Mike Driver
cherry valley forever
AnasAbdin
Today's Document
Cosimo Galluzzi
todays bird

PR's Tumblrdome

Origami Around
trying on a metaphor
styofa doing anything
sheepfilms
I'd rather be in outer space 🛸

★
No title available
RMH
Lint Roller? I Barely Know Her

Discoholic 🪩
dirt enthusiast

shark vs the universe

❣ Chile in a Photography ❣
seen from Poland
seen from Netherlands
seen from United States

seen from Spain

seen from United States

seen from United States
seen from United States
seen from United States
seen from Germany

seen from United States
seen from Germany

seen from Finland
seen from France
seen from Germany
seen from Germany

seen from Germany
seen from United States
seen from South Africa

seen from Germany

seen from United Kingdom
@pancakewindow
A Look Inside the Peeps Factory - via NYTimes
Photos by Christopher Payne
My Latest Attempt with Howl Pendragon
I think the most beautiful thing about writing of Howl and Sophie's pair is that they are written as people before being written as a pair. Let me explain this very quick.
The thing about book Sophie and Howl is that they are not really fully fitting into any "classic" romantic trope. They are not exactly enemies to lovers, as their angry chats are definitely cannot be considered a life or death battle, they are not rivals to lovers because the only aspect of rivalry between them is the cleaningness of Howl's room. They are not friends to lovers, as their relationship just doesn't fit into "friendship" structure at the very start, nor they are roomates (yes, they live in the same house but that's not the core aspect of their relationships). Of course, you can go on and fit the name of the trope you found specifically for them, but that's the thing.
They simply cannot be processed through a pairings lenses only, in order to understand how they act in relationship you need to analyse them separately, as a characters first of all. Cause that's what the book itself does!
Sure, it doesn't have a whole lot of romance instead, but it gives us time to learn and observe the life of incredibly written, alive characters, understand them as personalities first of all, while slowly immersing the dynamic between two characters (in this case, Howl and Sophie) into work. They are written as personalities, both being fully separated and interviewing, changing eachother's point of view.
It's difficult to find a trope for them. They're are not a trope. They are Howl and Sophie, and that's probably the only way their dynamic can be properly described. Just as real people, they are not really fitting into the boxes of linial character progression, but go way deeper into being complex, filled with little differences and moments only people with their personality can have in romantic (or any different) kind of interaction. They're imperfect, and silly, and multidimensional and the reader knows them well enough to imagine them interacting way beyond of what the book says to them.
They are being people before being a ship, a pair of a trope — and that's why they work so perfectly charming in the end.
Howl and Sophie are unique in being themselves.
Hello HMC book fandom, do you remember that this is actually a trilogy and it has a Castle in the Air in it? No? I'll remind you
This is Abdullah and apparently he's my son
And that stubborn, annoying black cat on his shoulder, don't you think she looks somehow familiar to you? Hmm
One of my favorite parts about the writing of Howl's Moving Castle is how easy it is to write off all the things from our world at first as him just being a weird wizard™ (also thanks to bestie @jutenium for spotting this I wouldn't put it like that without you!!/pos). Sure, Sophie uses weird descriptions, but readers have every reason to believe them because of the way Howl is presented as a character. When Sophie says he wrote with a quill that doesn't need an ink, you wouldn't think it was actually a ballpoint pen, you would think Howl had just enchanted his quill so that it wouldn't need ink! When she adds that she can't make out a single word, you think he has matchingly terrible handwriting, but in fact Sophie has simply never seen a pen writing. When she sees the mysterious labels on his books, you think he's keeping a lot of obscure magical literature, but it's really just an encyclopedia and a guide like "Top 10 Rugby Tips." When Sophie notices the bottles in Howl's bathtub, you think they're some kind of magical jars where he keeps girl's hearts, but I'm almost certain that they're just 'Dove' and 'Head and Shoulders' that he's enhanced with his spells and put silly labels on. When you read Calicifer singing a song in a language Sophie doesn't understand, you think it's some kind of ancient cipher or code, but it's actually just a rugby song in Welsh that Howl sings when he's drunk. And finally, when you see the terrifying black door, which is completely shrouded in darkness, you imagine a passage to an eerie, mythical place, similar to what Miyazaki showed us - but it's just fucking Wales.
I will never relate to a character harder than I do Howl Jenkins-Pendragon.
He had a choice: Give your heart to a Fire Demon and live in an ever moving castle as you are being hunted by a vicious witch who wishes to consume you
OR
Pay back your student loans
And he chose the former. So real of him. I would done the same, no second thoughts.
No because this is how every Howl/Sophie interaction plays out in the book
I love both the book and movie dearly but Howl's Moving Castle is one of my favorite books so I'm a little biased and I'm Normal about the things that I like
blue graphics blinkies stamps
~ some of my rooms series ~ has quickly become my fave series ~ these are all up as prints
Howl’s Moving Castle lava lamp with emo Howl as the lava
Never getting over how differently howl's moving castle book and movie treat the scarecrow
1000 Picspams Challenge | #709 Chinese Zodiac Aesthetics | Horse
Valloween cookies are done