The ineffable beauty of the far North.

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@pericleslindblom
The ineffable beauty of the far North.
“I know that everything essential and great originated from the fact that the human being had a homeland and was rooted in tradition.”
Martin Heidegger
A pencil drawing of “Jüngling mit Falken” - “The Young Man with the Falcon” statue, made in 1943 by German sculptor Johannes Ernst Born (1884 - 1958).
A perfect example of German Neoclassicism, depicts a warrior, heroic, standing naked, his right arm raised with a falcon resting with its claws clutching his hand.
Exhibited at the 7th German Grand Art Exhibition at the Haus der Deutschen Kunst (German House of Art) in Munich.
This statue is focused around proportion, poise, and the idealized perfection of the human body. It’s aesthetic attitude is based on the art of Greece and Rome in antiquity, which invokes harmony, clarity, restraint, universality, and idealism.
The practice of hunting with a conditioned falcon bird is called falconry and a person who flies a falcon is called a falconer. Evidence suggests that the art of falconry may have begun in Mesopotamia, with the earliest accounts dating to around 2,000 BC.
© 2022 P-S Lindblom
“The will to power is the driving force behind all human endeavors.”
Ernst Jünger
A pencil drawing of a bronze portrait bust “Soldatenbüste mit Stahlhelm” (Soldier with Steel helmet). This is a striking profile image of a Wehrmacht soldier, looking warily to the right, wearing an M16/18 helmet already with the national eagle on a white marble base. The bust is a late 1920’s sculpture and measures 36cm in height.
© 2023 P-S Lindblom
Fascists in Rome
Saluto romano
“I have wrestled with Thanatos knee to knee and I know how death is vanquished.
Man’s immortality is not to live forever; for that wish is born of fear.
Each moment free from fear makes a man immortal.”
Alexander the Great
Mary Renault, Fire from Heaven: A Novel of Alexander the Great
What Alexander is saying is that he had danced with death, Thanatos, the god of death. He described his dance as wrestling knee to knee with him. However, Alexander’s point about wrestling with death is not that we will live forever. He says that our desire to live forever is a wish born from the fear of death. We are immortal each moment that we are free of fear. We can be immortal in the moment that we are not fearful.
A great catharsis occurs when one begins the process Alexander’s point. The Greek word Κάθαρσης (catharsis) means “purification” or “cleansing.” Aristotle, another Greek, used the term in his writings as an emotionally cleansing process as it relates to fear. Addressing fear is cathartic; it is liberating. When one begins addressing the reality of death, one experiences liberation.
Left : A pencil drawing of the the so-called Dying Alexander portrait statue, Uffizi Gallery, Florence.
Right : A pencil drawing of “Der Krieger” / “The Warrior”, after a drawing by Ivo Saliger (Austrian painter and etcher), created in 1918.
Alexander III of Macedon (Greek: Αλέξανδρος Γʹ ὁ Μακεδών; 20/21 July 356 BC – 10/11 June 323 BC), commonly known as Alexander the Great (Ancient Greek: Ἀλέξανδρος ὁ Μέγας) was a king (basileus) of the ancient Greek kingdom of Macedon and a member of the Argead dynasty.
He was born in Pella in 356 BC and succeeded his father Philip II to the throne at the age of 20.
He spent most of his ruling years on an unprecedented military campaign through Asia and northeast Africa, and by the age of 30, he had created one of the largest empires of the ancient world, stretching from Greece to northwestern India.
UNDEFEATED in battle and is widely considered one of history’s most successful military commanders.
© 2024 P-S Lindblom
“Fate and Blood. First is an unseen power, the second is a force of nature in which we find fate. Only thanks to it can we comprehensibly understand the essence of blood. Blood without fate is like an uncharged battery, a magnet without attraction. Purity and breed of blood, quality of its mixing have no meaning whatsoever without a great destiny. It is like a touchstone that is used to test the value of blood.[…]Blood is that fuel that feeds the metaphysical flame of fate.”
Ernst Jünger, Interwar Articles
A pencil drawing of a dagger and a ᛟ Odal rune.
Othala (ᛟ), also known as ēðel and odal, is a rune that represents the o and œ phonemes in the Elder Futhark and the Anglo-Saxon Futhorc writing systems respectively. Its name is derived from the reconstructed Proto-Germanic *ōþala- “heritage; inheritance, inherited estate”. As it does not occur in Younger Futhark, it disappears from the Scandinavian record around the 8th century, however its usage continued in England into the 11th century, where it was sometimes further used in manuscripts as a shorthand for the word ēðel (“homeland”), similar to how other runes were sometimes used at the time.
The Odal rune was also used as the insIgnia of ethnic Germans (Volksdeutsche) of the 7th ΣΣ Volunteer Mountain Division Prinz Eugen. The unit was given the title Prinz Eugen after Prince Eugene of Savoy, an outstanding military leader of the Habsburg Empire who liberated the Banat and Belgrade from the Ottoman Empire in the Austro-Turkish War of 1716–18.
Othala is a rune of heritage, homeland and family.
Limited edition prints available, 48cm x 33cm, 100 copies, all numbered and hand signed, FREE SHIPPING WORLDWIDE
© 2024 P-S Lindblom
“A boxer’s victory is gained in blood.”
G. Kaibel, Epigrammata Graeca (Berlin, 1878), p. 942; and Moretti, Inscrizioni agonistiche greche, no. 55.
A pencil drawing of the colossal statue of “The Boxer” (Italian : Il Pugilatore) by Italian sculptor Francesco Messina in The Stadio dei Marmi (Stadium of Marbles) in the Foro Italico.
Il Pugilatore was created in 1931-1933. Messina created a series of sculptures that show boxers. This larger-than-life marble statue was depicted in the Berlin 1936 catalog.
The boxer Marino Girolami is said to have been the model.
Inspired by the Roman forums of the imperial age, The Foro Italico was built between 1928 and 1938 as the Foro Mussolini (literally Mussolini’s Forum) under the design of Enrico Del Debbio and, later, Luigi Moretti.
The Stadio dei Marmi is lined with 59 (originally 60) colossal statues, which portray a range of sporting disciplines. Each statue was the gift of one of the provinces of Italy. The Boxer was donated by the Province of Ascoli Piceno.
Messina is considered one of the most important Italian sculptors of the twentieth century. He was director of the Accademia di Brera between 1936 and 1944.
Limited edition prints are available, 48cm x 33cm, 50 copies, FREE SHIPPING WORLDWIDE.
© 2022 P-S Lindblom
“In the midst of chaos, I found there was, within me, an invincible calm. In the midst of winter, I found there was, within me, an invincible summer.”
Albert Camus
A pencil drawing of a detail of “The Dying Achilles” statue (Ancient Greek: Αχιλλεύς θνήσκων), created in Berlin in 1884 by German sculptor Ernst Herter. This statue forms the centrepiece of the Achilleion Gardens located at Achilleion Palace (Greek: Αχίλλειο or Αχίλλειον) in Gastouri (Γαστούρι) on the Island of Corfu. Residence of Empress (Kaiserin) Elisabeth of Austria, also known as Sisi. The palace was designed by Italian architect Raffaele Caritto and was built on an area of 200,000 m2.
© 2023 P-S Lindblom
Available in limited edition prints https://www.instagram.com/pericles_lind?igsh=MWJoZzQ3NW92bDh6ag%3D%3D&utm_source=qr
White Boy Summer
A pencil drawing of “European Youth - White Boy Summer 2024 edition”.
© 2024 P-S Lindblom