there is a story
is it a bad story when it begins as this
no, like nothing that I dream of
another word for another world or other version
version of another
of no
this bites and it is what it is
story ends there

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@railagainstflinch
there is a story
is it a bad story when it begins as this
no, like nothing that I dream of
another word for another world or other version
version of another
of no
this bites and it is what it is
story ends there
first five lines in shelter
they need to invent a running away & never coming back that doesnāt affect your life
This is so beautiful
clenched around the handle of an invisible suitcase, they'll name a city after us, and all the scarves we left
risking the house on this game of chance, like a reckless headline: I'll lose everything just for a look.
If I ever drew you a treasure map,
close the closet to evade old bones
lead me only to the smallest moments ā
a crucifix, the bathroom mirror
you watch me brush my teeth
like last soft proof of gravity.
orange leaves,
bright against a park of tired trees.
screen glow follows us under streetlights
as we step onto the sidewalk,
two witnesses to a city that keeps quiet
about the things that matter.
your thoughts,
your dreams, your mind ā your twitching eyes held this life hostage, it would wither without, so Iāll meet you somewhere lighter,
somewhere between breaths.
I think of that night ā
your eyelid under the city lights ā
and I knew:
this is where I pour my life.
I no longer recognize a story I keep editing out of habit, for this forbidden essay
I was too afraid to read, but your name began bleeding into sentences.
in the early hour when
and I am unbearably lonely
and thoughts swim the dark like ink spills,
shadows clawing the walls inside my ribs
screaming at this night's wake
shaking this Rilkean heart
toward a clearing together:
right in the middle of a confusion
where rain falls
and everything sharply softens.
where smoke curbs the skyline.
fingers dim the lights.
this city is stuck in a rut,
until I walk with you again ā
through the crowded streets,
my starlit, starlit sky.
Everything I feel returns to you somehow
Anyway, donāt be a stranger.
Frances Ha (2012), dir. Noah Baumbach.
WHY DO WE KEEP SHRIEKING WHEN WE MEAN SOFT THINGS WE SHOULD BE WHISPERING ALL THE TIME įÆ
Will I ever possess the softness I pretend to have?
ā Fray Narte
Gif from: Stealing Beauty (1996) // Dir. Bernardo Bertolucci
Not recognizing what is real, does not count as evidence for what is not. And beyond language, beyond culture, possibly even beyond beings, there is a common denominator of insane and innate experiences within this shared space in the universe. Poetry, in its purest form, has no definite owner. The writer has no authority over the letters released into the...end of the song...for the writer is not capable of giving identity...life has been here before, the arbitrary constant....words always transcend the hand...like how the author implied... that the self is the universe.
connections linger in a last hug to someone migrating to another country for good, in the way a hand places weight on an engraved tile settling on a grave, in remembering, in how you press flowers between and in the moment you extend a handāknowing that when it touches another, it has always been there, waiting to reach for you.
// mom bids her farewell to a college best friend and it's the most devastatingly beautiful thing I've seen this year //
when richard siken wrote āiāll be your slaughterhouse, your killing floor, your morgue and final restingā / when pylades said iāll take care of you, orestes pushed him away saying āitās rotten workā but pylades stood his ground: ānot to me, not if itās you.ā / when joo yeo jeong says āiāll do it, iāll be your headsman. iāll join the sword dance. tell me, what do you want me to do first. how do you want me to do it? who do you want me to kill first?ā / when amal and max wrote āi want to be a body for you. i want to chase you, find you, i want to be eluded and teased and adored; i want to be defeated and victoriousā i want you to cut me, sharpen me.ā / when amy dunne says, āiāve killed for you, who else can say that?ā / when franz kafka wrote ālove is, that you are the knife which i plunge into myselfā / when kate bush sang, āspilt me open with devotion, you put your hands in and rip my heart out / when benjamin alire sĆ”enz wrote ābreak me, I am bread. I will be the water for your thirstā / when sylvie baumgartel wrote āmy ribcage exists for you to open so you can hold and eat my heartā / when saeed jones wrote ālook at the weapon Iāve made of myself. You want to cut yourself on me, donāt you?ā / when margaret atwood wrote āif i love you is that a fact or a weapon?ā / when anne carson translated these words: āh of h: i cannot rise. too heavy with filth and sinā. āth: give me your hand.ā āh of h: Iāll stain youā. āth: iāll take it.ā /Ā
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