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2025 on Tumblr: Trends That Defined the Year
YOU ARE THE REASON
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Janaina Medeiros
we're not kids anymore.
Game of Thrones Daily
art blog(derogatory)
hello vonnie
One Nice Bug Per Day
Lint Roller? I Barely Know Her
pixel skylines
Peter Solarz
DEAR READER
Stranger Things
$LAYYYTER
@theartofmadeline
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❣ Chile in a Photography ❣
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@phoenixway
https://github.com/phoenixway/annihilation_chronicles_p1
Слава Україні. Героям. Мертвим і живим, і ненародженим. Присвячується масовим вбивствам невинних і полчищам покидьків, яких ще земля ця не носила. Що посіяли, те і жнете. Нині, прісно і во віки віків.
be proud of the content you create!
it doesn’t matter if it’s gifs of a clip that’s already been giffed a million times before, it doesn’t matter if other creators have already made similar edits to your’s, doesn’t matter if your fanfic story line sounds similar to others already written and it doesn’t matter if your fan art concept is similar to other art.
now, I’m not saying go and steal another creator’s whole concept and claim it as yours, but as creators, we always look for inspiration and a lot of our inspiration usually comes from previous work that already exists!
just know that whatever you create, you always put a part of yourself into your work so, regardless of whether it’s been done before or not, your content will always be new, unique and special in its own way ☺️
I know it’s easier said than done but, try and create content because it makes YOU happy and because you want a record of that specific moment on YOUR BLOG in whatever creative format you want it to be in!
the people who genuinely like your content will gravitate towards your content and your blog naturally! the support you receive will feel wholesome because the people supporting you are just as excited as you are about your content!
so, never stop creating because it’s already been done. there is ALWAYS room for new content! 💙
Does what’s happened keep you from acting with justice, generosity, self-control, sanity, prudence, honesty, humility, straightforwardness, and all other qualities that allow a person’s nature to fulfil itself? So remember this principle when something threatens to cause you pain: the thing itself was no misfortune at all; to endure it and prevail is great good fortune.
-Marcus Aurelius
If I may offer a bit of writing advice
Don’t stress over every. single. line. They don’t all have to be quotable masterpieces.
Each line serves a purpose and you must figure out what that purpose is and work with that instead of trying to make everything seem so grand. The purpose can simply be to keep the motion of the story going. For instance take:
“The younger of the two was a stranger to me.”
A very simple line stating a fact and it sets us up to receive a character introduction of this stranger. Is it said in the most eloquent way possible? No. That’s not it’s purpose. It’s purpose is to inform the reader that the there are two people. The narrator only knows one of them and is about to describe the stranger through their perspective. And does this line fulfil its purpose? Yes, perfectly.
Compare to this line from the same novel:
“And so we beat on, boats against the current, borne back ceaselessly into the past.”
It’s evocative, it brings to mind the theme of the novel. It’s literay. It’s memorable. You may recognize it as the concluding line of The Great Gatsby. It’s the final line of the novel and its purpose is to stay in your mind long after you put the book down. Does it fulfill this purpose? I’d say yes, it’s sometimes noted as one of the many famous novel quotes floating around in the literary world.
My point/tldr: don’t get too caught up in dissecting every single line, especially in the first draft. You’re keeping yourself from moving forward. And we don’t want that.
This is something that I do constantly and it’s one of the main contributors to my writer’s block so I thought maybe someone else may need to here this. Hope it helps.
“To create a being from oneself is something very serious. I’m creating myself. And walking in complete darkness in search of ourselves is what we do. It hurts.”
— The Stream of Life (Água Viva), Clarice Lispector
Everyone who has/have had a multi muse probably: okay so I’m only gonna have like 2 or 3 muses
One week and 20 muses later: what happened
One month and 60 muses later: I’ve lost control
Six months later: i have no self-control left
One year later: ….
Novel Prep Asks
With National Novel Writing Month coming up, I know a lot of people are planning their novels. I’m a planster (halfway between a plotter and a pantser) so these asks are aimed at us!
First Look 1. Describe your novel in 1-2 sentences (elevator pitch) 2. What is your novel’s aesthetic? 3. What other stories inspire your novel? 4. Share 3+ images that give a feel for your novel
Main Character 5. Who is your protagonist? 6. Who is their closest ally? 7. What do they want more than anything? 8. Why can’t they have it? 9. What do they wrongly believe about themselves? 10. Draw your protagonist! (Or share a description)
Plot Points 11. What is the internal conflict? 12. What is the external conflict? 13. What is the worst thing that could happen to your protagonist? 14. What secret will be revealed that changes the course of the story? 15. Do you know how it ends?
Bits and Bobs 16. What is the theme? 17. Where is the story set? (Share a description!) 18. Do you have any images or scenes in your mind already? 19. What excited you about this story? 20. Tell us about your usual writing method!
Top 11 Tips for Staying Inspired on Long-Term Projects
for the writer whose inspiration keeps running away.
Recognize that inspiration is, essentially, a faceless trickster deity and, to control it, you must be very, very clever.
Feed it carefully. If you want it to focus on your dark fantasy rather than your optimistic science fiction … feed it darkness, feed it magic, feed it the grimmest of aesthetics.
Remember that you only have so much creative energy. Use it wisely.
Set up a reward system. If you finish this draft, you can print it. It can be on your shelf. Your book. On your shelf. It exists!!
Remind yourself why you started it in the first place. Make a concise list of all the things you love about it (and conveniently forget those that you don’t) and pin up on your bathroom mirror. Add to this list.
Share it with a close friend. Make them love it. Make them want to read it to the end. Make them promise to swear at you if you don’t finish it.
Set reasonable goals and deadlines.
Let yourself take breaks. During your breaks, consider feeding your inspiration monster art and music and movies and peanut butter cookies.
Write down any and every idea. From the most bizarre to the most wonderful. Don’t discount anything.
Stay alive. You can’t keep inspiration if you don’t stay alive. Eat often (at least once a day), hydrate even oftener.
Find a writing community to scream at and just scream. AAAAAAAAAAaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
Victoria Schwab Tweets:
“This just in: you can love writing and also find it hard.
“I was once on a panel and another author essentially said, ‘if you don't enjoy every moment, then why are you here?’ and I was...exasperated. Creativity is a complicated beast. You don't have to love every second to be a valid participant.
“I love the ideas. I love brainstorming, and problem-solving, and I love making this better, fine-tuning language.
“I also hate drafting, claw my way through self-doubt, crawl on my hands and knees through the frustration of the unrealized.
“I'm not here because I love every second.
“I'm here because the parts I love are worth the rest.”
YOU’RE STILL A WRITER IF:
you don’t write every day or every week
you haven’t been able to write in a few months
this is your first story or your hundredth
you never finish a book
you are completely unpublished
All you gotta do is write!
know the difference
It has come to my attention that many people mistake wyverns for dragons, so here’s a post to help you remember
Dragon: 4 legs, 2 wings
Wyvern: 2 legs, 2 wings
Drake: 4 legs, flightless
Wyrms: long snake like body with no appendages, can also appear as a traditional Chinese dragon with 4. Legs and no wings yet can fly
Amphithere: 0 legs 2 wings, can be feathered
Lindwurms: 2 legs, 0 wings, long body
Luck dragon: 4 legs, no wings, can fly, long body, furry with dog like face
Komodo dragon: 4 legs, no wings, real
Bearded dragon: 4 legs, 0 wings, often kept as pets
Dragonfly: 6 legs, 4 wings, pretty insects
All I see are good bois
Educate yourselves
You’ve finished your manuscript! Now what?
Whether you’ve finally finished that book you’ve been agonizing over for the past few months, years, or only weeks, whether Nano or not, here are some tips to help you with your next steps:
Stick your manuscript on the shelf now. Right now.
No, don’t glance back at it. Don’t flip through it. Don’t go and read those favorite scenes that you’re particularly proud of, or those scenes that have been bothering you since you wrote them. Close all your documents, shut your notebooks, and hide everything from sight. The waters in your brain are still all churned up, and you need to let all that sediment settle so you can see clearly again. This will help you be more objective.
“How long should I wait?”
I’ve waited anywhere between two weeks to nine months. I’d recommend at least four weeks before you touch a page or run your cursor lovingly over that “Chapter 1” document icon.
The reason why I waited nine months was because, when I typed the last word on the last page, I didn’t feel good about this particular manuscript. I didn’t feel it was my best. I knew I could do better. So I allowed it to sink into the furthest corner of my brain and I moved on to other projects.
If you’re itchy and antsy and having trouble holding back from stealing peeks, then give yourself a new project to distract you. A short story, or a whole new novel. Make a deal with yourself that, when you finish your new project(s), you can go back, but not until then.
The sediment has finally settled. Time for revision.
You’ve sat on your hands or busied yourself for 4+ weeks, so now you’re ready to begin revising. Make sure you’re ready. Clear your plate. Be objective, be harsh, and be prepared to make massive renovations if you find an issue.
In other words, be prepared to write your whole manuscript over again.
Your own revising process should be difficult, but this will help put you in the right mind for the next step. It’s exhausting and it may dampen your spirit—or, you might be the type of writer who loves revising more than writing. Either way, it’s important to toughen that hide and get ready.
A couple ways of revising that work for me go like this:
Read through the whole thing and revise as you go. If major changes need to be made, make them and revise them after you finish your first read-through. Repeat read-throughs until satisfied. (I might make two read-throughs or more, depending on how many changes I’ve made.)
With the case of my nine-monther (what is this, a pregnancy?), sometimes a lot more needs to be changed. In this case, a blank word document or a notebook is good for listing changes that need to be made as you read through. You might have to jot down issues and work them out in your brain before you truly begin revising. (In some cases, and in the case of my pregnancynine-monther, I had a specific word document like this open while I was writing so that I could jot down problems that needed to be fixed later.)
In the case of one of my friends, she would finish her manuscript and then write up a synopsis of all the scenes and plot points, then dissect it and add changes, like creating a floor plan. Then she would begin revising accordingly.
Whichever way you prefer, it’ll take you a long time before you’re finished. Be prepared for the investment.
Revision done. Time for more revision.
Or, in other words, time for critique partners/beta readers. First of all, if you have no plans to get published (or you’re only writing for yourself), you don’t have to go any further than the last step. But, if you intend to be published in any shape or form, this is a crucial step. Don’t move onward without having fresh pairs of unbiased eyes read over your stuff.
Your critique partners shouldn’t be a close family member or a friend—unless the aforementioned are either good writers or avid readers. Some people might tell you that your critique partners shouldn’t ever be anyone close to you because disagreements will spark animosity, or your close somebodies will be less inclined to be honest with you, therefore providing you less effective and biased feedback. This is true, unless you have personal somebodies you can trust to be really, truly honest with you to provide helpful feedback. In equal exchange, you have to understand that critique isn’t supposed to be a comment on your writing ability, so you can’t allow yourself to see it that way. If you want your story to be the best it can be, then you have to be open to change. Critique only hurts if you let it.
Find three or more people to be your critique partners. I generally have three, occasionally a fourth, but never fewer than two. Here’s why:
The first critique partner gives me a general overhaul of things that are both wrong and right (and a good critique partner knows how to supplement explaining issues with the manuscript along with positive feedback).
The second critique partner provides the same, and then considers the feedback that the first critique partner offered, whether they agree or disagree. Putting minds together helps (and, oftentimes, when I’m critiquing and I have a problem that I can’t quite put my finger on, someone else might find the root cause of it so I can have a random and slightly inappropriate outburst of “OH YES.”)
The third critique partner sees the near-finished product after I’ve applied the first two (or three) critique revisions.
There are other ways to go about this, of course. You might have your partners read separately and then send you their notes. You might have them read and then get together and discuss what they thought as you listen.
Remember one thing, however: your reader is never wrong.
If you find yourself having to explain something, then you need to go back and find what your reader missed and fix it. Never tell your reader they were wrong and never defend your writing. If anything, ask your other partners what they think of what was said, listen to what they have to say, and then consider your options. If one reader had a problem, you can’t go into the homes of other readers who may have the same problem and explain yourself.
The critique process can also be repeated. I’ve made major revisions before and then allowed one of my first partners, or a completely new partner, reread and add additional feedback. Keep repeating this process until you’re satisfied and your butt is the sorest it’s ever been (that means it’s been kicked enough, and now your butt should be tough enough to handle the next steps).
In complete contrast, whereas I prefer to allow sediment to settle in step one, I prefer to edit while everything is still fresh. At this point, I know the book inside-out and my critique advice hasn’t seeped from my memory. I can fix a problem at one point in the story, and then realize the ripples will hit other points, which I can jump to right away.
When you’ve finally finished this process (which may, in fact, take just as long as it did to write the whole dang manuscript in the first place), then it’s time to move onto my favorite step.
Line editing.
And here you thought you were done revising.
BWAHAHA. Nope.
Now it’s time to correct all your grammar, punctuation, and minor issues. Polish until the sparkle makes you writhe and you hiss and return to the darkness of your cave.
Queries and synopses are terrible, terrible things.
Some people are exceptional at summing their story up in no more than 300 words and making it enticing. The rest of us are only human. It’s a form of art, and like any art, you can only attain perfection by practicing and practicing and practicing. Typically, I’ll begin writing the query when I begin writing the manuscript, and I can tell you that the query I begin with is nothing like the query I end up.
When I began the querying process seven years ago, it was about 98% snail mail, and the only requirement in regards to length was no more than one page. Nowadays, the querying process is about 98% email, and the writer shouldn’t exceed 300 words. That’s enough to get out your title and the main character’s name. The Agent Query page on queries is your best starting point as to what a query should contain.
After you’ve gotten a perfect query, you need to take it to critique partners just like before. On top of that, I’d recommend taking it to a writing forum such as Absolute Write to get more eyes to judge it. But remember that you have to volunteer your time to critique other queries first (and absolutely make sure you read the rules). You’ll also find links there on how to write your synopsis, which is like a shortened retelling of your story—not quite a summary. Don’t write your synopsis like a summary. As I’ve heard before, write your synopsis like you’ve just seen an awesome movie and you’re trying to explain it to your friend to get them to go see it.
Except, speak more eloquently than you would your friend. Your synopsis should read like your story does, in the same voice and utilizing the same tones.
Also be sure to check out Query Shark and read the whole damn thing. (Or at least make sure you read plenty of queries that didn’t work, and plenty of queries that did.) Slushpile Hell is also a good place to learn what not to say.
Queries and synopses for us regular humans suck. But, this is the most direct way to reach an agent, and you might find that, by the end, writing a query has changed the way you write in general. It’s certainly taught me the power of brevity.
Agents, as far as I can take you.
This is where you give up the wheel to whoever your god may be. Research your agents, and I mean research. If you’re in school, great, think of it as a final project for class that you absolutely must get an A in order to pass. If you’re not in school or haven’t been in school for a while, think of it as a final project for a class that you absolutely must get an A in order to pass.
At the end of your query, if possible, you should feature a little snippet that says why you picked this particular agent—personalization is important. You don’t like getting spam in the mail, right? Sure, it’s got your name on it, but it’s clearly auto-delivered to you regardless of who you are. A query without personalization is like that.
Good places to begin researching agents:
Agent Query
Query Tracker
Absolute Write
Literary Rambles
This is where you can begin researching. Look up agent websites, blogs, and twitters. Make sure to google their names. Do everything you can to be sure that this is the person you want to have a business relationship with. You may also discover through their blogs events that agents may be attending, or contests to get you noticed.
The rejection process is natural. Some writers get rejected a few times, and some (er-hem) get rejected hundreds of times over a period of several books. If you’ve written a good book, then querying is like buying lottery tickets. You’ve got to have good luck and a good book. The market of the publishing industry is often dictated by what’s “at the right time”, also known as marketing trends. Good manuscripts will be turned down because a literary agent might not be sure he or she could sell them.
Non-traditional paths.
Before you consider non-traditional paths, ask yourself why you’re considering them. If you’re considering them because you’ve gotten a couple rejections, and those rejections sting, don’t come here yet. Stick it out. Maybe this manuscript doesn’t work, but the next one might. Each manuscript you write will be better than the last as long as you remain active and write and read more than you write.
If you’ve had several unsuccessful tries and agents have given you lots of positive feedback, but have rejected you for other various reasons, then you might be ready to come here.
Self-pub
The publishing industry is evolving at the speed of light. What’s called “vanity” publishing was frowned upon just five years ago, but authors like Colleen Houck and Amanda Hocking (who also went through the querying process several times to no avail) decided to go the route of self-pub. They achieved such popularity that they required an agent later on.
If you decide to go down this path, however, I’d advise you go to Amanda Hocking’s blog and read about how she got to where she is today. Self-pub is far, far from an easy alternative—in fact, it’s much more work than the traditional process, as you’re in charge of your own publicity (which includes being accessible via internet, creating an evocative cover, formatting your book, and so forth). You must also search for indie reviewers, manage your own copyright, etc. There’s a lot to do.
Some vanity publishers:
Wattpad
Lulu
Blurb
But be careful. Self-pub sites usually make their money by trying to sell you services (such as cover-creation, formatting e-books, or promotions). There are plenty of predators out there who will do the same. If you’re not so apt with Photoshop, sites like Deviant Art have plenty of artists you can commission to do commercial work (be aware that you could pay several hundred dollars for this). If you’re not so apt with formatting either, look for people who offer services at more competitive rates. Instead of dishing out a few hundred dollars to have Lulu convert your manuscript into .epub format, you might find someone who charges by the hour instead.
Don’t sell yourself short with the formatting, either. It’s key. If the e-book doesn’t translate well to your readers’ e-readers, then your readers won’t read it. Similarly, in order to sell in Barnes and Noble and Amazon online stores, you have to have proper formatting. This is likely where you’ll generate the most of your business.
Non self-pub
Self-pub is intimidating, and it doesn’t have to be the next step after. You can reach other readers through such sites as Absolute Write, FictionPress, and Figment. The key is to be active in whichever writing community you decide to participate, which means reading work similar to yours or within the same genre.
Build your platform.
In the beginning, it doesn’t matter if you generate revenue. What’s most important is getting your work in readers’ hands. As my professor says, it’s crucial to start selling your book even before it’s written. Nowadays, writing a book is only a small part of the work that an author has to do. Here are some ways you can build your name:
Create a personal author website.
Create a blog. Blogger and Livejournal are good places to begin.
A twitter and/or tumblr are also excellent (if I do say so myself).
Be easily accessible. Make your web layouts appealing and easy to navigate.
Join writing communities. Connect with other writers.
If you have a creative hand, create your characters or your world through art, fashion, photography, or whatever your knack might be.
If you’ve got the equipment, record yourself reading scenes of your manuscript.
If you write fanfiction, post your fanfiction. (This is how E. L. James created her readership.)
If you draw fanart, post your fanart. (This is how many online comic artists got started.)
The important thing is to get yourself out there through the various modes that are applicable to you. If you’re fairly shy, but awesome at drawing, there’s your niche. If you suck at art but have a great speaking voice, post snippets of you reading your stuff. Writing is one of your talents, now you’ve got to use your others.
It’s important to create a brand for yourself and be memorable, but in the end, no matter what, the most important deciding factor in whether or not you succeed is if you don’t give up. No one fails until they’ve given up.
Good luck!
literally all four Fs of trauma typology lmao
Flight—Responds to abuse by constantly attempting to escape it, devolves into self-repeating perfectionism in the belief that it will prevent future abuse, obsessed with either geographical escape or forcibly recovering instantaneously to escape the continual, constant torture.
Fight—Responds to abuse with anger and aggressiveness because that is the only thing that appears to give control in family dynamic. Responds to anything that resembles attack with cruelty and defensiveness and attempts to manipulate with intimidation and disdain before others can manipulate them.
Fawn—Responds to abuse by attempting to become the perfect victim in the hopes of being less hated and less mistreated in exchange for cooperating. Turns off all personal desires, boundaries, traits, and emotions, tries to become exactly what the abuser wants. Continues this set of interpersonal rules even with non-abusive outsiders.
Freeze—Responds to abuse by attempting by any means to dull or numb it. Shuts down mentally, tunes everything that is said or done out, drowns it out with electronics or isolation or addictions. Prefers being disconnected and unaware to actively living.
Yes!! Fawn is a rarer response just because it requires more complex work in the brain than the other responses, and so most people don’t realize or act like it exists so both as a therapist-in-training and semi-former fawner this is great.
A small example of what it is like to live with chronic illnesses like mine
Reminder that not everyone has the same amount of spoons, even people with the same illness. For me entertain is 0 spoons, but studying is like.. 3.
Exactly! Another reminder that not every day is the same either. Sometimes a shower could be 4 spoons. Sometimes you overextend yourself and you wake up the next day with only 8. And you don’t always have a good idea of how many you’ll have for the day or how many an activity will use up. It’d be easier to budget if the math were consistent, but it’s not. The numbers are all abstract and personal and amorphous, so this infographic is just a simplified example to give an idea of what it’s like.
yeah overdoing it today is like using your spoons for tomorrow and sometimes you don’t even realize it until tomorrow morning arrives. This is really a stupid thing to happen
