Carlos Alberto Castellanos (Uruguayan, 1881 - 1945) - Encuentro nocturno
No title available
Cosimo Galluzzi
styofa doing anything
almost home
Peter Solarz

★
Xuebing Du
RMH
YOU ARE THE REASON
Lint Roller? I Barely Know Her
he wasn't even looking at me and he found me
Sade Olutola

ellievsbear
Not today Justin

Andulka
🪼

祝日 / Permanent Vacation
"I'm Dorothy Gale from Kansas"

Product Placement
d e v o n

seen from Malaysia
seen from United States

seen from Malaysia
seen from Türkiye

seen from Italy

seen from Canada

seen from Singapore

seen from Hong Kong SAR China

seen from Germany

seen from Malaysia
seen from Türkiye
seen from United States

seen from China

seen from Malaysia

seen from Finland

seen from Malaysia

seen from Malaysia

seen from Canada

seen from Singapore

seen from Russia
@postecambrian
Carlos Alberto Castellanos (Uruguayan, 1881 - 1945) - Encuentro nocturno
Vampire Hunter D illustration by Yoshitaka Amano.
Sangram Majumdar (Indian, b. Calcutta, India, based Brooklyn, NY, USA) - Eclipsed, 2009, Paintings: Oil on Linen
THE CURSE OF QUON GWON (1917) — dir. Marion E. Wong “The first feature film made with an all-Chinese American cast and an all-Chinese American company, The Curse of Quon Gwon was written and directed by Marion E. Wong at her own Mandarin Film Company, based in Oakland, California. Offering an important counterpoint to racist depictions of Asian characters in other films of the period, the film explores western influence on traditional Chinese society and amongst Chinese American communities, suggesting Wong’s keen awareness of early twentieth-century transnational identity, as film scholar Jenny Kwok Wah Lau has observed. Marion, who was in her early twenties at the time, also played the film’s villainess. Nearly all the actors in the movie are family members and friends. The leading role of the heroine was played by Marion’s sister-in-law, Violet Wong. Family members were also involved in other aspects of the film’s production, including costumes and finance. Produced in 1916-1917, The Curse of Quon Gwon is the earliest example of Chinese American independent film known to exist today.”
Pirates of the Caribbean: Dead Man’s Chest (2006), dir. Gore Verbinski
“This shot was one of the first images I had in my head: this lone woman carrying a little camping lamp through the Badlands back to her trusty van. It speaks to the sublimity of nature and the fragility of this woman. These shots came from many takes following Fern through various terrains. The camerawork invoked Fern’s transience, always drifting and moving forward with her.” — Joshua James Richards
But I’m a Cheerleader BTS
The Apparition, 1885, James Tissot
https://www.wikiart.org/en/james-tissot/the-apparition-mezzotine-second-state
Reading - Gideon Rubin, 2015,
Israeli, b.1973-
Oil on board , 30,5 x 40,5 cm.
David Wheeler — The Uncertainty of Being Certain in Uncertain Times (Vision in Venice I) [pencil on paper, 2020]
*_______________*
useful creature
book of hours, Flanders c. 1300-1310
Baltimore, Walters Art Museum, W.37, fol. 187v
Detail of Jean Baptiste Clésinger’s Cléopâtre Mourante (The Dying Cleopatra), dated to 1861. Marble. Source: Sotheby’s.
Pandora, 1881, Lawrence Alma-Tadema
Medium: watercolor
In a Roman Osteria (1866) - Carl Bloch
Edvard Munch, Kiss of Death, 1899, Lithograph on cream woven paper
Let the past die. Kill it if you have to. It’s the only way to become who you were meant to be.