I sold 112 copies of You Look Like Something Blooming this month so far, a book that is 13 years old and was raw, wild, and uncommon. Selling over 100 copies in a month of a book that’s more than a decade old is unusual in the writing world. I’m not sure why publishers aren’t reaching out to study my method, but I also know that traditional publishing doesn’t always pay attention to sustained sales from renegade, unconventional, independent books.
And yes there is a method. Part of it is refusing to lose contact with my body while I create.
Many people’s writing method is to “write more” or be more disciplined. My method has more to do with creating a juicy frequency--vitality and a state of being while crafting beautiful work. Staying strong, lubricated, and supple in my muscles and tissues is an actual part of my creative process (bend over, spread your thighs, and reach forward), outlined in my notebook right alongside my other tasks to do for the day.
As a woman, caring for my female physiology is part of the work.
So many writers, artists, and creatives become disembodied during the creative process. Hunched over. Overstimulated. Adrenalized. Detached from appetite, movement, pleasure, strength, softness, and rest. So many artists lose their bodies while making things. Some will create extraordinary work while depleted, ill, dissociated, overworked, or suffering, but there is often a hidden cost unfolding underneath all that luscious brilliance.
We should question why creativity is so often expected to emerge through fracture. Creativity should not have to cost us our bodies. -India Ame'ye