i love you semicolon. no one look at my 80 word sentence

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@quillonism
i love you semicolon. no one look at my 80 word sentence
channeling a lot of pain into my art right now
Happy Pride everyone, today is the tenth anniversary of the nationwide right to gay Marriage in the United States and the 22nd anniversary of nationwide legalization of Gay Sex. In 2 days is the 56th anniversary of the Stonewall Uprising.
We have won nothing without fighting and we have everything to lose, there is no gay liberation without trans liberation, none of us are free till all of us are free, we have won so much and come so far but the road ahead is still long, we must continue to fight for both our liberation and the liberation of all people
The gay liberation movement is young, everything we have fought for and won happened over the course of less than a human lifetime, and there are forces at play that wish to claw back at these hard fought for rights, we must be prepared to defend what we have fought for and we must continue to fight for improvement
We have to celebrate how far things have come, because we never would have made it this far without joy and hope, and while we can and must fight, we also must remain hopeful
This year is:
11 years since nationwide gay marriage in the US
23 years since sodomy was legalized
57 years since Stonewall
143rd day of the year!
can you put that thing on a leash?
Staressssā¦
happy international Lesbian day
Farmer boy!
Always bear in mind that there is absolutely no legitimate evidence that Luigi was actually the one who killed the insurance company guy.
Of course he wasn't. He was at a party with me that day.
No but like literally, actually. All bits aside.
He didn't do it.
The cops very clearly planted evidence on him because they had to make an arrest because all eyes were on them and whoever actually did the deed was making them look stupid.
Why would the real killer hero have kept the weapon on his person and traveled two states over while carrying it and a manifesto in his bag, conveniently turning the crime into a federal matter? The same guy whose bag they found in a park, filled with monopoly money? Why did the police turn off their bodycams, take Luigi's stuff, drive a block away, turn their bodycams back on, go back into the restaurant, and then arrest him?
From the moment of his arrest, even left-of-center media has been presuming his guilt without examining anything (e.g. calling him "the killer" instead of "alleged" or "accused") and then when I say he didn't do it, the nearest person chimes in with some quip that tells me they think he did do it but should go free anyway. Don't get me wrong, I would have the same attitude if he had done it. But he didn't. It makes me feel like the only sane person in the world, even among my staunchly leftist friends.
feel the need to drop my two cents on this. the reason a lot of people do not care for āthe A in the acronym is for ally!!ā is particularly because. in most cases. (particularly 2018-2020, if i remember correctly) the common sentiment was āthe A in the acronym is for ally, has always been for ally, and has always Exclusively been for ally. (no it doesnāt stand for Asexual because youāre not really queer)ā
i donāt wanna go āaphobic dogwhistleā but like. if it blows like a whistle and it Looks like a whistle then it probably Is a whistle.
you should get a second evening for reading fan fiction. And you should get an extra day in the week to do arts and crafts.
Kurapika Curta, Poor boy, being alone must be hard.
happy birthday aubrey - 5/23
Just a small thread I made on Twitter ā
~~~~~~~~~~~
So Kurapika only wears the one red earring right? I imagine he does have the other one, but he's saving it as a gift to a marriage partner, it being the equivalent to a wedding ring. Imagine Leorio and his wedding night, everythings finally calmed down, the sun has set and now they have the night to themselves.
They're laying in their bed, just holding each other for a moment, before Kurapika asks Leorio to wait for a moment. Leorio let's go (begrudgingly) and watches in confusion as Pika rifles through a small bag he brought with them.
After a few moments he comes back to bed, a small red box in his hands. Leorio sits up and asks sarcastically if Kurapika had a better ring set for them. Pika laughs and reassures him that the rings he picked out were perfect, but he wanted to share something special with him.
He starts explaining a Kurta ritual to him: that partners share a jewelry set, a ring melted to make 2 smaller ones, a necklace charm cut in half, or in his case, a set of earrings. He looks nervous, fiddling with the felt weight in his palms, flicking his eyes across the bed sheets, trying to keep his voice steady. He opens the box to reveal the other side of the set, perfectly buffed and shined, the stark opposite to its scratched up and dull partner, resting securely on its carriers ear.
Pika hasn't looked at Leorio yet, but had he, he would have seen his lovers eyes dusted with tears, and him squeezing his hands together to not jump his nervous husband. Pika had mentioned something before about these earrings being important to him, it being one of the only things left of his culture, and he was trusting him with something this important? It made his heart lurch, barley able to keep his breathing level. Kurapika quietly says he doesn't have to except it, as it's not a tradition he was raised with, but he can't even get the rest of that dumb statement out before Leorio shakily takes Pikas hand in his own.
"What's important to you is important to me, Kurapika. And I will wear your, well, our symbol of love for the rest of my days. It would be my honor to hold up to your tradition."
Kurapika stared into his eyes, just as tear filled and genuine as his own, and crashed into his arms, thanking him with a cracked voice. Leorio held him gently but firmly, resting his head on the blondes, rubbing small and gentle circles across his back.
They stayed like that for awhile, just holding each other and calming down. Once they both didn't feel like bursting into tears at the slightest motion, they slowly separated and held the box together. Pika took the second earring and placed it in his palm, leaving a little kiss on the red stone. While he whispered something in his native tongue, Leorio snapped the black loop out of place and placed it on the bedside table, waiting patiently for his love to finish his prayer. Once he was finished, Pika raised the gem to Leorios ear and worked it into the lobe, making sure it wasn't too tight and admires it for just a moment, getting small flashes of his parents readjusting each other's neck bands with such love and dedication in their movements. After everything, he never believed he would be worthy of being looked at in such a way.
But when his eyes meet Leorios, ones that met his own with so much admiration and trust, with that earring complimenting him perfectly, he feels the lump in his throat come back.
'They would have loved him so much', he thought to himself, a pang of sadness stabbing at his chest.
"It's perfect", he whispered, letting his hand fall to the man's heart, listening to the calming beat of his love.
"Of course it's perfect, it's a part of you," and Kurapika once again can't help the tears welling up in his eyes, a few finally falling down his cheeks.
That's how this beautiful and stupid man managed to trip him and make him fall. Gods did he love him.
And as the moon rose higher in the star filled sky, the waves washed ashore, and the trees waved in the calm wind, the pair laid together in each other's arms, with quiet tears and assurances. They were one, forever and always.
Till death do they part, and even then, their souls promised to find each other again. Whether it be the next life or something beyond, that was up to fate.
~~~~~~~~~~~
It wasn't originally going to be a thread but I just kept expanding and it turned into thisš¤·
dreamworld
ruining the 69th reblog for this
As a transsexual woman š© who has had multiple experiences ā¼ļø I have found š that the biggest block of cheese š§ is usually the one āļø that has the largest size š
mature content
Yell at me about the picture of dorian gray and omori
idk what digging you did to find whenever I mentioned Dorian Gray but I will gladly yell about it
and by yell about it I mean I will now force everyone to see how insane the Basil Basil paradox is (that's what I jokingly call the fact that Basil OMORI and Basil Hallward are just. the same fuckin' guy)
drives me nuts
and. I don't want to spoil what happens in this book but if you know you know, and that One Scene only drives home the point farther that OMORI was at least partially inspired by stuff that happens here. or, specifically Basil at least. and Dorian isn't really anything like Sunny but still, him festering in his growing contempt for Basil that culminates in what he ends up doing to him is so. it's so!!!
Oh, but I DID find that Dorian paralleled aspects of Sunny's personality and thematic relevance very much! It was just as though they had taken a darker turn in Dorian. Both Sunny and Dorian are presented as characters who are impressionable followers, which is also the core trait that leads to their downfall and "corruption." They're both insatiably curious when it comes to ideas of the world and of men, wanting to pick apart how things work at the seams, and wrap their thoughts about it in some digestible way. They're both obsessed with the idea of self preservation of purity, in one way or another. Dorian feels sick in seeing that his decaying portrait reflects his lacking moral state in physical form (and the family portrait that has the faces scribbled over + Sunny's distorted face in the mirror in the painting-covered Red room? Absolutely sick parallels). Sunny is stuck inside his relentless mental looping, his idea that he is disgusting, unforgivable, and sick being what stops him from changing his destructive ways (and did I mention they're both self-destructive?).
Narratively, both of their journeys culminate in a spontaneous episode of bearing their heart open to an emotionally wounded Basil. While Dorian reacts defensively, and we don't know how Sunny reacts, the result is that they both lash out at him in a rash frenzy. And oh my god, they're also both SUCH romantics, for better or for worse?? The way Dorian got so quickly attached to the theatre actress, only to be like, 'oh, holy shit I just like the idea of you, and I didn't really like you, and I got so wrapped up in my fantasy of how lovely this idea was to carefully look at this reality, and now you're emotionally wounded for it?' That is SO Sunny, another soul invested in ideas of perfection, sentimentality, and goodness, in which they're almost a novelty to somehow be pinned down to a physical culmination like a butterfly hung up on a wall. Observed, but never truly touched.
Dorian's thing is that he's so subtly self loathing, while Sunny is super transparent about it, so there's a difference there. Dorian tries to outwardly 'own it' like Lord Henry does, then has a mental breakdown later before going out for fucking tea or something. I would say Sunny is *generally* more well intentioned than Dorian, but it's difficult, because there's still a degree of self centeredness that fucks everyone over they ever could've cared for.
As a character, they both also have thematic aspects of 'purity being corrupted,' and through both stories, this is really emphasized through Basil's perceptions of them, which transfers to how the audience views Dorian. It's kind of similar to the Nick-Gatsby dynamic, but in a less deceptive portrayal, with how this person (Dorian and Sunny) could never have been this emblem of purity and goodness you wanted them to be, and that they've likely always been given more credit in that department than they deserve, which makes their downfall hurt all the more. Projection of desires, if you will.
It's my reblog, so I'll spoil if I want to, but the Neutral endings are haunting in that they are the endings where Sunny and Dorian unite with how their characters turn out. The True Ending of OMORI, in my eyes, is if Dorian stopped trying to be a second Lord Henry, and took Basil's hand when he offered to pray for him. And in both stories, Basil was ironically the one who truly acted as the genuine symbol of purity, staying unchanging and faithful throughout the whole story, his only fault being that his flattery and goodwill stoked flames of delusion, and making it their mission to remind Dorian and Sunny of the person that they could be, if they tried to change and move on.
(Also, it's funny both Dorian and Sunny are given the "baby boy, baby!" treatment by like, everyone, lmao)
oh my god Mirror you are so smart all the time, I never considered like. any of this (though, psychoanalyzing character writing has never been my strong suit aha.)
now that Iām thinking about it, the parallels ARE so strong, I canāt believe I hadnāt put that much together, because itās true!! there are so many similarities, but maybe itās because their core personalities are so different I hadnāt realized? either way, thank you so much for this addition I love it
adding on what Iāve noticed (so far) as someone who picked up The Picture of Dorian Gray solely bc of the rumors that Basil OMORI is a Basil Hallward reference:
Not really an addition but I wanna emphasize the point abt Dorian and Sunny both having baby boy / pretty boy privilege and not-so-secretly loving it bc it was honestly the first thing that stuck out to me
Dorian and Sunny are also both musicians which is just a silly parallel! (Also specifically, upon meeting Dorian, Basil is told he either plays piano or violin which is an insane coincidence if it is merely so) (In a world where Basil OMORI had read TPODG I feel like heād see that and be like :o)
Thereās also some flower language that feels reminiscent of the book too, though this could obviously just be a coincidence related to flower language itself. But like specifically, in the first chapter, right before Hallward fully tells Wotton about Dorian, Wotton picks up a pink daisy, which may very well be the flower in Faraway Basilās hair during most of the game. Plus, the rest of that scene also takes place for the most part in a field of daisies, which we can deduce Sunny associates his Basil w bc of that one blackspace room. Also, while it once again may very well be a coincidence, Oscar Wilde himself was also heavily associated with sunflowers (I actually donāt fully know the context behind this but I found it from Wildeās wiki page)
I also just wanna note the first part of Wottonās follow up to Hallward being like ā[Dorian] likes meā because i think it also works as a read on Basil OMORI and his nostalgia too all too well āāDays in summer, Basil, are apt to lingerāā (Wilde 21)
I think OPās post was getting at this point too, but I also wanted to reiterate how both Basils have a very similar art process in how they cherish natural (candid, in the case of Basil OMORI) poses, almost to a point of having an off putting obsession with such (this is def more noticeable in Hallward but there are a few lines (specifically that thing that HS Kel says in Humphrey) that suggest that Basil OMORIās emphasis on getting candid shots was kinda off-putting at times too)
(Also Dorian and Sunny are both highkey autistic coded but what who said that-)
Edit: Here's the entire excerpt for the "days in summer are apt to linger" section- because alongside portraying Omori thematic relevance, I also just want to inflict everyone with pain from one of my favorite books
Shoutout to Basil being a "YOU DONT KNOW HIM LIKE I DO" no matter what universe he's in lmao