date of origin: april 2nd, 2013

if i look back, i am lost
Monterey Bay Aquarium
I'd rather be in outer space šø
cherry valley forever
YOU ARE THE REASON

ē„ę„ / Permanent Vacation
No title available
Xuebing Du
"I'm Dorothy Gale from Kansas"

Kiana Khansmith

PR's Tumblrdome
Sade Olutola
Acquired Stardust

Discoholic šŖ©
Peter Solarz

JBB: An Artblog!
occasionally subtle
wallacepolsom
styofa doing anything

No title available
seen from United States
seen from Australia
seen from United States
seen from Philippines

seen from Mexico
seen from United States
seen from United States
seen from Indonesia

seen from United States
seen from Australia

seen from Indonesia
seen from Togo
seen from United States
seen from United States
seen from Canada
seen from Malaysia
seen from India

seen from South Korea
seen from United States
seen from Philippines
@ombrecinq
date of origin: april 2nd, 2013
One thing that gets overlooked in AKOTSK is how much classism is baked into the story even among the characters we likes.
When Baelor tells Dunk āIām a prince of the realm. Iām blood of the dragon, not a hedge knight.ā A lot of people read that as a cool or factual statement, but what Baelor is saying here is that there is a fundamental difference between them. Not because of character or virtue but because of birth.
Dunk is a hedge knight a poor wandering knight with no lands, no family connections, no wealth, and virtually no institutional protection.
Baelor is a prince. His authority comes from bloodline and inherited status. And thatās exactly how feudalism works. Sometimes people gets so caught up in admiring individual nobles that they forget what these systems actually are. Baelor may be one of the better princes in Westerosi history, but heās still a prince. His position exists because society is structured around hereditary privilege.
In the same way people say āthere are no ethical billionairesā because extreme wealth requires participation in unequal systems, there are arguably no fully ethical feudal princes either. Their status is built on a hierarchy where some people are born with immense power while others are born with almost none.
That doesnāt mean Baelor is evil. It means he benefits from a fundamentally unequal system. And I think thatās part of what makes Dunk such an important protagonist. Dunk constantly exposes how arbitrary aristocratic privilege really is.
Heās braver than many nobles. More honorable than many nobles. Kinder than many nobles. Yet society still treats him as lesser because of his birth.
Meanwhile mediocre or cruel nobles can command enormous authority simply because of their surname. Even when Baelor helps Dunk, itās worth remembering that he isnāt working from outside that system. Heās working from the very top of it.
Unlike Egg, who spends much of the story deliberately crossing class boundaries and living among commoners, Baelor remains a prince first and foremost. His worldview is shaped by that position. When Baelor intervenes on Dunkās behalf, there is genuine fairness there, but there is also politics. A prince cannot act without considering royal authority, public perception, and the reputation of his house as @moompl said HERE.
His actions are tied to preserving the image of the crown and maintaining social order. Thatās not necessarily cynical. Itās simply the reality of being royalty. Which is why I think the line is so interesting. Itās not just a statement about who Baelor is. Itās a reminder that even one of the most respected Targaryens in the series still sees the world through the lens of class and hierarchy.
Because in Westeros, being āblood of the dragonā isnāt just an identity. Itās a claim to superiority.
I love so much the concept of the dragons being tied to Targaryen women and their fertility. It plays so poignantly into the history of House Targaryen in Westeros. The Targaryens come to Westeros, and in an attempt to consolidate their power, they assimilate into the oppressive social structures of Westeros, sacrificing and devaluing their women to do so. Rhaena, Aerea, Rhaenys, Rhaenyra, Daena, Naerys, Rhaella, and so many more ā crushed under the heels of their brothers and fathers and uncles in order to appease the lords of the realm. And in doing so, the Targaryens ironically kill their true source of power. Dragon egg production is high before Dance, as Syrax and her rider Rhaenryaās fertility flourishes as one. Then Rhaenyra is usurped and killed, and suddenly, no eggs can hatch. It speaks to the general devaluing of womenās labor and contributions, not just in House Targaryen, but in broader Westeros and our own world. It is not the fighting or the conquering or the crown or the Sword or the Iron Throne that forms the weight bearing beams of the House of the Dragon. It is female fertility, labor, childbirth, motherhood. The latter had been exploited for the sake of the former for 300 years, chipping away at that load bearing beam until the House collapses around them, dragons and crowns and thrones and men and women alike.
And the one to bring it all back? A girl. Overlooked and underestimated, her value tied solely to the son she could bear or the army she can be sold to buy. But the true power is intrinsic to her. All the men think themselves the great saviors of their house and their worldā with women like Lyanna Stark and Elia Martell being sacrificed at the altar of Targaryen menās destinyā but it is Daenerys Stormborn, Daughter of Dragons, Bride of Dragons, Mother of Dragons, who succeeds where they all failed.
Not trying to be rude, OP, but this interpretation feels incredibly sexist and completely out of step with what actually happens in the story.
The Targaryens come to Westeros, and in an attempt to consolidate their power, they assimilate into the oppressive social structures of Westeros, sacrificing and devaluing their women to do so.
So⦠they āassimilatedā by creating the Doctrine of Exceptionalism so they could continue practicing incest while demanding special exemptions from the Faith. Thatās a very strange definition of assimilation. And where exactly is the evidence that the Targaryens did they sacrifice and devalue women? There is no actual evidence that the Valyrians or the Targaryens, before arriving in Westeros, were committed to anything we would recognize as womenās rights.
I know a lot people project modern feminist ideas onto Valyria, but the actual information we have points to an expansionist empire built on slavery, and extreme social hierarchy. Nothing about that sounds especially egalitarian or liberatory. And I think a lot of the āValyria was progressiveā narrative seems to come less from the actual text and more from the fact that dragons, silver hair, and a few powerful women create a worldview that people want to read as modern and liberatory, even when the underlying society is anything but.
If Valyria was some egalitarian paradise (it wasnāt), and Conquerors are helpless children who just accidentally absorbed the norms of the people they violently subjugated and assimilated by the people they conquered⦠Assimilated by the people they conquered? Really? If you invade a continent with dragons, conquer kingdoms through fire and blood, establish yourself as the ruling dynasty, and sit on the highest throne in the land for centuries, then choosing to adopt some of the customs, laws, or religious practices of the people you conquered is ultimately your decision. Thatās on you. Not on the Andals. Not on āmisogynistic Westeros.ā Not on āevil maesters.ā Not on āthe Faith brainwashing everyone.ā Aegon I wasnāt kidnapped by the Seven and forced into primogeniture. He chose to rule Westeros. He chose to integrate Westerosi structures. No one forced him. No one could force him. He had dragons.
If the Targaryens truly wanted to preserve some mythical Valyrian gender utopia (again, which never existed), they could have stayed on Dragonstone kept isolated from Westerosi inheritance law, OR established a Valyrian-style legal system as conquerors OR ruled as a totally foreign elite (exactly like the Andals did when they invaded) They didnāt and thatās on them. The argument that the Targaryens shifted to male dominance because they lost their homeland and were in a less powerful position and had to adapt from the Andals and FM doesn't make sense because the Rhoynar still managed to maintain their more equal culture in fact they adapted the Andals and FM they came into contact with.
Valyria had slave armies, slave breeding programs, mass human sacrifice, Blood Magic Tech⢠and a ruling class that thought everyone else was subhuman. We really need to stop romanticizing Valyria as enlightened, progressive civilization just because it had dragons and a few powerful women. Canonically, Valyria is arguably the most horrific empire we know of in ASOIAF. Its wealth and power were built on mass slavery, conquest, and exploitation on a scale that dwarfed almost anything else in the setting. According to the lore, countless enslaved people were worked to death in the mines and tunnels beneath the Fourteen Flames. This isnāt a misunderstood utopia. Itās a slave empire.
People also forget that entire populations fled Valyrian expansion. The Rhoynar didnāt leave their homeland because the Valyrians were bringing progress and enlightenment. They fled because Valyria destroyed their civilization. Even the deep hostility many cultures have toward Valyrian practices makes more sense when viewed through that historical context.
And yet OP treats Valyrian culture as inherently superior while portraying Andal culture as uniquely backward. But where do many Andal taboos come from? Why are incest and slavery viewed so negatively? Part of it can be understood as a reaction against the expansionist dragonlord empire threatening neighboring peoples. The irony is that many people and including OP condemn Westerosi feudalism while glorifying the civilization that literally ran one of the largest slave empires in the known world. Having dragonriders and aristocratic women with influence does not make a society progressive. A slave empire is still a slave empire.
Soā¦
The Valyria women get to be treated closer to equals (theyāre not check point C) Okay, but what about the countless enslaved women living under the empire? What about the people worked to death in the mines of the Fourteen Flames? What about the victims of a civilization built on conquest, slavery, blood purity, and hereditary supremacy? Please just admit they were the most evil empire of sexy blonde incest freaks dragon riders.
You said:
Rhaena, Aerea, Rhaenys, Rhaenyra, Daena, Naerys, Rhaella, and so many more ā crushed under the heels of their brothers and fathers and uncles in order to appease the lords of the realm
We donāt know a single Valyrian woman who was a ruler in her own right, on her own, before or after the conquest.
BUTā¦
We know of several Westerosi women of both Andal and FM heritage who inherited lands, held lordships, ruled in their own right, or served as the heads of their houses both before and after the Targaryen Conquest. The Dornish are the most obvious example, but they are far from the only one.
A) Before Aegonās Conquest
Argella Durrandon. The daughter and heir of King Argilac Durrandon. When her father died during Aegonās Conquest, she became the lawful heir to House Durrandon and Stormās End, yes her rule was short-lived thanks to Aegon the conqueror.
Sharra Arryn. Ruled the Vale as regent for her son, the young King Ronnel Arryn, and effectively governed one of the most powerful kingdoms in Westeros when Aegon invaded. ļæ¼
Agnes Blackwood. A ruling Lady of House Blackwood in her own right before the Targaryen era.
B) post-Dance
Anya Waynwood. Lady of Ironoaks in the Vale. She is a powerful ruling in her own right during the main series era and serves on political councils for the Vale.
Shyra Errol. Lady of Haystack Hall in the Stormlands, ruling her house directly rather than acting as a consort.
Alysanne Bulwer. Lady of Blackcrown in the Reach, another example of a woman inheriting and holding her family seat in her own right.
In fact, the Targaryens themselves were hardly consistent champions of womenās rights theyāre the ones who didnāt want women to inherit. Andal/FM did have women who inherited.
It was Aegon I who took away Argella Durrandonās birthright and gave Stormās End to Orys Baratheon.
It was Rhaenyra who didnāt let Lord Rosby and Lord Stokeworthās daughters inherit in their own rights and instead granted the lordships to their younger brothers.
Jaehaerys supports succession arrangements that favor male heirs. The Great Council of 101 wasnāt imposed on the Targaryens by foreign conquerors. It was called by a Targaryen king. Hence Rhaenys would have inherited in many Andal or FM houses.
Appease them from what? The Targaryens were the ruling dynasty. They held the dragons. They made the laws. They called the councils. They enforced the succession arrangements. The uncomfortable possibility is that many of these decisions werenāt made because the Targaryens were helpless victims of Andal culture. They were made because the Targaryens themselves preferred those outcomes.
People keep imagining a lost feminist Valyria that Westeros corrupted, but the text never actually shows us that society. Thatās why I find it strange when you try to turn the conflict into a simple story of feminist Targaryens versus sexist Westeros.
C) Old Valyria was not gender-equal paradise.
For starters, the evidence we have points to polygamy being something practiced by powerful men, not a system of equal marital freedom. If men can have multiple wives but women cannot have multiple husbands, thatās not equality. Thatās a patriarchal double standard. A system where a dragonlord can accumulate wives while women are expected to share a husband is not liberation. Itās still a system organized around male privilege.
Incest prevents female exit. If dragonriding women are only permitted to marry male dragonriders within the same house, they canāt take their power elsewhere. So, even when a woman has a dragon, her children and therefore the future dragons are folded back into the same patriarchal lineage. Her reproductive capacity is captured and redirected toward reinforcing the house rather than herself. Her power stops being personal and becomes āfamily property.ā
And Dragonstone proves it too. Even if Elaena and Gaemon are presented as co-rulers, thatās not the norm. For generations itās lords of Dragonstone, not ruling queens. That shows a womanās power depends on what her husband allows same with Westeros, just with dragons.
Valyria not having a monarchy doesnāt make it progressive it just means power was held by elite landholding citizens⦠who were almost certainly men.
Like Ancient Athens: ādemocraticā for a tiny male elite, not equality.
Volantis: women show up in the merchant faction, but the Old Blood aristocracy (the ones closest to Valyria) never have female leaders.
Lys: run by male magisters while women are heavily exploited.
You said:
Dragon egg production is high before Dance, as Syrax and her rider Rhaenryaās fertility flourishes as one.
Most of the major dragons fighting in the Dance were actually born long before either Rhaenyra or Aegon II. Vhagar was ancient by Dance standards and had already had multiple riders across generations. Dreamfyre predated both of them by decades. Vermithor and Silverwing were the dragons of Jaehaerys and Alysanne. Meleys was already an adult dragon before Rhaenyra was born. Caraxes was already a mature dragon before Daemon ever became one of the central political players of the Dance era. Even Seasmoke was hatched years before the war itself. And Syrax people assume she was a cradle egg, Syrax was actually born before Rhaenyra and was already alive when Rhaenyra came into the world.
The same may be true for dragons like Sunfyre and Tessarion. We donāt know their exact hatch dates, but there is no evidence they were newborns of Aegon and Daeronās generation. They may simply have been younger than dragons like Vhagar, Vermithor, Silverwing, Caraxes, and Meleys.
The reason it feels like āmost dragons lived during the Danceā is because dragons live much longer than humans.
Theyāre not created by Rhaenyraās fertility, nor does the text state that her reproductive capacity rises and falls according to Rhaenyraās pregnancies. More importantly, if dragon fertility is supposedly tied to rider fertility, how does that explain dragons whose riders never had children or had only two or one child like Rhaena BB, Rhaenys and Visenya? Or dragons that outlived multiple riders? Or dragons that produced eggs across different generations? The theory falls apart pretty quickly once you apply it consistently.
What we actually know is that the period before the Dance had an unusually large dragon population because the Targaryens had enjoyed decades of stability and accumulated dragons across multiple generations. Jaehaerysās era alone produced numerous dragons that survived into the Dance.
The dragon population wasnāt flourishing because of one womanās womb. It was flourishing because dragons are long-lived creatures and the dynasty had spent nearly a century increasing their numbers before the civil war wiped much of that out.
You said:
Then Rhaenyra is usurped and killed, and suddenly, no eggs can hatch.
Check this post. The dragons died in the Dance because the Targaryens used their near-apocalyptic power to tear the realm apart in a brutal civil war, not because the universe tragically lost Rhaenyraās āsacred fertilityā or whatever mystical chosen-one you project onto her. The narrative still repeatedly shows that concentrated power destroys everyone around it. Thatās the point. War and feudal blood supremacy are horrible.
Thereās something deeply bio-essentialist about reducing a female characterās significance to her womb and treating her reproductive status as the source of cosmic balance. Suddenly dragons arenāt dying because of war, politics, or human choices. Theyāre dying because the symbolic mother figure has fallen. Thatās not empowerment. Thatās one of the oldest patriarchal narratives imaginable the idea that a womanās primary significance lies in her fertility and that the fate of society is mystically tied to her reproductive body.
Honest TB was already getting a bit on my nerves with their lack of interest engaging in the text and have nuance conversation about the characters, incest and others.
But once akot7k came out and they all turned into "Aerion girlies" and their defenders.... I lost my patience.
If they were engaging with Aerion the same people often do with Joffrey, from the incest and first cousin marriage in the last two Lannister generations, to the abuse he suffered from Robert, to Cersei's indulgence. A nature vs nurture debate. Or for how awful he was, he was still 13 when he was killed because he was a danger to House Tyrell. Not the realm, but a high lord house. Olenna would have no problem with Joffrey if he hurts others, her reason was that Loras would kill Joffrey once he hurt Margaery.
But no, we get people just lusting over Aerion and saying "my baby did nothing wrong" or something equal as awful.
Aerion is there for many proposes. And one I like a lot is to show that for all people love Breakspear and Maekar is the new Stannis.... They are like Robert, too. Robert knew what Joffrey was (he deposed a King not unlike him) but he didn't care for the realm when he was King, much less when he would die. He let Joffrey run free and be his heir. He could have done a lot to prevent him for getting the throne on favor of Tommen. Like Maekar should have done especially once he became King.
honestly yeah and itās getting tired atp like the issue isnāt even āliking team blackā itās that a lot of ppl straight up refuse to engage with the text beyond āmy fav character is a saintā. everything gets reduced into ātheyāre progressive / theyāre the good guysā and any attempt to bring up nuance gets treated like youāre personally attacking them.
And asoiaf is not built for that kind of reading. itās a story about power and systems that corrupt everyone inside them. but the way many fans talk about it, youād think itās a modern morality play where one side is enlightened and the other is just evil and backwards. and the lack of nuance really shows with topics like incest. instead of acknowledging that targ incest is a political tool tied to blood purity and control, people either romanticize it or brush it off completely because it complicates their faves. like you cannot sit here and preach about patriarchy and then ignore how targaryen exceptionalism is built on controlling womenās bodies and reproducing within a closed system.
same with succession discourse. people will scream ārhaenyra is the rightful heir because viserys said soā but refuse to engage with how weak that actually is in-universe. kings donāt just override centuries of precedent with a declaration and call it a day. legitimacy is enforced, and constantly challenged. but acknowledging that would mean admitting the conflict isnāt one-sided, and the story isnāt as clean anymore. and donāt even get me started on how every criticism gets turned into āyou just hate womenā like⦠no. analyzing how a female character operates within a patriarchal system is not misogyny. if anything, reducing women to either āfeminist iconsā or āinternalized misogyny villainsā is what strips them of complexity. alicent, rhaenyra, Cersei -- theyāre all shaped by the same system, just reacting to it differently. thatās what makes them interesting.
but instead, people want safety rails. they want a side they can root for without discomfort. they want their fave to be morally justified at all times. and asoiaf just⦠doesnāt work like that. People are contradictory on purpose and power is ugly on purpose. Itās not even about tb specifically itās about this wider fandom habit of replacing analysis with allegiance. and once you do that, youāre not really engaging with the story anymore, youāre just defending a team.
And aerion and maekar expose that hypocrisy so badly itās almost funny. Aerion exposes how easily people excuse or romanticize violence when it comes from characters they like. And Maekar exposes the bias even more. When he defends Aerion, people call him āheās a father,ā āheās complex,ā even āa good dad doing what he can.ā But when Cersei or Alicent defend their sons (who are also dangerous) itās proof theyāre monsters!
People need to separate loving your children from actually being a good parent because those two things are not the same thing at all and maekar proves that perfectly he does love his children but his love is shaped by pride control and the need to protect the targ image above everything else which means he prioritizes reputation over responsibility and that creates the exact environment where aerion grows up thinking his actions wonāt have consequences as long as the family name is intact so even though maekar isnāt abusive in the same way as robert he is still complicit in aerionās development because he doesnāt properly check him or correct him in a meaningful way and instead allows things to slide for the sake of appearances which is exactly how entitlement and cruelty get reinforced in a system like that.
Aerys I is such an interesting dude for a non-character. Even if 90% of the discourse about him revolves around why he refused Maekar as his Hand.
Always a debate around if Aerys chose Bloodraven simply because the dude was a medieval witch and already on the council to boot, or if it was a purposeful slight for Maekarās hand in Baelorās death. As if the two facts were mutually exclusive in any way lmao. Like, have we considered that Aerys, the man who went from 4th in line to king in 6 months, simply wanted someone to do the job for him, but may have also hated Maekarās guts?
Dude named Aeloraāa girl, and only his nieceāas heir before Maekar ffs š .
But real talk. Someone was bound to hate Maekar, or at least heavily resented him, for Baelorās death. We can spin it all we want about it being an accident, or Maekar being a (meh) good dad, but it doesnāt change the fact that Baelor died because of him. Most think Rhaegel would have understood, as a fellow father; Daeron II was awfully kindāhe probably forgave Maekar too. But not everyone would have, and thatās only realistic. Maybe Aerys never did.
Or he simply never had time.
Can you imagine being Aerys? One day, two of your brothers go to a minor lordās tourney in the middle of nowhere, and one of them ends up dead because the other one killed him. Your stupid littlest brother, with that PR nightmare of a son he never properly walloped upside the head, caused a massive scandal whose effect basically altered the course of the whole damn continent. Maekar couldnāt control any of his sons, and now Baelorāthe perfect son, the darling crown prince, the reason your life is your ownāis dead. And Aerion practically walks away scot-free (seriously? His punishment was exile to Essosi Ibiza? Get fucking real, Maekar).
Meanwhile, the heir apparent is now a kid (Valarrās like 16-18ish?) without an heir of his own except his even younger brother. So you think youāre fine, for a time, because even if Valarr canāt have kids thereās no reason Matarys canāt. Thereās no way youāll ever be king, right?
Wrong.
Because then they both die. And then your dad dies. And now you are king. Fuck.
And all because your fuckass little brother couldnāt control his shitstain of a son for one goddamn day š.
Itās a wonder Aerys never strangled Maekar when he had the audacity to sulk over being skipped over as Hand.
And then of course, all of Aerysā heirs die under extremely dubious and suspicious situations. Until the only choice is a little girl (Daenora was potentially as young as four) and bloody, fucking Maekar. Who happens to have four sons.
Damn it all to hell.
AND FUCK AERION FOR BEING A LITTLE PUSSY COWARD BITCH AND NOT DEALING WITH THE CONSEQUENCES OF HIS OWN ACTIONS BY HIMSELF AS HE SHOULD HAVE
Happy Pride Month Tumblr āØ
Inspired by one of the greatest tweets of all time.
dyanna dayne and her son aerion targaryen
@dreamed-dusk
This is the Way
A little bit of Mando to head into the weekend. Just a study of Din and his armour, I don't even know if I'd called this a finished piece. I may still tinker with it but for now I wanted to share.
illustration by me
shoutout to my boy Newton Pulsifer, destroyer of chatbots, the hand of death above data centers everywhere
J'ai cousu des masques ce week end donc voila les Frenchball boys avec les leurs !
Bonus Henry :
jour 11: peur
Je trouvais que Ƨa collait bien š©µš
"But there is one [castle] I have a claim to⦠a better claim than your own, brother. I am the blood of the dragon. I want my fatherās seat, the place where I was born. I want Dragonstone.ā
Rhaena the Queen in the East commission by mnymirrors on twitter
AEREA AND BALERION
I find it fascinating how old, mighty, fierce and fearsome Balerion, survivor of a hundred battles, allowed a willful and hot-headed teenage girl to ride him.
Not only that but the fact that even if Aerea never truly bent Balerion to her will, there must have been some kind of bond between them at least for him to look after her, his young and terrified rider for a whole year in the literal hell on Earth that was Valyria.
Even if in the end he wasn't able to fully protect her and save her, he did wait until she was on his back to carry her back across half a world to King's Landing like a desperate and horror-stricken adult carrying a sick and dying child in their arms charging through hospital doors and screaming for someone to help him save this poor little girl.
Even after Aerea's horrible and tragic fate, one could argue that Balerion never fully recovered from their ordeal either and that the specially gruesome and horrific passing of his rider took a heavy mental/psychological toll on him. He was old, tired and more wearisome than ever. He probably barely ate, never battled again and only took flight one last time before dying shortly after. The causes for this could be narrowed down to everything from firewyrm parasites writhing within him, the grievous wounds he suffered in Valyria or simply old age.
But it's nice to believe that there was a special bond between Balerion and Aerea and that the death of this teenage Targaryen princess also deprived Balerion, the mightiest and grandest dragon Westeros had ever seen, of the will to keep living, like a caregiver being unable to continue on after the loss of the one person they were trying to protect.