damn the sadness really does last forever
Didn't mean to use that picture
what's his #?
are you asking me for Jensen Ackles' number
i don't do bad sauce passes
One Nice Bug Per Day
Monterey Bay Aquarium
hello vonnie
🪼

⁂
sheepfilms

祝日 / Permanent Vacation

blake kathryn

if i look back, i am lost
Today's Document
2025 on Tumblr: Trends That Defined the Year
Game of Thrones Daily
d e v o n

No title available
Peter Solarz
Xuebing Du

izzy's playlists!
occasionally subtle

★

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@rambleonmp3
damn the sadness really does last forever
Didn't mean to use that picture
what's his #?
are you asking me for Jensen Ackles' number
https://privatter.net/i/6255716
password is jared
there’s never gonna be an end to supernatural you stupid sluts
broken (x)
horny angel thesis
i just think he exists on two settings 1) keeping it all bottled up for a decade 2) burger-meat insatiable
also:
dean being extremely neurotic about his living space and dean being a disorganised mess are not mutually exclusive. in fact those two traits are gay married inside his brain
Got bored the last night and decided to make an Eric Brady look book ✨ i made it originally in paint but @jarchaeology wanted me to post it so here it is formatted for tumblr ^-^ (year is 1997 btw, Jensen was 20 years old)
can’t believe dean canonically has adhd. king.
Let’s go home. You know what? We are home.
2.04 - Children Shouldn’t Play with Dead Things
Jensen JIB 9
jensmisha’s 600 followers celebration:
cockles headboop at nashcon 2016 — requested by @supernatural-prequel
the little mwah kissy thing dean does when he’s eating. you know what I’m talking about
a study in wanting.
supernatural: episodes 14x01 14x10 15x07 15x18
Slaughterhouse-Five, pg. 164 // Dean Winchester
Solaris / Солярис (1972) dir. Andrei Tarkovsky
It may seem that the nature scenes that introduce the film are too lengthy, but the layering of these scenes, which depict a certain farewell to nature on Earth, creates the emotional basis of the story after the main character is sent up to the space station, and tortures the viewer with an incredible nostalgia for Earth’s nature, a feeling akin to being homesick. Without this long introduction, you cannot make the audience experience the actual desperation felt by the people trapped on the Solaris station.
I saw this film late one night at a screening room in Moscow, but while I was watching it, my heart was aching from an incredible longing to return to Earth. Just where is scientific progress leading mankind? This film manages to capture perfectly the sheer fearfulness. Without it, science fiction becomes mere fancy.
These thoughts were racing through my mind while I was a captive of the screen.
Tarkovsky was sitting in the corner of the screening room watching the film with me, but he got up as soon as the film was over, and looked at me with a shy smile. I said to him, “It’s very good. It’s a frightening movie.” He seemed embarrassed, but smiled happily. Then the two of us went to a film union restaurant and toasted with vodka.
Tarkovsky, who does not usually drink, got completely drunk and cut off the speakers at the restaurant, then began singing the theme of Seven Samurai at the top of his lungs. I joined in, eager to keep up.
At that moment, I was very happy to be on Earth. — Akira Kurosawa