Salvador Dalí - Archeological Reminiscence of Millet’s Angelus, 1933-1935.

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Salvador Dalí - Archeological Reminiscence of Millet’s Angelus, 1933-1935.
René Magritte - The Portrait, 1935.
More spooky shenanigans from one of Japan’s masters of the ancient art of making-you-shit-yourself Kawanabe Kyosai. I’m not sure what type of yokai these little buggers actually are, but I do know that they’re fun on a mother-fuckin’ bun. More soon.
“People are often unable to do anything, imprisoned as they are in I don’t know what kind of terrible, terrible, oh such terrible cage. I do know that there is a release, the belated release. A justly or unjustly ruined reputation, poverty, disastrous circumstances, misfortune, they all turn you into a prisoner. You cannot always tell what keeps you confined, what immures you, what seems to bury you, and yet you can feel those elusive bars, railings, walls. Is all this illusion, imagination? I don’t think so. And then one asks: My God! will it be for long, will it be for ever, will it be for eternity?”
- Vincent van Gogh, in a letter to his brother Theo, July 1880.
Vincent van Gogh: Skull with burning cigarette (1886) Skull (1887/1888)
Portrait of Adele Bloch-Bauer I 1907
Gustav Klimt
Francisco de Zurbarán - Cup of Water and a Rose on a Silver Plate, c. 1630
Diego Velasquez - Las Meninas, 1656
Head Of A Young Woman With Tousled Hair (Leda) 1508
Leonardo da Vinci
There was something terrible in me sometimes at night I could see it grinning at me
William Faulkner, The Sound and The Fury (via antigonick)
The Forge, 1812, Francisco Goya
Size: 125x181.6 cm Medium: oil, canvas
René Magritte (Belgian, 1898-1967), Le faux miroir [The false mirror], 1952. Gouache on paper, 14.5 x 19.2 cm.
Sunset, 1866, Ivan Aivazovski
Don’t scream, silly, 1799, Francisco Goya
Size: 15.1x21.8 cm Medium: etching, paper
Camille Monet On Her Deathbed via Claude Monet
Head Of A Young Woman With Tousled Hair (Leda) 1508
Leonardo da Vinci
The oldest known icon of Christ Pantocrator, Saint Catherine’s Monastery in Mount Sinai.
The two different facial expressions on either side emphasize Christ’s dual nature as fully God and fully human.