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Andulka
One Nice Bug Per Day

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I'd rather be in outer space đž
Claire Keane
Keni
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@pixelshipper
Hey FrostIron fans! Iâm moving and need to re-home my copy of Winterheart by GoddamnHella. Please DM me if youâd like to work something out in terms of shipping. Thanks! <3Â
Super nice condition! Spine isnât even cracked. I mostly read the chapters online and kept this copy in my side table.Â
Bisexuals in committed monogamous relationships have not chosen a âside,â they have chosen a person.
Thank you and have a blessed day.
being an art major talking to your friends in different majors like
iâm dying that robert downey jr posted this on his official facebook đđđÂ
credit: hisduckling on youtube
happy pride month remember that bisexuals in m/f relationships are still a valid and important part of the lgbt community
https://instagram.com/p/BjNePqtgSFS/
FUCK OFF ITâS JUST WOODWORKING AT THIS POINT
Bnha anime watchers:
Todorokiâs ark is the best! I LOVE it. Heâs my all time favourite character!
Bnha manga readers:
PS: Not tryna start a war I just thought this up at 2am and found it funny.
Temples are built for gods. Knowing this a farmer builds a small temple to see what kind of god turns up.
Arepo built a temple in his field, a humble thing, some stones stacked up to make a cairn, and two days later a god moved in.
âHope youâre a harvest god,â Arepo said, and set up an altar and burnt two stalks of wheat. âItâd be nice, you know.â He looked down at the ash smeared on the stone, the rocks all laid askew, and coughed and scratched his head. âI know itâs not much,â he said, his straw hat in his hands. âBut - Iâll do what I can. Itâd be nice to think thereâs a god looking after me.â
The next day he left a pair of figs, the day after that he spent ten minutes of his morning seated by the temple in prayer. On the third day, the god spoke up.
âYou should go to a temple in the city,â the god said. Its voice was like the rustling of the wheat, like the squeaks of fieldmice running through the grass. âA real temple. A good one. Get some real gods to bless you. Iâm no one much myself, but I might be able to put in a good word?â It plucked a leaf from a tree and sighed. âI mean, not to be rude. I like this temple. Itâs cozy enough. The worshipâs been nice. But you canât honestly believe that any of this is going to bring you anything.â
âThis is more than I was expecting when I built it,â Arepo said, laying down his scythe and lowering himself to the ground. âTell me, what sort of god are you anyway?â
âIâm of the fallen leaves,â it said. âThe worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth. Iâm a god of a dozen different nothings, scraps that lead to rot, momentary glimpses. A change in the air, and then itâs gone.â
The god heaved another sigh. âThereâs no point in worship in that, not like War, or the Harvest, or the Storm. Save your prayers for the things beyond your control, good farmer. Youâre so tiny in the world. So vulnerable. Best to pray to a greater thing than me.â
Arepo plucked a stalk of wheat and flattened it between his teeth. âI like this sort of worship fine,â he said. âSo if you donât mind, I think Iâll continue.â
âDo what you will,â said the god, and withdrew deeper into the stones. âBut donât say I never warned you otherwise.â
Arepo would say a prayer before the morningâs work, and he and the god contemplated the trees in silence. Days passed like that, and weeks, and then the Storm rolled in, black and bold and blustering. It flooded Arepoâs fields, shook the tiles from his roof, smote his olive tree and set it to cinder. The next day, Arepo and his sons walked among the wheat, salvaging what they could. The little temple had been strewn across the field, and so when the work was done for the day, Arepo gathered the stones and pieced them back together.
âUseless work,â the god whispered, but came creeping back inside the temple regardless. âThere wasnât a thing I could do to spare you this.â
âWeâll be fine,â Arepo said. âThe stormâs blown over. Weâll rebuild. Donât have much of an offering for today,â he said, and laid down some ruined wheat, âbut I think Iâll shore up this thingâs foundations tomorrow, how about that?âÂ
The god rattled around in the temple and sighed.
A year passed, and then another. The temple had layered walls of stones, a roof of woven twigs. Arepoâs neighbors chuckled as they passed it. Some of their children left fruit and flowers. And then the Harvest failed, the gods withdrew their bounty. In Arepoâs field the wheat sprouted thin and brittle. People wailed and tore their robes, slaughtered lambs and spilled their blood, looked upon the ground with haunted eyes and went to bed hungry. Arepo came and sat by the temple, the flowers wilted now, the fruit shriveled nubs, Arepoâs ribs showing through his chest, his hands still shaking, and murmured out a prayer.Â
âThere is nothing here for you,â said the god, hudding in the dark. âThere is nothing I can do. There is nothing to be done.â It shivered, and spat out its words. âWhat is this temple but another burden to you?â
âWe -â Arepo said, and his voice wavered. âSo itâs a lean year,â he said. âWeâve gone through this before, weâll get through this again. So weâre hungry,â he said. âWeâve still got each other, donât we? And a lot of people prayed to other gods, but it didnât protect them from this. No,â he said, and shook his head, and laid down some shriveled weeds on the altar. âNo, I think I like our arrangement fine.â
âThere will come worse,â said the god, from the hollows of the stone. âAnd there will be nothing I can do to save you.â
The years passed. Arepo rested a wrinkled hand upon the temple of stone and some days spent an hour there, lost in contemplation with the god.
And one fateful day, from across the wine-dark seas, came War.
Arepo came stumbling to his temple now, his hand pressed against his gut, anointing the holy site with his blood. Behind him, his wheat fields burned, and the bones burned black in them. He came crawling on his knees to a temple of hewed stone, and the god rushed out to meet him.
âI could not save them,â said the god, its voice a low wail. âI am sorry. I am sorry. I am so so sorry.â The leaves fell burning from the trees, a soft slow rain of ash. âI have done nothing! All these years, and I have done nothing for you!â
âShush,â Arepo said, tasting his own blood, his vision blurring. He propped himself up against the temple, forehead pressed against the stone in prayer. âTell me,â he mumbled. âTell me again. What sort of god are you?â
âI -â said the god, and reached out, cradling Arepoâs head, and closed its eyes and spoke.
âIâm of the fallen leaves,â it said, and conjured up the image of them. âThe worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth.â Arepoâs lips parted in a smile.
âI am the god of a dozen different nothings,â it said. âThe petals in bloom that lead to rot, the momentary glimpses. A change in the air -â Its voice broke, and it wept. âBefore itâs gone.â
âBeautiful,â Arepo said, his blood staining the stones, seeping into the earth. âAll of them. They were all so beautiful.â
And as the fields burned and the smoke blotted out the sun, as men were trodden in the press and bloody War raged on, as the heavens let loose their wrath upon the earth, Arepo the sower lay down in his humble temple, his head sheltered by the stones, and returned home to his god.
Sora found the temple with the bones within it, the roof falling in upon them.
âOh, poor god,â she said, âWith no-one to bury your last priest.â Then she paused, because she was from far away. âOr is this how the dead are honored here?â The god roused from its contemplation.
âHis name was Arepo,â it said, âHe was a sower.â
Sora startled, a little, because she had never before heard the voice of a god. âHow can I honor him?â She asked.
âBury him,â the god said, âBeneath my altar.â
âAll right,â Sora said, and went to fetch her shovel.
âWait,â the god said when she got back and began collecting the bones from among the broken twigs and fallen leaves. She laid them out on a roll of undyed wool, the only cloth she had. âWait,â the god said, âI cannot do anything for you. I am not a god of anything useful.â
Sora sat back on her heels and looked at the altar to listen to the god.
âWhen the Storm came and destroyed his wheat, I could not save it,â the god said, âWhen the Harvest failed and he was hungry, I could not feed him. When War came,â the godâs voice faltered. âWhen War came, I could not protect him. He came bleeding from the battle to die in my arms.â Sora looked down again at the bones.
âI think you are the god of something very useful,â she said.
âWhat?â the god asked.
Sora carefully lifted the skull onto the cloth. âYou are the god of Arepo.â
Generations passed. The village recovered from its tragediesâhomes rebuilt, gardens re-planted, wounds healed. The old man who once lived on the hill and spoke to stone and rubble had long since been forgotten, but the temple stood in his name. Most believed it to empty, as the god who resided there long ago had fallen silent. Yet, any who passed the decaying shrine felt an ache in their hearts, as though mourning for a lost friend. The cold that seeped from the temple entrance laid their spirits low, and warded off any potential visitors, save for the rare and especially oblivious children who would leave tiny clusters of pink and white flowers that they picked from the surrounding meadow.
The god sat in his peaceful home, staring out at the distant road, to pedestrians, workhorses, and carriages, raining leaves that swirled around bustling feet. How long had it been? The world had progressed without him, for he knew there was no help to be given. The world must be a cruel place, that even the useful gods have abandoned, if farms can flood, harvests can run barren, and homes can burn, he thought.
He had come to understand that humans are senseless creatures, who would pray to a god that cannot grant wishes or bless upon them good fortune. Who would maintain a temple and bring offerings with nothing in return. Who would share their company and meditate with such a fruitless deity. Who would bury a stranger without the hope for profit. What bizarre, futile kindness they had wasted on him. What wonderful, foolish, virtuous, hopeless creatures, humans were.
So he painted the sunset with yellow leaves, enticed the worms to dance in their soil, flourished the boundary between forest and field with blossoms and berries, christened the air with a biting cold before winter came, ripened the apples with crisp, red freckles to break under sinking teeth, and a dozen other nothings, in memory of the man who once praised the godâs work on his dying breath.
âHello, God of Every Humble Beauty in the World,â called a familiar voice.
The squinting corners of the godâs eyes wept down onto curled lips. âArepo,â he whispered, for his voice was hoarse from its hundred-year mutism.
âI am the god of devotion, of small kindnesses, of unbreakable bonds. I am the god of selfless, unconditional love, of everlasting friendships, and trust,â Arepo avowed, soothing the other with every word.
âThatâs wonderful, Arepo,â he responded between tears, âIâm so happy for youâsuch a powerful figure will certainly need a grand temple. Will you leave to the city to gather more worshippers? Youâll be adored by all.â
âNo,â Arepo smiled.
âFarther than that, to the capitol, then? Thank you for visiting here before your departure.â
âNo, I will not go there, either,â Arepo shook his head and chuckled.
âFarther still? What ambitious goals, you must have. There is no doubt in my mind that you will succeed, though,â the elder god continued.
âActually,â interrupted Arepo, âIâd like to stay here, if youâll have me.â
The other god was struck speechless. ââŠ. Why would you want to live here?â
âI am the god of unbreakable bonds and everlasting friendships. And you are the god of Arepo.â
Set decorator: Weâre out of budget so this scene is going to look really cheap
Bryan Fuller, already turning off the lights: I think the fuck not
Canât Decide!
I have two fanfic plots going on in my head and I canât decide what would be more interesting to read/write.Â
1) a story with kidnapping, BAMF!Kirishima, and a Yakuza plot focused on a backstory of Kirishima and his family.
OR
 2) a Dom/sub AU set a bit aways into the future focused more on adult!Kirishima/adult!Bakugou with some smut?
VOTE NOW!Â
This was TOO HYPE
My Soulmate AU Valentineâs gift for @fanficismything and the @bakushima-gift-exchange. đŹ
BILL WATTERSON - âA Cartoonistâs Adviceâ
it doesnât matter how many âpretend to be datingâ fics i read, iâm always fucking in it headfirst every time and i fall for that shit every time. i know the pattern i know the plot twists i know whatâs gonna happen but every single fucking time iâm fucking on the edge of my seat wide-eyed whispering like âwhatâs gonna happen are they gonna fall in loveâ to myself like of course they are you fucking idiot this happens EVERY TIME but as soon as i see the description and itâs like âx person and x person pretend to do the datingâ itâs eternal sunshine of the stupidest fucking mind over here
if youâve ever wondered what itâs like to live in the midwest, this is it.Â
You missed some of the best ones
the best part about it is that the art installation isnât actually called the Bean. Itâs called Cloud Gate, and artist Anish Kapoor (yes, THAT Anish Kapoor) hates that we call it the Bean.
But i mean, look at it. Itâs a bean.
How could you forget this one though
I HAD NO FUCKING IDEA THAT THE BEAN WAS CREATED BY ANISH KAPOOR.
someone help me why is anish kapoor important what did he do?
Alright sit down for some Art World Drama bcause this is what I live for.
So, sometime last year (?) science invented Vantablack, which is the darkest possible shade of black. Art world got incredibly excited. But as it needs to be very carefully made in a lab, itâs hard to get a hold of, and is extremely expensive. Enter Anish Kapoor, aka FuckFace McGee. Anish Kapoor buys the rights to Vantablack. He is the only human being on the planet that can legally use it, and heâs kind of a prick about it.
Art world is not thrilled with that.
Enter Stuart Semple.
Stuart Semple is an artist, and also makes pigments to sell in his free time. Stuart Semple is astoundingly pissed about this Vantablack nonsense, and Anish Kapoorâs dickery. Stuart Semple makes a new pigment, the brightest shade of pink ever, called Pinkest Pink, and puts it for sale on the internet. To be bought by everybody except Anish Kapoor. Literally, to purchase, you need to confirm that you are not Anish Kapoor, do not associate with him, and will not sell or give the pigment to Anish Kapoor or his associates. Art world has a good laugh, everyone buys Pinkest Pink because itâs awesome, and damn it we deserve something.
Anish Kapoor however is a penis, and will not take this lying down, because HOW DARE he not have literally everything.
Anish Kapoor gets his London associates to buy him a thing of Pinkest Pink, and being such a classy human being, posts a picture to instagram of him with his middle finger covered in Pinkest Pink, captioned with âUp yours. #pinkâ
Everyone flips shit, because. Yâknow. Fuck that guy. Especially Stuart Semple. For context here, Anish Kapoor is one of the richest artists on the planet, and has repeatedly been referred to as everything wrong with the art world, and the epitome of the art worlds elitism problem. Heâs a giant douchebag. Meanwhile Stuart Semple makes pigments just to get them out there. He turns 0 profit from his now enourmously popular pigments.
Stuart Semple launches an investigation as to who the fuck leaked Pinkest Pink, and plans to strike back. He does so by releasing two new products. First is Diamond Dust, which is a glitter made from glass, so that a painting is still visible after itâs applied, but glitters like a mofo. Itâs the most reflective glitter out there, and is available to everyone who isnât Anish Kapoor. And it being made of glass, if you stick your finger in there, itâs going to hurt quite a bit, so that was Stuart Sempleâs way of saying âshove your middle finger in this, asshole, see what happensâ. Except without saying that, because he can get an insult across while still being fucking classy.
He also releases Black 2.0, created with the help of over a thousand artists worldwide.
Black 2.0 is the answer to Vantablack. Black 2.0 is a slightly less black black, but looks functionally the same to the human eye. Itâs completely safe, smells like cherries, and costs four pounds. Vantablack is highly toxic, potentially explosive, needs to be applied in a special laboratory and sealed properly, canât be moved across borders, can reach 300 degrees celsius if youâre not extremely careful, and costs thousands of dollars. Anish Kapoor is the only human being who can use Vantablack. He is the only human being who cannot use Black 2.0.
So I think we can guess who got the better deal.
And thus the feud ends, Kapoor defeated.
âŠBut not quite.
Kapoor, in this entire afair, has made exactly two comments to the public. The first being his charming message about aquiring Pinkest Pink, the second being claiming to Buzzfeed that he and his small army of lawyers will be suing Semple, an extremely poor artist who cannot afford a lawyer.
No lawsuit has been made yet, fyi.
The point is, Kapoor is a prick, and doesnât like talking to the lower classes. So one day in July 2017, he decides he needs another floor on his London studio apartment, and starts making arrangements to have it built. His neighbors are fucking pissed, because this will ruin the light of their apartments. They call to Semple to save them, or at the very least piss Kapoor off some more.
Semple answers to the call, and releases two new paints, Phaze and Shift, as always, banned to Kapoor. They change colours, Phaze with temperature, and Shift is just iridescent. Shift needs to be painted over Black 2.0 to work, and Phaze just works on its own.
So thatâs been the art world for the last two years.
Basically, get fucked Anish Kapoor your bean sucks and so does your vantablack.
Stuart Semple is organising a bean-kissing event for Anish Kapoorâs birthday.
Reblogging for âBy attending this event you confirm that you are not Anish Kapoor, you are in no way affiliated with Anish Kapoor, you are not attending on behalf of Anish Kapoor or an associate of Anish Kapoor. To the best of your knowledge, information, and belief this event will not be attended by Anish Kapoor.â
ALSO HE JUST POSTED THIS!!!!!! LIGHTEST LIGHT!
I know this isnât my art blog but this entire post gives me life
im sorry is that man holding a real actual miniature star in his hands