I love when middle aged women have sex with each other
PUT YOUR BEARD IN MY MOUTH
Peter Solarz

Kaledo Art

if i look back, i am lost
No title available
dirt enthusiast
noise dept.
Misplaced Lens Cap
Today's Document
I'd rather be in outer space đž

shark vs the universe
Three Goblin Art
Aqua Utopiaïœæ”·ăźćșă§èšæ¶ă玥ă
NASA

ç„æ„ / Permanent Vacation

JVL

izzy's playlists!
Acquired Stardust

oozey mess
RMH
seen from United States
seen from Netherlands
seen from Germany
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seen from Poland
seen from United States
seen from Indonesia

seen from United States

seen from Brazil

seen from United States

seen from Ireland

seen from TĂŒrkiye

seen from France

seen from United States

seen from Germany

seen from United States

seen from TĂŒrkiye
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@radiantwounded
I love when middle aged women have sex with each other
Ursula le Guin
after spending multiple days fruitlessly googling "perfume that looks like the movie saw" i finally found it
Louise Bourgeois - Cell (Arch of Hysteria), 1989-93
define hole / is a hole a real thing? / Marco Poloni, Black Hole, from The Majorana Experiment, 2010 / Flatfields Fotografien / What We Talk About When We Talk About Holes / Dark (2017-2020) / post / Disco Elysium / Twin Peaks: The Return (2017) / Donnie Darko (2001) / Outer Range (2022) / Kaveh Akbar, from âThe Miracle,â Pilgrim Bell / post / Weizmann Institute of Science / Mathworld / post / post / post / post / Anne Boyer, from âWoman Sitting at the Machine,â in A Handbook of Disappointed Fate / Star Wars: Knights of the Old Republic II: The Sith Lords / Dennis Patrick Slattery, The Wounded Body: Remembering the Markings of Flesh / The Incredulity of Saint Thomas, Caravaggio, 1601â1602 (detail) / The Incredulity of St. Thomas, Bernardo Strozzi, 1582-1644 (detail) / Don McKay, from âTwinflower,â Field Marks: The Poetry of Don McKay, intro. MĂ©ira Cook (Wilfrid Laurier University Press, 2006) / thierryetherve / Pathologic / post / Gregory Orr, from How Beautiful the Beloved / Tomas Tranströmer, tr. by Robert Bly, from a poem titled âTrackâ / Disco Elysium / Anne Carson, Economy of the Unlost / Pathologic 2 / Jonas Burgert, Sand brennt Blatt (2010) / Disco Elysium / Carl Phillips, from âGivinglyâ, Wild is the Wind / from âThe Man With a Hole in His Headâ by Rick Bursky / Rosario Castellanos, âMemorandum on Tlatelolcoâ (tr. Maureen Ahern) / post / Pathologic / The Juniper Tree (Nietzchka Keene | 1990) / John Banville, Eclipse / Twin Peaks / Disco Elysium / VectorStock / True Detective / Night in the Woods
âDonât let any fucker whose belly is full tell you to wait patiently for hunger to pass.â (In a subway in Amman, Jordan). Photo uncredited.Â
I wanna be soft with someone and not regret it after
Signalis (2022) [H.P. Lovecraft, The Festival] /Sagittarius A* / Kathy Acker, Pussy, King of the Pirates / Outer Wilds (2020) / Is There a God-Shaped Hole at the Heart of Mathematics? / Drain for overflowing water at Sambuco Dam, Lavizzara Valley / ? / Thomasin Frances, Hole Theory (15/10/2022) / Bryanâs Ground, a public garden in Herefordshire on the Welsh border. / odd, weird, strange and unusual / Mark Z. Danielewski, House of Leaves / Evil (2019-2014) / Judas H., Overflowing With Empty / Illustration of the Annular Eclipse of 1836 from âA fourteen weeks course in descriptive astronomyâ, Joel Dorman Steele (1836-1886) / @imdad_barbhuyan on Instagram / The moonâs Copernicus crater. Through magic glasses. 1890. / Kaveh Akbar / Dune (2021) / x / Dmitry Kochanovich, Epiphany (Russian,b. 1972) / The Silt Verses, Chapter 41: But As My Last Breath Splits My Throat / Yousif M. Qasmiyeh, The Camp is a Bait for Time / Darina Muravjeva, Hole / Hilde Heynen in Heterotopia and the City / x / Leonard Cohen, Beautiful Losers / x /  Louise GlĂŒck, from Descending Figure / Anne Carson, Eros the Bittersweet: An Essay. / Caitlyn Siehl, What We Buried; from âA Letter To Loveâ / Lara de Moor, Orb (2014) / Sam Sax, Pig / The National - Wake Up Your Saints / Aleksander Rostov / Sanna Wani, from âPrincess Mononoke (1997)â, My Grief, the Sun / Gregory Orr, [i want to go back] / Thomas Ott / ? / Judas H., Overflowing With Empty / James Baldwin, Giovanniâs Room / Massive sinkhole swallows house in Florida / Edna St Vincent Millay, in Letters (1952) /Silent Hill 4 (2004) / @/vren-diagram / Anne Boyer, What Resembles the Grave But Isnât / Law of Holes / Scarlet Hollow (2021) / China MiĂ©ville, from Railsea
(part one)
Francisco Goya and Gustave Doré Gothic Hatchings
if u are weird and unlikeable u need 2 surviveâŠ
openinâ the door to the microwave one second early because you donât need all the hootinâ and hollerinâ
I'D LOVE TO ELABORATE because this is one of my favorite astronomy stories.
Okay. So in the field of Radio Astronomy, there's this phenomenon called a "fast radio burst", a very short, strong radio pulse picked up by a radio telescope. They're still poorly understood, and are considered very exciting to radio astronomers because of how rare they are.
In the 2010's, astronomers working at Australia's Parkes Radio Observatory identified a number of radio signals picked up by the telescope that appeared to resemble fast radio bursts, which they called Perytons.
However, they quickly realized that the signals had to be terrestrial in origin due to the strength of the signal.... as well as the fact that they always occurred during weekdays, around the same time.
The signals tended to be clustered around midday... hmm...
Further evidence that the signals were man-made... this trend also followed daylight savings!!!
(Unless aliens also follow Australian daylight savings conventions, which is highly unlikely...)
It took the astronomers several years, but they eventually tracked down the source to a microwave oven in the facility's break room.
They were unable to recreate the signal, until they tried opening the microwave door before it beeped. Turns out the microwave was letting out a tiny amount of radio emissions when the door opened, which the nearby telescope was sensitive enough to detect.
The Peryton signals had been popping up in the data for over a decade, presumably because astronomers taking their lunch breaks had been opening the break room microwave prematurely for the same reason cited by OP.
I imagine they must have a big sign reading "LET THE MICROWAVE FINISH BEFORE OPENING" hanging in the break room now.
TLDR: If you work in radio astronomy, let the microwave beep before opening it and removing your lunch.
(PS: I highly recommend reading the paper explaining the origin of Perytons, it's short and also pretty entertaining.)
Revolutionary Girl Utena Art - Utena đ Anthy
Glen Martin Taylor, âbut i am safe in here.â
Sofonisba Anguissola (Italian, c. 1532 - 1625): The Chess Game (Portrait of the artistâs sisters playing chess) (1555) (via Wikimedia Commons)
As a woman, Sofonisba was barred from the life studio, a restriction sh side-stepped by using herself and her family as subjects. Her most famous painting, The Chess Game (1555), is a wonderfully vivid and affectionate portrayal of her sisters, accompanied by their maid, Giovanna, playing chess â a game considered to be both intellectual and strategic, attributes not often associated with women at the time. Bejewelled in gold and pearls and dressed in costumes more extravagant than the girls would normally have worn to play in a garden, itâs clear Sofonisba wanted to honour her sistersâ beauty and lively personalities, while demonstrating her own dazzling gifts. Perhaps she was also aware of how ground-breaking her homage was: she was the first artist to portray her family as a primary subject. Her younger sister, Europa, smiles broadly at Minerva to her left â in itself a radical gesture, as such levity was not considered decorous. Minerva is seen in profile, but her right hand is raised, as if in mock surrender to her superior opponent. To Europaâs right, Lucia, the older sister, looks directly out at us, faintly smiling: her right hand moves a chess piece, while her left holds a captured queen. The five hands we can see in the painting are all active: holding, moving, raising, touching. Itâs a rare, playful image of girls employing their wits against each other and having fun. The scene is set in a garden to a backdrop of a misty, mountainous landscape. As the landscape around Cremona is flat, we can only assume that Sofonisba was dreaming of future journeys to distant lands.
Jennifer Higgie, The Mirror and the Palette: Rebellion, Revolution and Resilience: 500 Years of Womenâs Self-Portraits
Still Life with a Vase of Flowers and a Dead Frog
Jacob Marrel, 1634
Jacob Marrel (1613/1614 â 11 November 1681) was a German still life painter active in Utrecht during the Dutch Golden Age.
A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
With origins in the Middle Ages and Ancient Greco-Roman art, still-life painting emerged as a distinct genre and professional specialization in Western painting by the late 16th century, and has remained significant since then. One advantage of the still-life artform is that it allows an artist much freedom to experiment with the arrangement of elements within a composition of a painting. Still life, as a particular genre, began with Netherlandish painting of the 16th and 17th centuries, and the English term still life derives from the Dutch word stilleven. Early still-life paintings, particularly before 1700, often contained religious and allegorical symbolism relating to the objects depicted.
Still life occupied the lowest rung of the hierarchy of genres, but has been extremely popular with buyers. As well as the independent still-life subject, still-life painting encompasses other types of painting with prominent still-life elements, usually symbolic, and âimages that rely on a multitude of still-life elements ostensibly to reproduce a âslice of lifeââ. The trompe-l'Ćil painting, which intends to deceive the viewer into thinking the scene is real, is a specialized type of still life, usually showing inanimate and relatively flat objects.
A hierarchy of genres is any formalization which ranks different genres in an art form in terms of their prestige and cultural value.
In literature, the epic was considered the highest form, for the reason expressed by Samuel Johnson in his Life of John Milton: âBy the general consent of criticks, the first praise of genius is due to the writer of an epick poem, as it requires an assemblage of all the powers which are singly sufficient for other compositions.â Below that came lyric poetry, and comic poetry, with a similar ranking for drama. The novel took a long time to establish a firm place in the hierarchy, doing so only as belief in any systematic hierarchy of forms expired in the 19th century.
In music, settings of words were accorded a higher status than merely instrumental works, at least until the Baroque period, and opera retained a superior status for much longer. The status of works also varies with the number of players and singers involved, with those written for large forces, which are certainly more difficult to write and more expensive to perform, given higher status. Any element of comedy reduced the status of a work, though, as in other art forms, often increased its popularity.
The hierarchies in figurative art are those initially formulated for painting in 16th-century Italy, which held sway with little alteration until the early 19th century. These were formalized and promoted by the academies in Europe between the 17th century and the modern era, of which the most influential became the French Académie de peinture et de sculpture, which held a central role in Academic art. The fully developed hierarchy distinguished between:
History painting, including historically important, religious, mythological, or allegorical subjects
Portrait painting
Genre painting or scenes of everyday life
Landscape and cityscape art (landscapists were called âcommon footmen in the Army of Artâ by the Dutch theorist Samuel van Hoogstraten)
Animal painting
Still life
The hierarchy was based on a distinction between art that made an intellectual effort to ârender visible the universal essence of thingsâ (imitare in Italian) and that which merely consisted of âmechanical copying of particular appearancesâ (ritrarre). Idealism was privileged over realism in line with Renaissance Neo-Platonist philosophy.
Untitled painted by Maria Sibylla Merian (1647 - 1717)
Maria Sibylla Merian (2 April 1647 â 13 January 1717) was a German entomologist, naturalist and scientific illustrator. She was one of the earliest European naturalists to document observations about insects directly. Merian was a descendant of the Frankfurt branch of the Swiss Merian family.