caden caden caden i am SO EXCITED to hear your thoughts for this episode. consider this ask an open prompt to say literally anything at all about it whatsoever <3
ok here goes. this was the payoff of an idea the show has been exploring for nearly four seasons now: that spectacle and showmanship can become reality, or more to the point, there is no essential difference between the two in the first place. politics is a particularly effective, and off-putting, demonstration of this process: the whole episode is driven by the tension between the created narrative and the material events, and through waystar's machinations, the dichotomy between the two can finally be totally collapsed and the country brought into line with atn's story of a mencken victory.
this is genuine, if genuinely repulsive, performative speech: a discursive practice that enacts or produces what it names. very few people are empowered such that they are capable of performative speech: presidents, lawmakers, judges, &c are the classic examples. and, in a world in which politics is not just a show but a profitable one, a company like atn can also join this list. this is not the first time we've seen atn use language to alter reality (for example, logan ultimately evaded the cruises scandal largely by pressuring the president through the manufacture of bad press) but it's a new height of brazenness for the siblings. what the show suggests is that the electoral processāthe voting, the polls, the campaigningāis theatre, and what appears at first to be theatreāthe television cameras, the graphics, the anchors touching up their makeupāis the speech that actually makes events happen, functioning of course as a mouthpiece for possibly the most powerful family in america.
succession has always been interested in the power of speech and the significance of languageā"words are just complicated airflow" is from the second episode. the way characters talk is frequently bullshit, like tom and greg making up corporate-speak jargon in 'argestes' or kendall promising eternal life in 'living+'. they use profanity and metaphor to talk around their feelings, or as games in which the object is to assert dominance and the specific argument at hand barely matters. so much of the dialogue is 'meaningless' on the lowest level. yet, bolstered by a family dynasty and uttered by an anchor on an atn camera, words become not just meaningful but actually constitutive of reality. what kendall didn't understand in episode 2, and what logan understood instinctually but probably never in so many words, is that what constrains the reality-making capacity of speech is not some impotence inherent to language itself, but the social power structures its speakers exist in. speech in the hands of the powerful is itself also a technology of power.
ultimately this sort of tension between speech and event, or spectacle and reality, is why the show has always depended on the roys being a media family specifically. the commentary here is not just on a vague or generalised definition of capitalism, or on the effect of profit motives on politics. succession is specifically interested in how a corporation like waystar becomes successful by capitalising on the total spectacularisation of life, and how waystar can then use its position to create spectacle that is constitutive of a new reality without needing to be reflective of a preexisting one. it's a kind of frankenstein's monster: a beast raised by electricity whose powers far exceed what it was meant to be endowed with. this is why, as much as logan disdained certain cultural products and media (plays, music), he always valued the atn mouthpiece. what the siblings produced in this episode, and what logan valued atn for being able to produce, was not 'news' in the sense of being a reporting on reality, but 'truth' in the sense that the company simply willed it into reality instead.
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