Rafus et al

🚲📖📸

[sobcat]

monthly page: january 26

[mystikmisfit]

saying bye to my 2025 planners, it’s bitter sweet

I had the best time discovering my approach to my hobonichi techo & weeks! I rly feel like I found my groove :’o)

hope u enjoy these calendar pages! 📃 happy planning, doodling, drawing & dreaming in 2026!

[harlotstarlet777]

[harlotstarlet777]

[nocek]

I rarely share them but a little acrylic markers drawing from my journal (because seriously. tomoe river paper is THE BEST for acrylic markers that tear everything else) because on friday I went to imax screening (yay! in holiday spirit my job let us go home early so I was able to swing it. never seen imax so empty but wonders of 2pm screening lol) and holiday Saturday I managed to drag my sis and mom to cinema because reasons.

which led to the most hilarious timing because next day sis managed to catch a fragment of First Man on tv and commented in the most deadpan voice "he is going to space. again?"

[amarantoo]

Cuetzalan, México

[mikesbasementbeets]

Do you want to be friends?

[daniartonline]

The Party ⚔️✨

[mariagoesmed]

Going through notes before my lecture

[placingdaydreamss]

There was a litany of reasons why we could've played for keeps this time...

[rotstruck]

Past Lives (2023) dir. Celine Song

[halzune]

Hae Sung can't really say anything. He is white as a sheet. Unable to find the words, Nora reaches out and hugs Hae Sung ‑ like the Westernized theatre girl that she is. A little more hesitant, Hae Sung hugs Nora back. They break apart, and look into each other's faces, amazed.

PAST LIVES (2023) dir. Celine Song

[reuels]

Past Lives (2023) dir. Celine Song

[rafitathor]

Y así, sin avisar, la vida me hizo entender cómo hay que vivirla.

[taylorswift]

The Life of a Showgirl: The Shiny Bug Vinyl Collection is available now on my site for 48 hours❤️‍🔥 http://taylorswift.lnk.to/store Album Producers: Max Martin, Shellback and Taylor Swift 📸: Mert Alas & Marcus Piggott

[boynoregrets]

[paolo-streito-1264]

Frida Kahlo photographed by Gisèle Freund, 1948.