House of Mystery

31. Bi. She/her. NSFW. 18+ only please.

[sacredwisdoms-deactivated202410]

[mercystine]

you 🫵 can kiss 👩‍❤️‍💋‍👨💋 a hundred 💯 boys 👨⛹️♂️ in bars 🍸🍹✨ shoot 🔫🌠 another shot 💥🎉 try to stop 🚫✋the feeling 🤭 you 🫵 can say it's just ✨the way you are✨🤥 make a new excuse 🗣️🤕 another stupid 🤡 reason 🙄 good luck babe 😘👄 WELL GOOD LUCK BABE 💥✨🌠🏳️‍🌈

[poetmorrigan]

[bargalaxies]

if i gave you my heart …           … would you   t a k e   it?

                           …   …   …

                                     if i gave you my heart …                                                … would you   b r e a k   it?

[fish-tails-siren-scales]

by  ア〜ミ〜／𝗔𝗔𝗠𝗬 Twitter / Instagram

[damnamour]

[kazs-inej]

VILLANELLE & EVE Killing Eve Season 4 Trailer

[beeftea78-deactivated20200113]

oh! I have to tell you guys a great story one of my professors told me. So he has a friend who is involved in these Shakespeare outreach programs where they try to bring Shakespeare and live theatre to poor and underprivileged groups and teach them about English literature and performing arts and such. On one of their tours they stopped at a young offenders institute for women and they put on a performance of Romeo and Juliet for a group of 16-17 year old girls. It was all going really well and the girls were enjoying and laughing through the first half - because really, the first half is pretty much a comedy - but as the play went on, things started to get quiet. Real quiet. Then it got up to the suicide scene and mutterings broke out and all the girls were nudging each other and looking distressed, and as this teacher observed them, he realised - they didn’t know how the play ended. These girls had never been exposed to the story of Romeo and Juliet before, something which he thought was impossible given how ubiquitous it is in our culture. I mean, the prologue even gives the ending away, but of course it doesn’t specify exactly how the whole “take their life” thing goes down, so these poor girls had no idea what to expect and were sitting there clinging to hope that Romeo would maybe sit down for a damn minute instead of murdering Paris and chugging poison - but BAM he died and they all cried out - and then Juliet WOKE UP and they SCREAMED and by the end of the play they were so upset that a brawl nearly broke out, and that’s the story of how Shakespeare nearly started a riot at a juvenile detention centre

[dukeofbookingham-deactivated202]

Apparently something similar happened during a production of Much Ado at Rikers Island because a bunch of inmates wanted to beat the shit out of Claudio, which is more than fair tbh

[let-the-awful-song-be-heard]

honestly Shakespeare would be so pleased to know his plays were nearly starting brawls centuries into the future

[theabigailthorn]

I played Claudio once and I fully support this

[bemusedlybespectacled]

“When we took Shakespeare’s “Measure for Measure” into a maximum security woman’s prison on the West Side…there’s a scene there where a young woman is told by a very powerful official that “If you sleep with me, I will pardon your brother. And if you don’t sleep with me, I’ll execute him.” And he leaves the stage. And this character, Isabel, turned out to the audience and said: “To whom should I complain?” And a woman in the audience shouted: “The Police!” And then she looked right at that woman and said: “If I did relate this, who would believe me?” And the woman answered back, “No one, girl.” And it was astonishing because not only was it an amazing sense of connection between the audience and the actress, but you also realized that this was a kind of an historical lesson in theater reception. That’s what must have happened at The Globe. These soliloquies were not simply monologues that people spoke, they were call and response to the audience. And you realized that vibrancy, that that sense of connectedness is not only what makes theater great in prisons, it’s what makes theater great, period.”

Oskar Eustis

[littlewickedthings]

larissapinupart

[littlewickedthings]

larissapinupart

[misandriste]

KATE WINSLET as TULA in ROMANCE & CIGARETTES 2005 | dir. John Turtturo

[s0ft-fae-deactivated20220324]

I just love pastels☺️💗

[dailywoman]

Jennifer’s Body (2009) dir.: Karyn Kusama

[gruntsandpoetry]

There’s something he probably didn’t tell you about. The mosaic.

[poetmorrigan]

I love this scene so much. Two people who loved someone, sharing their love with each other without jealousy or competition. Love + love + love 💗

[annakarenina]

Portrait de la jeune fille en feu + Paintings

Cafe Lovers by Joseph Lorusso Portrait of a Heart by Christian Schloe The Green Gown by Thomas Edwin Mostyn The Migration Series, Panel No. 55 by Jacob Lawrence Miranda, The Tempest by John William Waterhouse The Two Friends by Henri de Toulouse-Lautrec On the Dunes (Lady Shannon and Kitty) by James Jebusa Shannon Two Women in a Bed disturbed by a Cat by Jean Alphonse Roehn Portrait of Edith French by John Singer Sargent Portrait of Madame Seriziat by Jacques-Louis David

[orwell]

Red Letter No. 8 by Jen Mazza

[enstatia]

Darker version of Loki, in case anyone misses his black costumes as much as I do🖤