fear will loose

[hilarioushumorfromouterspace]

[oikawas]

It is my duty to fight.

MULAN (2020) dir. Niki Caro

[witchinghour]

– What do you think? – It’s like another world. Midsommar (2019) dir. Ari Aster

[miiriya]

[rainekeiko]

I love this color !!!

[timotaychalamet]

ok binch

[alchemic-incantations]

The duffers couldn't use Noah Schnapp as much in season 3 bc his back still hurt from carrying season 2

[valtsv]

[i-hate-chick-fil-a]

I hate this

[coldasyou]

wonder woman after defeating thanos at winterfell or something idk I haven’t seen star wars

[astronomicpussy]

just some tea…

•bratz has and will always be better than barbie, their entire character base is full of diverse ladies and gents , there’s ONE main white character out of the Big Four and she doesn’t steal the spotlight from the others

•actually fashionable

•dionne quan, who voices yasmin, is legally blind and got all her lines written in braille … queen of my heart

•barbie is a capitalist

[outofcontextbratz]

My therapist: the Bratz Babyz are not real and cannot hurt you.

Bratz Babyz:

[blond-shell]

Zoë Kravitz as Bonnie Carlson in Big Little Lies S02E04 “She Knows”

[unseenmodelstreetstyle]

[lovingloudly-archived]

it’s a new month !!!!!!! and i hope something wonderful happens in it for you !!!!!

[howyoulikethatp-deactivated2020]

Zoë Kravitz as Bonny Carlson in Big Little Lies

[cinemaspam]

One of the inspirations for cinematographer James Laxton for his work on the film Moonlight was Dutch art photographer Viviane Sassen. Her work had a huge influence on Laxton’s choice of colors for some of the film’s most iconic scenes like the swimming lesson, set in it high contrast colors and crystalline blues. The moment feels biblical as Juan holds Chiron in what looks like a pieta over the waves. As Juan releases him to float, Chiron quickly steadies himself and Juan says, “Right there, you’re in the middle of the world”. In the midst of this pivotal moment of self-discovery there’s a real awareness of the camera as the water is lapping against the lens. Laxton had to maneuver a 200-pound camera in an underwater housing for the scene. The waves distort the lens to accentuate the feeling of being present at such an intimate moment.

Moonlight (2016) dir. Barry Jenkins