d e v o n
Alisa U Zemlji Chuda

❣ Chile in a Photography ❣
wallacepolsom
Xuebing Du
Not today Justin
AnasAbdin
let's talk about Bridgerton tea, my ask is open

shark vs the universe
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todays bird
we're not kids anymore.
Cosmic Funnies

@theartofmadeline
Keni
Sweet Seals For You, Always
Today's Document

if i look back, i am lost
Show & Tell
styofa doing anything
seen from Hungary
seen from Italy

seen from United States
seen from United States

seen from Türkiye
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seen from United Kingdom

seen from Malaysia

seen from Peru

seen from Malaysia

seen from France
seen from United States
seen from United States

seen from United States

seen from United States

seen from United States
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seen from United States
@psych0serenade
Virtua Fighter バーチャファイター Sega Model 1 (1993)
dreaming of being a victoria’s secret angel rn
Irezumi ‘刺青’ 1966 · dir. Yasuzō Masumura
Blue
Pistos and bombas.
lovelovelove dizzy mag.
Big Jay McNeely and fans at the Olympic Auditorium, Los Angeles, October 1950
Album Review: Son House - Forever on My Mind
Only 50 or so people attended Son House’s Nov. 23, 1964, concert at Wabash College in Indiana. Although virtually one heard it at the time, everyone can hear it now.
Released as Forever on my Mind, the LP represents the earliest post-rediscovery recordings of the foundational Delta bluesman and features the only recorded version of the title track, which opens the eight-song, 43-minute album.
Despite being billed as a complete-show recording, there is no - zero, zilch - crowd noise. And the songs sound edited, coming in as they do on clipped notes and ending awkwardly.
This minor quibble aside, the tapes are crystalline, capturing every nuance of House’s resonator guitar, his occasional introductions and spirited vocals as he sings about leavin’, drinkin’, grievin’, cryin’ and preachin’.
Having been away from music for two decades at this point, House sounds hungry. And a tad rusty. But this only adds to the charm as he stumbles across the fretboard on “Empire State Express” and plays “Forever on My Mind” and “Louise McGhee” to essentially identical melodies.
House’s performs the ubiquitous “Motherless Children” under the title “The Way Mother Did” and nods to his old pal Charley Patton with “Pony Blues.” Taken as a whole, Forever on My Mind is a rare, high-fidelity, nearly modern recording of one of the Delta blues’ founding fathers. And that’s nothin’ to be missin’.
Grade card: Son House - Forever on My Mind - A-
3/29/22
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