Debating whether I should do a dance diary here 🤔 Let y’all know about the progress of learning three corps roles and a solo variation.
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@patricedumonde
Debating whether I should do a dance diary here 🤔 Let y’all know about the progress of learning three corps roles and a solo variation.
Sofya valiullina seemed to have joined Mikhailovsky recently! She hasn’t update on her Ig but her name is on the company’s website, hoping the best for her!!
Oh this is good to hear! She’ll likely get more soloist opportunities so I’m excited for her. Part of me was slightly hoping she’d leave Russia but that’s okay. These girls are still young haha. Maybe later in their career.
Crystal Huang at the YAGP doing La Esmeralda is why I don’t want to be doing ballet critiques anymore.
This is an ART FORM not an exhibition of tricks. Please. I’m in disbelief with what I saw as I really enjoyed her performance at Lausanne.
Anyway. Came here to also say that I’ve been so busy at work but a Yaroslavna Kuprina Swan Lake debut review is coming out while I’m on vacation so yay.
Yes I understand how I contradicted myself in this post. I will still be doing ballet reviews. I just felt like I lost all spirit watching that variation.
Anastasia Smirnova rehearsing Kitri rn. Has she debuted this role in Bolshoi before? 👀
Hmm can’t find anything on Brendan Saye this season, I guess he has left Vienna State Ballet 😢
Maria Ilyushkina promoted to prima ballerina!!! AAAAHHHH
Posting her video compilation here
Aw I hope you will find your way out of those troubles! My favourite pas de deux is the one from Sylvia, and favourite dancer alina cojocaru.
Thank you dear anon! Fun fact, I’ve never watched Sylvia so I will do a marathon on this.
I love Alina Cojocaru! She’s so stable and consistent is how I would describe it. Every movement is just picture perfect. Pause at any given moment and she’s yeah, picture perfect. I remember when I was younger, I would always watch her Voices of Spring PDD with Johan Kobborg. It was so magical to me then, I might rewatch it now.
You might be wondering why I’ve been so inactive. I’m just not in a great state at the moment, with possible layoffs and pay cuts where I work. Thoughts and prayers appreciated.
Please also let me know who your favorite dancers are at the moment. What your favorite ballets are and such.
I was given a large and very delicate project at work. I just audited it and did my estimates and I think I’m going to break down. I have planned for 200 hours for this project and I honestly just can’t imagine spending all that time. Thoughts and prayers appreciated. Why did I choose to work in tech?
Hey guys. My project released today! Can you believe it? I finally have free time again!
Something that’s been sitting on my drafts for months has to be posted because I’m kind of sick of ballet on social media.
I’ve been noticing something in competitions like YAGP lately, and maybe you have too: they’ve become less about artistry and more about exhibition. It’s dazzling with dancers pulling their legs up to 180 degrees, balancing forever, spinning like a top. It’s impressive, but I keep asking myself: is this what ballet is supposed to be?
Don’t get me wrong, we need dancers who push boundaries. That’s how the art form evolves. Sylvie Guillem did this, and she changed ballet forever. She took risks, stretched what was possible, and inspired generations. We need that spirit of daring. But here’s the thing, Guillem was more than her extensions. She was musical, nuanced, unpredictable. She actually made us feel something.
What I worry about is that in chasing these “wow” tricks, we’re losing something essential. Musicality. Soul. The way a dancer breathes with the music, bends a phrase, or takes a risk that isn’t about height or turns, but about meaning. When everyone is trained to deliver the same hyper-extensions, the same oversplits, the same pirouette sequences, it all becomes standardized. Dancers start to look like carbon copies, polished but interchangeable. Where is the personality and fun in that?
And here’s the bigger question: how do dancers even learn personality if we don’t make space for it? If the training, coaching, and judging all reward uniformity, then individuality becomes a liability instead of a gift. It’s heartbreaking
So maybe the real challenge is not just pushing the physical boundaries of ballet, but pushing the artistic ones too. How do we empower dancers to be themselves? To make choices, to interpret, to surprise? Maybe we need to stop asking them only for tricks and start asking them for voice. Because ballet without personality isn’t art, it’s acrobatics in pointe shoes.
I want to see a stage where a dancer’s individuality shines through, where their artistry is as memorable as their technique. That’s what makes ballet timeless.
The Dream today because I don’t watch enough American ballet
minchul jeon and daria kulikova La Bayadere review please, Catherine Pollack did a review but i cant read russian
On it 🫡
Opinions on Kuprina, Moseeva, and Konovalova’s o/o?
Also who do you think you should debut in o/o in Bolshoi (Both newer and older dancers)?
You need to catch me up babes. Send me the links and I'll tell you hahaha
Yaroslavna Kuprina has just been promoted to soloist and Maria Koshkaryova to first soloist.
I think we are all tired to say that things are moving too fast in bolshoi but seriously tho at this point they are all gonna be prima next season
I've been working too hard I have not kept up with russian ballet news and I am so terribly sorry.
Maria Koshkaryova to first soloist????????? And Valiullina can't get a contract renewal? This is so sad. Masha is talented, has potential, a few good debuts... But you don't exactly reward potential with a promotion. This is, of course, just my opinion. I wish them the best but that promotion is so premature.
How did your performance go? Was it a entire proper show? Hope you had fun!
So yes!! It was actually an entire proper show, not a recital with different numbers. This had an entire storyline and original choreography. Tl;dr is we are a circus traveling and it's about our adventure!
I was a tightrope walker and when I say it was probably the hardest dance in the performance, I am not lying! It was very challenging and as someone who just restarted point, our AD had too much faith in me to deliver lmao.
It turned out well! I didn't fall, I didn't trip! I remembered the choreography and my group was in sync. I nailed my penche en pointe so that was exciting. I'm thinking I'll write about the whole experience here but I'm not sure if anyone's interested in my moonlighting as a dancer with an adult ballet company when all I write about here is russian ballet.
Thanks for asking though!!!
This is the weirdest AI video I've ever seen on ballet... https://www.youtube.com/watch?v=4dheAUkcCas
Eeeew omg what did I just watch! The pronunciations on this are so cringe...
Finally recovered my account!
Could not access it for a few days but we back. Also, how mad would everyone be if I posted my reviews on Medium?