Roman ruins by Monsu Desiderio (Francois de Nome ?), early 17th century
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Roman ruins by Monsu Desiderio (Francois de Nome ?), early 17th century
Madame Auguste Manet, the artist's mather, 1863 by Edouard Manet (1832-1883), oil on canvas 105x80 cm. Isabella Steward Gardner Museum
Portrait of Nina Callias, 1873 by Edouard Manet (1832-1883), oil on canvas 113,5x166,5 cm. Museum d'Orsay
Pierrot and Harlequin, 1857 by Thomas Couture (1815-1879), oil on canvas 11,9x15,5 cm
Pieta, 1476 by Carlo Crivelli (1435-1495), The MET
JOÉ DESCOMPS (1869 - 1950)
Art Nouveau Brooch
Woodcuts from Lorenz Stoer’s Geometria et Perspectiva, 1567, a unique, image-based treatise on linear perspective — in each of its eleven woodcuts a complex polyhedron or combination of solids are embedded in a kind of dreamlike ruinscape: https://t.co/ABgBsSSSIJ
Attributed to Anna Rosina de Gasc nee Lisiewska (b.1713 - d.1783), 'Portrait of a Prussian Princess, possibly of the Brunswick-Wolfenbuttel Family', oil on canvas, c.1770s, German, sold by Art & Antiquities Investment, Saint Ouen, France.
Saint Roch as a pilgrim, 18th century by Giovanni Battista Tiepolo (1696-1770), Harvard Art Museums
Palazzina di Caccia, Chignolo Po Castle, Chignolo Po PV, Italy
Architect Giovanni Riggeri (1665-1729), Pavia
Glass jug, head-shaped; Rome, eastern Mediterranean.
Metropolitan Museum of Art, NYC, US
Church Saint Didier, Asfeld, France, 17th century, architect Francois Romain
Roman glass jug with a smaller glass jug inside ~ a so called joke jar that shows the skill of the glassmaker. Probably made in workshop in Cologne, found in burial in Stein am Rhein, #Switzerland, 4th c. AD.
~ Blown-Glass Jar with Functional & Decorative Trailing.
Culture: Roman
Date: A.D. 301–400
Medium: Blown glass
Landscape with Grotto and a Rider, Joos de Momper the Younger, ca. 1616