Updated Playlist for Dabi and Endeavor

gracie abrams
todays bird
The Stonewall Inn
Cosimo Galluzzi

Game Changer & Make Some Noise
Mike Driver
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2025 on Tumblr: Trends That Defined the Year
official daine visual archive

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Not today Justin
Monterey Bay Aquarium

❣ Chile in a Photography ❣

Kiana Khansmith

shark vs the universe

#extradirty
The Bowery Presents
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RMH
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seen from United Kingdom
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seen from India

seen from United States
seen from Colombia
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@rainygirl2399
Updated Playlist for Dabi and Endeavor
Happy Pride Month to all of my fellow aces!! 🖤🩶🤍💜
day 43
after the movies
My boys❤❤❤
-taps mic- Hear me out. Kismesis would save them. ♠️
inspired.
📻: You're probably wondering how I got here...
What was the moment that sold you on Rosegarden?
Oh, that's sooo tough. It's a toss-up between that scene in volume 5 where Oscar gets mad at her for being so positive, or that Vol. 6 scene in the snow, where she tells him he's his "own person" and Qrow says "Don't lie to him."
The look on her face in both scenes is so good. I love how even she doesn't seem to believe what she's saying, but she's refusing to let anyone see her doubts. It's a side of Ruby that we barely get to see again until Vol. 8/9
I thought it was interesting how Oscar prompted both of these moments from her. i love that push-and-pull they have. it's difficult to spot sometimes, because the writing is very clunky, but it's there.
ruby is always trying to stay very positive, and that's nice, but she also pushes her own feelings down and ignores the bad stuff. I like how her worldview gets a little bit challenged when Oscar is around; it's not always made into a big confrontation, but I feel it in the undercurrent.
I've always felt really bad for Ruby. She's gifted, but she thinks in black-and-white (and red and yellow, hahaha…) and she's in deep, deep denial about herself.
I like how Oscar's presence (sometimes) forces her to confront sad or uncomfortable feelings that she's not willing to address: She WANTS to feel like she's already grieved Penny, Pyrrha, and her time at Beacon. she WANTS to believe that her weird-wizard-professor ISN'T slowly killing this boy she just met. she WANTS to believe that her heroes wouldn't let innocent people die.
but... uh oh! Oscar is here!
and he's slowly losing his mind? and ozpin lied to them…a little bit..? and…her friends are dead? and the grown-ups are telling her SHE needs to save the world?
but she can't save the world! she's scared!
where's mom? why can't mom save the world?
uh oh.
AHHHH RADIOSTATIC IS NUMBER 10!!! LETS GOOOO
I frankly do not buy the idea Alastor never cared about Vox in the slighest, and here's why.
First of all, I mean, just look at Alastor's attitude, expressions and body language around Vox. He is very calm and relaxed and is clearly in a good mood. Him and Vox casually hanging out a bar together which implies this was a common occurrence. This is a side we've never seen from Alastor. He clearly was very comfortable around Vox at one point.
He even finds it geninuely amusing when Vox imitates him. It's a kind of aoft laughter we haven't seen from him either. His pupils are even dilated, while I absolutely don't think Alastor had any sort of romantic feelings for Vox, I do think Alastor was very close to Vox.
I mean he lets Vox touch him and doesn't have any reaction, he is still calm and relaxed. Remember it's been said Alastor hates when people touch him, (Considering how Rosie treats him... yeah understandable)
So if he lets you touch him it really means something. It's a very clear sign Alastor trusts you. You cannot possibly tell me none of that was geniune.
Plus, it's also well known Alastor gets alone with women far more then men, so the fact that he is clearly on very good terms with Vox clearly says something.
BUT, by far what interests me MOST is how Alastor initially reacted when Vox offered him the deal.
Like, look at the next set of key frames. At first he doesn't seem bothered at all. He's not even surprised. He even appears to be flattered.
And then after that, briefly there appears to be a actual geninue smile, and it appears to be more of sheepish kind of smile. And, worth noting is that he didn't made any sort of noise on this key frame, no laughter, no nothing.
But then, THIS is the next key frame and it is REALLY interesting. For one, the animators covered Alastor's eyes,(and they do it a lot in this scene) and his hair covers the corner of his smile, too. Those two things are intentional. He slouches down, and at first, it doesn't even sound like he's laughing (at least to me) it more sounds like he's upset, more so a whimper honsetly.
Especially here, mind you. To me it doesn't exactly sound like a laugh just yet. In fact at first when I watched this, I legitimately didn't think Alastor was laughing, it sounded more like he was distressed. Im also curious why his eyes werent drawn here either, while you can see his eyebrow.
Also, there are around 12 frames in this specific shot (I may be one or two frames off granted) Where Alastor is still slouching and he isnt even fucking laughing or making any noise while he's still slouching, we don't even see his face, until the very next shot and we STILL dont see his eyes until the shot after. Alastor takes about four entire seconds before he starts laughing out loud. Like before he sits up it kinda comes off more that he's upset, which lines up with his expressions and body land in the last set of keys in the last shot.
This show runs on 2s, or 12 FPS, they actively chose to draw 48 frames just to detail Alastor's initial reaction.
Alastor's face here when he says, "Oh, that's- Oh, you're serious?!"
And then this followed right after with this body language when he says "Oh, come now Vox!"
If you saw this gif without knowing he's laughing it looks more like he's crying.
And then THESE are the next two frames. He doesn't look like he's actually genuinely happy and raveling in hos mockery here, does it? Just TWO frames says so much. (This is the same show that had Alastor's eyes turn into dials for only 3 fucking frames when Husk and himself are talking in ep 5)
Seriously, just look at his expressions in these scenes. this doesn't look like he's actually revealing and having fun mocking Vox here. He looks nervous, worried and uncomfortable if anything. As if the laughter and mocking is just a facade, a facade that he does not want to put up, but feels like he has to.
Also I know this is a reference to a meme, but something about the way Alastor's expression was drawn here still gives me the vibe that he was hiding pain with laughter. The way his smile was drawn here especially adds to that, since at the end points not only is it drawn with less sharp of a line, but it does start to go down a bit. That smile doesn't line up with how much he's laughing. Plus it's interesting his pupils aren't drawn either. They chose to reference that meme here, but they also chose to draw the tear in his eye along with not adding his pupils and drawing his grin where it appears softer and angles down at the corners.
I also don't fucking buy the idea for a single second that Alastor cannot geninuely care about people. I mean, the moment he saw Niffty held at Valentino's gunpoint, that was when he called everything off and gave himself up. Alastor fuckin' gave himself up for Niffty. He also kept her roach crown! You can't tell me he isn't capable of being fond for people at all.
"Friends?! There are no friends in Hell, Vincent!"
Note just how insanely strong Alastor's reaction was when Vox said they were friends. In fact, it got a VERY uncharastically strong, angry reaction out of him. Alastor implies that they were never friends and actively mocks the fact Vox said they were. But Alastor's behavior just a few moments ago does not back him up here. I do not buy the idea Alastor never considered Vox is friend or the idea that he was close to him at all. Also, Alastor used Vox's REAL NAME here when he could've easily just said his chosen sinner name. They were close enough where Alastor KNEW HIS HUMAN NAME, likely meaning that they knew each other very personally. I think Alastor is projecting if anything. He's lying not only to Vox, but to himself. He doesn't like the idea that he snd Vox got so close, it seems to freak him out. And I really think Alastor is afraid to get close to people because the last time he trusted someone powerful, it was Rosie, who betrayed and shattered his trust, and then Vox then offered a deal for the both of them to be powerful... it probably sent him right back to when he blindly trusted Rosie. Vox has to be trying to trick him, right? Rosie wouldn't let him join Vox even if he wanted to, would she?
Also, worth noting, Alastor even pulls on his hair in this shot when he says "Oh, fuck!"
Which is something he is only known to do when he's under extreme amounts of emotional disstres.
The first time we saw him do that was when he sung the lyric of "Great Alastor, Altruist, died for his friends?!"
I always theorized that this line hinted that Alastor is afraid of becoming close and fond to people because it has caused him nothing but pain, betrayal, and suffering in the past, and i am now even more convinced then ever.
So much of what Alastor says to mock Vox, on how much he relies on others and needs the help of others and that is a shameful and dangerous thing to do to put any trust in others and how you should always achieve everything yourself... Alastor... I think you're projecting your trauma.
Alastor's smile and how he hides everything his not only his biggest weapon in his back pocket, but also his is biggest weakness because it destroys him from the inside out and leads to him constantly isolating himself.
This is exactly what I have been hoping for how Alastor would've been protrayed. Best fucking birthday gift ever.
i have a lot of thoughts about how 'don't you forget (reprise)' reflects vox's volatile nature
we've been told that vox and alastor 'remember the flashback scene differently'. i think it's pretty obvious that there was some kind of fallout immediately afterwards that we weren't shown (alastor mentions 'the tantrum you threw after -- now that was entertainment!'). but i think a crucial part of that scene is how vox's expression changes at the very end of the flashback:
he goes from this silly, chirpy guy who does impressions to make alastor laugh to this angry, vindictive man who throws a 'tantrum' when rejected -- when his feelings are genuinely hurt and he's feeling most vulnerable. i hope in future seasons we find out exactly what vox did immediately after this scene, but based on this and what we know about vox up to this point (i.e. his human life) i think it's safe to say it was pretty violent.
i don't think this was vox's whole personality changing as a result of one rejection. i think it was more like vox letting his true colours show after who-knows-how-long of sucking up to alastor because he genuinely wanted to be with him.
that's also how i feel about 'don't you forget (reprise)'. the first part of the song is pretty jaunty, not particularly threatening. he drags alastor around like a ragdoll, dances with him, toys with him a bit but doesn't actually hurt him (similar to rosie, hence the reprise of her song). you could even read vox's mannerisms here as affectionate, or at least a mockery of affection. but it's only when alastor prods at one of his insecurities -- 'you still need me like you did before' -- that vox really switches up. we go from rosie's cheery tune to the power-hungry 'once we get up there' melody, and suddenly the playful attitude is gone and vox starts genuinely torturing alastor with electricity, using more violent and hostile language ('you're my bottomest bitch'), and making outright threats ('you'll wish that you had stayed gone'). he completely switches up in the blink of an eye, just like he did in the flashback when he didn't get his way. i think this is the best reflection of vox's nature being that of a 'hurt little boy' (CB's words) -- the need to lash out whenever his insecurities are targeted.
i really really hope this is explored more in future seasons! is he going to pull the same shit on the people he loves now (val and velvette)? are they going to stick by him or are they going to make sure he knows exactly what will happen if he ever tries that 'might of lilith' shit again?
"Stupid, cursed... get this fucking thing away from me!"
The moment Alastor gets chomped and held by Shok.wav and realises he may have fucked up:
His ears are back, his brow is furrowed and his eyes are strained. I've noticed his smile tightens into more of a grimace when he's distressed too.
Building on @soucchi's excellent post about this scene - I think Shok.wav was a wildcard for Alastor. The shark just mindlessly bites and attacks him and even knocks Vox away in the process.
Vox barely has control of him when he's on a rampage. Shok.wav also can't be taunted and teased the way Vox can. And he can't be reasoned with. He seems to attack with such unrelenting force that Alastor can't get a single hit on him and can only RUN.
Alastor's voice is the most wavering and strained we've heard it as he yells for someone to "get this fucking thing away from me".
And I think... that's the first time we've ever heard him ask for help in combat? Even if it was to no one in particular. In that moment he realised he couldn't get Shok.wav away from him or fight him off alone.
And then he has his arm crushed between Shok.wav's jaws, right in Vox's crosshairs (the uncanny parallel of the hunting dog finding him and the hunter shooting him dead).
And if it hadn't been for Emily, he would have been obliterated (which probably really annoys him).
Just like his fight with Adam, Alastor let his ego get the better of him and he got a little bit too cocky. He didn't account for the wildcard that was Shok.wav, or that Vox would turn his ridiculously powerful angelic doomsday weapon onto him.
And he underestimated just how deep Vox's hurt was and how willing he was to kill him once his approval rating went down and he realised he had nothing left to lose.
Alastor and Vox’s relationship has me frothing at the mouth because of just how fascinating the concept is.
you have two men who are absolutely and unequivocally vile, who mercilessly kill for their own personal gain or even just enjoyment, who torture and maim and commit unspeakable acts of cruelty just for their ideals. they're just straight up evil and won't hesitate to express that to everyone around them, and yet. and Yet.
they're found drinking at bars together. they joke and laugh and talk for hours into the night. hell, they dance together when they don't think anyone's watching. one could look at them, these two callous beasts, these supposed unfeeling murderers who have never cared about anyone but themselves, and maybe, just maybe, call them friends. just maybe, say they care for each other, no matter how minutely. and maybe, just maybe! say in whatever fashion, in whatever form, in whatever sick and selfish way possible, they love each other.
because, for all of their supposed cold cruelties, they look at each other as if the other's smile was brighter than the damn sun.
We're two slow dancers