I'd rather be in outer space 🛸
Alisa U Zemlji Chuda
Sade Olutola
Show & Tell
Mike Driver
AnasAbdin
will byers stan first human second
Keni
NASA
wallacepolsom

Kiana Khansmith
Monterey Bay Aquarium
noise dept.

if i look back, i am lost

Origami Around
trying on a metaphor

JVL
almost home
Lint Roller? I Barely Know Her

izzy's playlists!
seen from United States
seen from United States
seen from Bangladesh
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seen from United States
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seen from United States

seen from Malaysia
seen from United States
seen from Malaysia
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seen from Brazil
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seen from United Kingdom

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seen from Germany
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@ongreenergrasses
1981 Enesco Garfield “Compute This Sucker” Figurine
It was dreamlike. Nightmarish? Not always. Sometimes it was beautiful.
ANNIHILATION (2018) dir. Alex Garland
Keiji Uematsu. Wave Motion I, 1976
ok so originally I was going to take the weekend to think about this but I know now so why wait
official announcement! I am on hiatus with my writing. no posting on AO3, no prompt fills. I’ll be back with wip updates and event fics in October.
In today's state of hyperactivity, where boredom is not allowed to emerge, we never reach the state of deep mental relaxation. The information society is an age of heightened mental tension, because the essence of information is surprise and the stimulus it provides. The tsunami of information means that our perceptual apparatus is permanently stimulated. It can no longer enter into contemplation. The tsunami of information fragments our attention. It prevents the contemplative lingering that is essential to narrating and careful listening . . . In the process of digitalization, . . . information acquires an altogether different status. Reality itself takes on the form of information and data. For the most part, we perceive reality in terms of information or through the lens of information. Information is an idea—that is, a re-representation. When reality takes the form of information, the immediate experience of presence withers. When digitalization gives everything the form of information, reality is flattened.
Byung-Chul Han, The Crisis of Narration
@pscentral anniversary event: take two 2.0 ↠ JENA MALONE as JOHANNA MASON (x)
Johanna Mason. From District 7 Lumber and paper, thus the tree. She won by very convincingly portraying herself as weak and helpless so that she would be ignored. Then she demonstrated a wicked ability to murder. — Catching Fire, Suzanne Collins
sabrina henrique by mateus augusto rubim for cabe — art direction by ayla de oliveira, creative direction by isis gruber, production by giovana lidizia, styling by tauane luzes & beauty by laís larcher
Clairo, HommeGirls Magazine, 2026
everyday i log into tumblr dot com to complain about my life and reblog pretty moving pictures. and i think that is beautiful
about to go into serious credit card debt lollll
so I did have a huge breakdown over it all but I ended the day with significantly more $$$ than I started it (thanks to new and fun debt with a way lower APR than my credit card) so we have to consider that a win
end of my fucking rope thursday for real
self inflicted wound summer
realizing that the online sphere and especially tumblr is NOT a good sample for ‘what everyone thinks’ is so, so, so good for your mental health and moral OCD. i swear to god. realizing that you don’t have to live your actual life like you’re being hunted for sport because the average tumblr user will hunt you for sport for wording something slightly weird or engaging in the wrong stuff or whatever is so incredible. like no you’re actually not fucked up and evil for not donating or for watching that one indie cartoon or questioning a post that everybody is agreeing with. that’s just tumblrs georg making you feel that way
Livresse (Bookish) ~ Frederique Mariot
FLORENCE + THE MACHINE Sympathy Magic (2025)