rafaela

[fytheboyz]

@WE_THE_BOYZ: [JUYEON] Happy birthday Younghoon-ie hyung~ (1, 2, 3)

[uppoompat]

@bbangminton: #HYEONJONGS_BOARDINGHOUSE #GREAT_POSES #CLOSER_THAN_FAMILY

[irlbinx]

baby jaeyoon with his papa binnie

[lost-inthedream]

I'm so satisfied that I found it again heheheh

[moonaetics]

BAE JINYOUNG ❛ cix ++ more

[beyondevilbestdrama]

Enjooyyyyyyy ❤️❤️❤️

[archbudzar]

merch / instagram / twitter

[chaewonsgirl]

I Wouldn’t Look For You

[kpopworlditaly]

#PaulKim x 1st Look

[ka3l]

just go enjoy your life, 

[rafofakjkkj]

[hell-around]

uma sociedade onde uma lágrima sequer é derramada já é mais medíocre do que a mente pode conceber.

— Yonlu

[jehoon]

Kwak Dong Yeon as Jang Han Seo (ep.9)

[kimgoeun]

[gothbutterfly]

Björn Andrésen

[reallynao]

“Is The Most Beautiful Boy In The World” (2021)

dir. by Kristina Lindström and Kristian Petri

The motives, the discomfit, the achievements of Luchino Visconti’s 1971 adaptation of Thomas Mann’s novella Death In Venice are a shifting tide. If it’s an uneasy watch now, it’s worth remembering this has always been the case. After all, it concerns an older man who becomes obsessed with a teenage boy, a child, and Visconti’s film made explicit something which Mann had circled with words. Now Kristina Lindstrom and Kristian Petri’s documentary makes something else clear: that behind the idealised beauty of Tadzio, the object of the dying composer Aschenbach’s obsession, was a real 15-year-old child.

[rafofakjkkj]

feeling like s h i t

[joshuasmullet]

yuta | work it facecam 20201129