Greetings all! You can call me Muse (23yo). I’m a big fan of Demon Slayer and Attack on Titan, though I do write for a few other fandoms (Genshin primarily). I’m only interested in writing dom reader stuff—and sometimes shades of monsterfucking. Pretty kinky too, though there are a few exceptions (no non-con, mostly). Requests are always open!
Thinking about (DMC Netflix)Vergil’s undying devotion and how that would translate in a relationship… TW: oral sex, a whole lot of biting, dacryphilia, mating press, praise kink, body chains and costumes, shibari, safewords, sex toys
I know a lot of you out there seem to write Vergil as this very serious hardcore dom…but I just don’t see it. This is the man who needs someone to be the focus of his loyalty, his devotion.
Vergil doesn’t care so much about whether he’s top or bottom—our boy’s a switch if you ask me—he just wants to do whatever pleases you most. Service top? Sure. Service bottom? He’s down. But if you really push him to tell you what he wants, he’ll eventually admit he just wants to worship you.
Vergil is the kind of partner who refuses to cum before you do. He takes it as a point of pride, actually, if he can get you to orgasm twice for every one of his. And yes, no matter what equipment you have, he can and will take it in his mouth as many times as you’ll let him. Vergil strikes me as demisexual—his devotion is slow to build, but absolutely all-consuming when it comes to fruition.
There are definitely some things he desires that are influenced by a childhood in Makai, though. He’ll take some time to admit this, but he’d love you to bite him. Especially if you leave marks. He wants everyone to know you’ve claimed him, and while he won’t explain, if anyone asks about the marks on his neck he’ll just smirk and walk away.
And if you bite his throat while you’re having sex? Doesn’t matter how long or short you’ve been going at it, he will cum on the spot. It’s like a button, honestly.
This goes without saying I think, but he wants to see you. You’re his focus, his center, his North Star. He always wants to be able to see you—especially while you’re fucking him. Missionary’s good, sure, but there’s something primal about when you put him in a mating press. It makes him desperate, and about three times more likely to cry. It’s a release of all the tensions he’s been carrying.
Speaking of which, this man needs praise. He won’t tell you that, naturally, but if the person who’s like a god to him tells him he’s sweet, he’s perfect, he’s good—he will absolutely start crying. Someone who thinks he’s enough, that he’s good, after everything he’s been through? It’s what he needs to hear.
Vergil, surprisingly, isn’t as opposed to PDA as you might think. He doesn’t want it prolonged, he has things to do, but he’s very much on board if you decide you want to kiss him in public. Particularly if you’re letting someone know that he’s yours. He loves that reminder that his devotion is reciprocated. He doesn’t doubt your loyalty or get jealous, but he loves to know that you still want him just as bad as he wants you.
He’s not really a fan of games in the bedroom. To him, this is serious business, because it involves you, and you are what matters most to him. He wants it to be very clear that his love and loyalty is real, and not a joke or game.
Vergil is usually not overly loud in bed—more choked gasps than full moans, and not long ones—but the easiest way to get him to really moan under you is to give him his own medicine. Worship him the way he worships you, and this man is gone.
Vergil’s theatric entrances carry over to sex, too. He very much wants to dress up for you. And he’ll cater to what you like in this department too, but he does have a personal favorite kind of costume, if you can get him to admit it. Draping, semi-transparent fabrics that give him a dramatic, ethereal look that suits him perfectly, but also hides very little from your gaze. Blues and teals and sometimes greens are near his heart, but you can sometimes talk him into purple or white.
And when he learns about body chains? You can bet you’re coming home to find at least three sets of them, with different themes he can pair with his silks. Once you’ve won his devotion, this man won’t skimp on ways to make himself look deliciously good for you.
Vergil has an artistic streak, which means he’ll hate the idea of things he considers trite or ugly in bed—handcuffs, for instance. That said, if you introduce him to shibari, or aerial silks, he will be all over that. He wants to feel beautiful, and if you encourage that, he’ll just melt.
He has a thing for shibari, honestly. Knowing that he could break out, but chooses not to out of the depth of his devotion to you? That gets him every time. It’s a test of his loyalty, and he likes that, because he knows he’ll win.
You have to watch him, though, because this is a man who will try not to use his safeword, at least in the beginning. He wants to please you so bad, he thinks it’s worth pushing himself. When you take his face in your hands and tell him that you want him to be your equal, not your servant, that safewords only work if you use them, he will probably cry a little. After that, he gets it. He wants to be good so desperately.
Vergil has mixed opinions about toys. Crops etc. are a hard no—they remind him too much of certain memories—and so is anything else for pain or punishment. He wants to be good. But things that exacerbate his pleasure, or better yet, yours? Those he loves. No blindfolds, he wants to see you, but he has no objection to certain gags—they make it harder for him to keep in every little noise, which you love.
You better believe his stamina is off the charts. And for a half-Makaian, refractory periods aren’t really a thing. Vergil can—and will, if you spoil him enough—cum ten times in one night. He’ll worry that you aren’t pleasured enough, but when he sees how very, very untrue that is, he’ll give in and let you ruin him. Every once in a while.
Vergil gasps out under you, his muscles trembling as he strains not to break the ropes that hold him spread-eagled on the bed. You’ve decided to tie him for the night. It’s your birthday, and he’s already eaten you out twice, before you could even get him to one orgasm.
You just wanted to spoil him, and he started by spoiling you.
You start at his throat. Butterfly kisses, flirting with the idea of more. He twitches, and you know he’s holding in a whine. So you give him what he wants, and close your teeth around his throat.
That punches a glorious moan out of him, as his chest heaves desperately as his orgasm hits him hard. His cock, pinned between your stomach and his, spurts white cum almost to his own mouth.
Grinning, you sit back on him, staring down at Vergil’s face. His eyes are less focused, the gaze softer and fuzzier, but still fixed on you. Always fixed on you.
You can’t wait to see how many times you can make him cum tonight.
This is actually such a crucial part of healing from neglect and abuse and I have to add to this.
Because indeed, people who like you will not roll their eyes and sigh at the idea of accommodating your needs, they will value your voice and be upset with you about injustice done to you, not at you for "being difficult". They will be happy when you find a way to live a better life, and help you to get there. If you are struggling, someone who loves you wants to see you smile, not tell you to smile because "you have it so good".
While it's not the focus of the book, Wei Wuxian as a queer character means so much to me. Literally summoned as an avenging spirit to mete out justice for a gay man's death. He's willing to put up with all sorts of verbal abuse but the second someone gets homophobic in his general vicinity it's on sight. And he doesn't know why. He went through the first twenty-odd years off his life clueless about any kind of sexuality and completely bluescreens when someone so much as holds his hand. He has a reputation as a deviant freak. He hears a story about two men founding their own family line before both dying tragically and it makes him really depressed for some reason. Two of the biggest crashouts we see him have on page he describes as "losing control" and the first one is him accidentally murdering a dude with ghost magic and the other one is the first time he slept with a man. He swaps makeup tips with women he meets on the side of the road. He gives the remains of a dead man to the one man he knows loved him in life and leaves the decision of what to do with the corpse purely up to his partner. He tries to run away from it all and live peacefully with his chosen family and when society doesn't let him do that he decides to burn it all to the ground. "When you're on their side you're a strange hero, a unique knight-errant, a force to be reckoned with who's in a league of his own. But the second you voice an opinion that differs from theirs, you're a maniac, immoral, a deviant who shuns the orthodox path." He spent his life being hated, being vilified, was literally killed for trying to live his life and be happy in a community he built himself. Only to come back, look at the world a few years later, and realize he wasn't even special. That it was never about him, it was just about having someone to hate. He cannot burn himself up and take all the hatred of the world with him, so he might as well live and be happy.
The only time in the whole series he directly acknowledges his sexuality is when he's wondering if being gay is contagious via blood necromancy.
like, in my mind, when lan wangji hears “wangxian” being played by wei wuxian, he thinks he’s imagining it— and then he realized his subconscious would never butcher “wangxian” this badly
The Creature calling itself Viktor and following Viktor around is so much more tragic when you know how babies develop and how newborns don't yet realise they and their mothers are two separate people. And one of the first things babies realise about themselves is that they're a whole separate person. And one of the first things they do when they start developing as a person is find out they have hands and play with them and with textures and start exploring. And when they want to start talking, they put their hands and fingers on their parents lips and throats to figure out how that sound is coming out of there and then they start imitating. Guillermo Del Toro nailed every single step of human development in such a beautiful celebration of life.
And Viktor abused the crap out of the poor creature for not being smart enough when it was only following natural developmental milestones. Because, like most men, like his own father, he wanted to create life but he wasn't interested in raising it beyond that and instead wanted it to be born a doctor ready to show the world how smart Viktor is for creating a carbon copy of his brain except in a stronger immortal body. Elizabeth gave him five minutes of love and let him explore how sounds come out of her mouth and he started talking.
Idk why some people are complaining about the movie being different from the book when the essence is literally the same, Viktor created life as if it were a godly feat and not something women have been doing since the dawn of humanity, and then he abandoned that life as deadbeat dads do. And that abandonment is what created a monster out of an innocent souls who could have become a beautiful being had it been nurtured. That's literally what Mary Shelley wrote. She would have been proud of this story. On top of being an incredibly gorgeous visual story, the narrative is very loyal to the point Shelley wanted to make.
I feel like people misunderstand the title of Mo Dao Zu Shi, or of what Wei Wuxian does as “demonic cultivation” (mo dao). It’s not. It is, however, what most people in canon THINK he’s doing
Mo dao messes with the cycle of reincarnation, which is why the Yiling Patriarch becomes so reviled. The term mo dao is actually used only ONCE in the novel - when Wei Wuxian notes that people called him “the grandmaster of demonic cultivation”
It uses living humans, extracts qi out of them, and involves the destruction of golden cores, brainwashing, and effectively vampiring living beings for the sake of power. It doesn’t use ambient resentment, it creates it by harming others.
The reason we’re continuously told (by people who know nothing of Wei Wuxian’s path) that he’s at risk of going insane is because that’s what mo dao does. It warps the mind and body because the source of resentment is within the user
Wei Wuxian calls his cultivation “the ghostly path” or “ghost cultivation” (gui dao). Hell, the only other person shown to match his expertise on the subject - Xue Yang - also calls it gui dao. Xue Yang !! He’d be delighted to call his actions demonic !! If he’s insisting on calling it “ghostly”, then that tells us that the difference matters
So what is gui dao ? First of all, we know that it doesn’t mind-control people as a baseline - that’s why Wei Wuxian ended up dying the first go around. We know that it utilises pre-existing resentful energy in the world to direct the dead
We know, also, that it requires a certain level of understanding of the dead. One of the spells Wei Wuxian creates is literally named Empathy.
We know that the power source is usually external (the Burial Mounds, the Stygian Tiger Seal), and that it, most importantly, doesn’t create demons. It creates ghosts and fierce corpses. And because of this, it likely doesn’t prevent reincarnation.
Why is the distinction important ? Because the former is what mo dao does. It creates mo.
We’re told the difference - very intentionally - in one of the earliest parts of the story, when Lan Qiren asks Wei Wuxian the difference between gui (ghosts) and mo (demons) and yao, and gets the correct answer
There’s foreshadowing littered all across the earlier chapters, actually. I might make a post on that some day
I want to see a MDZS K-Pop Demon Hunters AU, featuring:
Wei Ying as a half-demon cultivator like Rumi, who got exposed at the height of his popularity by the Jin and fell off the radar for years
Lan Zhan as the Jade Prince of Gusu Lan, who always sang alone …until Wei Ying
The juniors being a boy band…Lan Sizhui as the golden boy lead, Lan Jingyi as the sassy one, Jin Ling as a total brat the fans love anyway, Ouyang Zizhen as the quiet one in the back at interviews
Lan Xichen and Nie Mingjue and Jin Guangyao as “Triad”, the band that broke up under mysterious circumstances after Nie Mingjue’s breakdown onstage
Wen Ning as a demon who came back to Wei Ying after he died, thanks to Wei Ying’s music, and is free of the demon king’s control
Jin Guangshan as the demon king, Jin Guangyao as essentially Jinu (and yes we do see him have a moment of redemption at the end with Lan Xichen)
Nie Huaisang is the only one who knows about the Jins (other than his brother, who was driven to a qi deviation when he found out)
“Golden” was the Jiang siblings’ hit single…when Guanyin Temple happens, and Jiang Cheng comes in clutch, he and Wei Ying reprise it
“What It Sounds Like” is Wangxian, verse one for Lan Zhan, verse two for Wei Ying, bridge and chorus together—we get lil moments of the tune but not the whole thing until the denouement in the Burial Mounds
We end with the juniors inviting Wangxian onstage and all singing “What It Sounds Like” together
Also a scene of Jiang Cheng and Wei Ying and Jin Ling doing “Golden” and crying a lot
I want to see a MDZS K-Pop Demon Hunters AU, featuring:
Wei Ying as a half-demon cultivator like Rumi, who got exposed at the height of his popularity by the Jin and fell off the radar for years
Lan Zhan as the Jade Prince of Gusu Lan, who always sang alone …until Wei Ying
The juniors being a boy band…Lan Sizhui as the golden boy lead, Lan Jingyi as the sassy one, Jin Ling as a total brat the fans love anyway, Ouyang Zizhen as the quiet one in the back at interviews
Lan Xichen and Nie Mingjue and Jin Guangyao as “Triad”, the band that broke up under mysterious circumstances after Nie Mingjue’s breakdown onstage
Wen Ning as a demon who came back to Wei Ying after he died, thanks to Wei Ying’s music, and is free of the demon king’s control
Jin Guangshan as the demon king, Jin Guangyao as essentially Jinu (and yes we do see him have a moment of redemption at the end with Lan Xichen)
Nie Huaisang is the only one who knows about the Jins (other than his brother, who was driven to a qi deviation when he found out)
"Treat them like people" is probably the biggest lesson we learn from the novel when it comes to Wei Wuxian
He is comfortable around spirits and the dead because he treats them with the same respect and gentleness he would any living person.
He is able to get along very well with children and the youth because he treats them with the same kindness and decency he would a grown adult, never looking down on them and instead patiently guiding them to learn things about the world and themselves.
He sympathizes with the Wen remnants' suffering because he's seen firsthand they have not been complicit to the war and has decided to extend to them the same kindness he received, thus treating them like individuals and not a mass representing Wen Ruohan.
No matter how insignificant, unsightly or scary something or someone might be, Wei Wuxian has always granted them respect and showed no disgust or disdain where it was not warranted.
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