pianosequenza

[piano-sequenza]

Sister My Sister | Directed by Nancy Meckler | Cinematography: Ashley Rowe

[piano-sequenza]

Monster | Directed by Hirokazu Kore-eda | Cinematography: Ryuto Kondo

[piano-sequenza]

Wood Job! | Directed by Shinobu Yaguchi | Cinematography: Akiko Ashizawa

[piano-sequenza]

Love And A .45 | Directed by C.M. Talkington | Cinematography: Tom Richmond

[piano-sequenza]

La Belle Noiseuse | Directed by Jacques Rivette | Cinematography William Lubtchansky

[piano-sequenza]

Amarcord | Directed by Federico Fellini | Cinematography: Giuseppe Rotunno

[piano-sequenza]

L'Amant | Directed by Jean-Jacques Annaud | Cinematography: Robert Fraisse

[piano-sequenza]

Elephant Song | Directed by Gō Rijū | Cinematography: Kazuhiko Ogura

[piano-sequenza]

The Canterbury Tales | Directed by Pier Paolo Pasolini | Cinematography: Tonino Delli Colli

[piano-sequenza]

She's Gotta Have It | Directed by Spike Lee | Cinematography: Ernest Dickerson

[piano-sequenza]

The Guernsey Literary and Potato Peel Pie Society | Directed by Mike Newell | Cinematography: Zac Nicholson

[piano-sequenza]

One Day | Directed by Lone Scherfig | Cinematography: Benoît Delhomme

[piano-sequenza]

Le Sourire | Directed by Claude Miller | Cinematography: Guillaume Schiffman

[piano-sequenza]

The Net | Directed by Irwin Winkler | Cinematography: Jack N. Green

[piano-sequenza]

Widows | Directed by Steve McQueen | Cinematography: Sean Bobbitt

[piano-sequenza]

The Black Dahlia | Directed by Brian De Palma | Cinematography: Vilmos Zsigmond

[piano-sequenza]

Cube | Directed by Vincenzo Natali | Cinematography: Derek Rogers