[my-2nd-account]

[ferrettaur]

So like an hour ago I just lear🪨︵︵ned that— what the fuck was that. Someone just skipped a rock across my post did you see that

[kikmessenger]

sits on my own blog like it’s the edge of a lake wistfully

[kikmessenger]

skips a stone over a few posts

[prettyboysdontlookatexplosions]

ok mood thank u emily dickinson relatable queen

[toskarin]

oh, did I ever tell you about [thing I've told you about no fewer than four times, opening on exactly this sentence every single one of those times]

[bbnotumbl]

[knightsf]

[drowning-moonlight]

vader: who tore the warning sign off of this wampa cage?? storm trooper: security footage shows it was removed by a golden protocol droid vader: LOL

[drowning-moonlight]

Vader in RotJ: wait the Alderaan princess is my daughter?? don’t know how to feel about that.

Luke: she strangled Jabba the Hutt to death with a chain.

Vader: OH HELL YEAH

[steampunk-sorcerer]

why would you hide this in the tags that’s hilarious

[bbnotumbl]

[dilfgifs]

BEN BARNES as THE DARKLING Shadow & Bone • 2021

[marthajefferson]

The three primary uses of masks in film are entertainment, disguise and protection. From ancient Greek plays through Japanese Noh theater, masks are deeply intertwined in the universal language of entertainment and ritual, and its power as a transformative tool is so ritualized and timeworn that it is the unofficial logo for an entire artform. Since theater was an influence on early motion pictures (consider the framing and gestural acting of silent film), it figures that masks would be smuggled into movies, and some of the most enduring images from film history are now associated with masks. —Alex Vlahov

V for Vendetta (2005), The Mask (1961), The Mummy Returns (2001), Emerald City s01e06 (2016), Black Orpheus (1959), Judex (1963), The Man in the Iron Mask (1998), Kingdom of Heaven (2005), Eyes Without A face (1960), Eyes Wide Shut (1999), Squid Game s01e07 (2021), Knights of the Zodiac (2023), Onibaba (1964), Scream (1996)

[bbnotumbl]

i’ve arrived

[primulaceas]

The Doubling of Self: An Interview with Richard Siken by Peter Mishler

[longseasons]

Can I say something? Hi...

[relelvance]

Now say it in simish

[longseasons]

Sul sul...

[jstor]

📚 Finals season is approaching—are you ready? JSTOR’s Workspace can help you stay organized and ahead of the curve.

Whether you're a student preparing for research papers, a faculty member compiling lecture materials, or a librarian curating collections, Workspace is here to simplify your workflow.

Save, organize, and share your research—all in one place, accessible from anywhere. ✨ With tools like folder organization, note-taking, and citation exports, your research process just got a lot easier.

Check out the full post on the JSTOR blog to learn more.

[jstor]

Here's a video detailing what the JSTOR Workspace can do!

[journeymanhadderqwape]

[are-we-really-doing-this]

Guys check this shit out.

[jeremiu]

i need to get off the computer and get around to my

[slunch]

I think it's one of those normal non-corrupted amulets and I'm glowing green for unrelated reasons