a much-needed deep-dive into donna tartt's female characters
sometimes i see posts that commend the queerness of tsh and mmmm. there's a lot to unpack there. so let's begin.
tartt herself said the protagonist of TSH had to be a man because had it been a woman, "there would be the question, "Is she doing this because she’s attracted to [henry]? [...] There had to be no question, a way to keep it a purely moral decision and that was the territory of the novel. My main character had to be male."
yess donna tartt our queen internalise that misogyny!!!!
i hate this <3 and honestly, it really affects the moral weight of the book to me. for years, i've been discussing with people trying to find the role of camilla in the novel, and i remember saying years ago, 'either this is some really big brain move that highlights camilla and actually makes her point of view so much more important when analysing the book...or it's internalised misogyny.' im disappointed it was the latter.
this quote has turned me off almost entirely from tartt as an author and thinker. i think she has a shallow view of women. let's do a deep-dive (from TGF and TSH bc i'm currently reading TLF but haven't finished!):
Camilla Macaulay: the only woman in the greek class. has arguably the least lines and is most notable for her resemblance to and abuse at the hands of, Charles. the fact she's a twin i find very interesting, it's like an almost biblical sexism, like she was pulled from charles' rib and created as a counterbalance to explore richard's homosexuality (as the argument most make for this is 1. his encounters with francis and 2. how richard is most attracted to camilla's masculine/boyish elements, ergo her resemblance to charles). i argue camilla's role in the novel is akin to the role of (human) women in ancient greek mythos. she's madeline miller's interpretation of briseis in SOA, something that gets in the way of the novel's satisfying homosexuality. she's a kind of war prize, a cause for conflict between every character. she's beautiful, yes, and that's it. never is her intelligence or academic merit mentioned because it doesn't matter.
Judy Poovey: depicted as vapid and vacuous. yes, it's to depict the average uni student and one could very much argue cloke's depiction is the same, but the point i'm striving to make is that the plot relevance of the male characters absolutely outweighs that of the female. again, her intention is to highlight elements in richard; juxtaposed against the normal, hilton-esque cunty cocaine strawberry girl, of course richard's behaviours seem more insane, especially imagining them in a uni dorm bathroom, she getting ready for a houseparty, and he, for an ancient dionysian bacchanal.
(leading me nicely onto) Xandra: you're simply meant to dislike her. there is madonna (theo's mother) and there is the whore (Xandra). she's the exact textual foil and a literal replacement of theo's mother and she embodies that same hot pink tackiness that is the complete antithesis of academic sensibility. her general vibe is meant to evoke images of the working class, of a lack of decorum, as intruding. she intrudes on theo's life as she does on the novel's aesthetic integrity, a complete subversion of the dark brown antiques and the high-class "real" stuff.
Kitsey: it's getting boring, tartt...can be argued as vacuous, again, you're meant to dislike her (she cheats on theo and their wedding bears significance as the killer of the possibility of a romantic future between theo and boris). just another woman who 'gets in the way'. her name is also a homophone of 'kitschy', as in art and objects that are seen as lacking decorum--the very opposite of theo's biggest interest: antiques and aesthetic apotheosis.
there's the ones im not even bothered to cook too, pippa (love interest. camilla vibes--halts the romance between boris and theo), marion, depicted as irritating, kotku, who groomed boris, mona beale? sophie dearbold? laura stoker? am i forgetting anyone?
so this evidence with the combination of the above quote makes me inclined to believe donna tartt is pretty far from a feminist. which is not good guys! people talk about how tartt probably clenching her fists and facepalming at seeing us make DA/TSH pinterest boards but uhh. She did it first actually. us making TSH boards is the equivalent of donna tartt fucking writing TSH, because the book is a romanticisation of classism, sure, but specifically of masculinity. feminists are facepalming at tartt. as we put the greek class on a pedestal (esp henry winter), tartt puts men in academia on a pedestal also, so much so that she can't imagine a novel not centering on a man and a man's issues as bearing moral weight enough to support what i imagine she considered to be a modern epic.
tartt's got a pretty shallow view of women and just how i don't support novels being long to 'reflect the boring and painstaking length of day-to-day life (see crime and punishment)', i don't support philosophy or moral superiority as an excuse for writing poor female characters.