on & aren't pleased w the current outcome so far will not be your last. u will draw/crochet/paint/sculpt/write another piece, and another, and you will have many chances to be fully content w your craft. so you should cherish the joy of making art instead of worrying ab the results & think ab how lovely it is that we're all vessels for artistry and we can share the divine act of creation!!!!!
Bull Thistle and Dandelion - Matt Bollinger , 2022
American, b. 1980 -
Flashe and acrylic on unstreched canvas , 30 x 24 in.
Night Pool #7 - Alice Brasser , 2023.
Dutch , b. 1965 -
Oil on canvas , 24 x 30 cm
Lilies of the valley for Cinderella - Sergey Lesnikov
Weed III - Matt Bollinger , 2021.
American, b. 1980 -
Flashe and acrylic on canvas , 20 x 16 in 50.8 x 40.6 cm.