forgive me great sage, for I have fucked up @ongreenergrasses - Tumblr Blog

#ongreenergrasses. very eclectic blog but more than incidentally posts about thg and odesta. won’t give personal identifiers so don’t ask. if #you do you might get blocked. asks and DMs always open just be cool about it. ask turnaround is anywhere from a day to a month and I #apologize that I cannot be more specific than that but I can assure you that urgent asks get bumped up to the top. always accepting prompts #I express my appreciation of things through critique. I believe that we can always strive for better representation and that pointing out #flaws does not indicate that I a) hate something or b) find the work to be irredeemable or lacking in value. if that upsets #you this is not the blog for you. if you come into my inbox complaining about the fact that I critique things you will be blocked #header is Whispering Souls (2021) by Chris Cyprus #pfp is Lonneke Engel for Vogue Italia 1996 photographed by Bruce Weber

fotobilog

floridakilo

how it feels to escape the 18-24 age bracket

redlipstickresurrected

Shitanda aka Staice Shitanda (Kenyan-African, b.1997, Nairobi, Kenya, Eastern Africa, based Kenya, Africa) - The Singer and the Red Rose, 2025, Paintings: Acrylic, Oil on Canvas

pointnclick

There's a gap in my resume because for two years I was serving ruinous powers

#unironically me. and those ruinous powers are grad school

ongreenergrasses

ok so originally I was going to take the weekend to think about this but I know now so why wait

official announcement! I am on hiatus with my writing. no posting on AO3, no prompt fills. I’ll be back with wip updates and event fics in October.

ongreenergrasses

the fact that this choice has made me feel infinitely better and freer is definitely the sign it was the right one

#.txt #🔏#to be fair I’ve been writing huge amounts in every area of my life in multiple languages but I did Not realize the extent to which this was #becoming an issue. definitely happy to do this. definitely good that I’m doing this now because it’s really going to give me space so that I #can make The Big Decision for 2027 which has always been my plan

04k96

honeyfawns

mid life crisis ? no no, mid DAY crisis. happens every day

atomic-chronoscaph

Donna Summer (1976)

ilovetodrinkwater

Rent should neverever ver be more than a thousand dollars what the hell like a thousand dollars just to be in a building for a month fuck you seriously oh my god

goobersplat

1981 Enesco Garfield “Compute This Sucker” Figurine

greengableslover

It was dreamlike. Nightmarish? Not always. Sometimes it was beautiful.

ANNIHILATION (2018) dir. Alex Garland

thomasmartinnutt

Keiji Uematsu. Wave Motion I, 1976

ok so originally I was going to take the weekend to think about this but I know now so why wait

official announcement! I am on hiatus with my writing. no posting on AO3, no prompt fills. I’ll be back with wip updates and event fics in October.

#.txt #🔏#I feel like this shouldn’t come as a surprise maybe but I’m done for a bit and may be done for even longer soon #this blog will of course remain active and I’m accepting prompts and kinktober suggestions but again those won’t be posted till October

funeral

In today's state of hyperactivity, where boredom is not allowed to emerge, we never reach the state of deep mental relaxation. The information society is an age of heightened mental tension, because the essence of information is surprise and the stimulus it provides. The tsunami of information means that our perceptual apparatus is permanently stimulated. It can no longer enter into contemplation. The tsunami of information fragments our attention. It prevents the contemplative lingering that is essential to narrating and careful listening . . . In the process of digitalization, . . . information acquires an altogether different status. Reality itself takes on the form of information and data. For the most part, we perceive reality in terms of information or through the lens of information. Information is an idea—that is, a re-representation. When reality takes the form of information, the immediate experience of presence withers. When digitalization gives everything the form of information, reality is flattened.

Byung-Chul Han, The Crisis of Narration

cressidascowper

@pscentral anniversary event: take two 2.0 ↠ JENA MALONE as JOHANNA MASON (x)

Johanna Mason. From District 7 Lumber and paper, thus the tree. She won by very convincingly portraying herself as weak and helpless so that she would be ignored. Then she demonstrated a wicked ability to murder. — Catching Fire, Suzanne Collins

#thg

cyberglittter

sabrina henrique by mateus augusto rubim for cabe — art direction by ayla de oliveira, creative direction by isis gruber, production by giovana lidizia, styling by tauane luzes & beauty by laís larcher

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forgive me great sage, for I have fucked up