Cap Brett (New Zeland)[OC] - Author: Gold-Lengthiness-760
KIROKAZE
trying on a metaphor

blake kathryn

Andulka
icyghini twinkie
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Product Placement
let's talk about Bridgerton tea, my ask is open
tumblr dot com
Mike Driver
Stranger Things
I'd rather be in outer space πΈ
noise dept.

Origami Around

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oozey mess

Discoholic πͺ©
One Nice Bug Per Day
YOU ARE THE REASON
TVSTRANGERTHINGS

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@rampagingvirus
Cap Brett (New Zeland)[OC] - Author: Gold-Lengthiness-760
"There's millions of Tumblr users" to you. To me There's only about 12 and we all reblog the same five posts from each other
What I like about that Tolkien letter is that itβs a reminder that stories donβt present themselves fully formed. This seems an obvious thing to say, but I think people sometimes forget it while writing. Tolkien is pointing out the underrated and essential part of writing which is βgoing away and having a big think about thingsβ or, in other words, βimaginingβ.
You have to make stuff up before you can write about it, and that mostly involves inhabiting the spaces and minds of the places and people youβre writing about. Most of that wonβt ever appear on the page. Tolkienβs case is different in a couple of ways. Firstly, the sheer extent of the world heβs imagining. (Of course the book takes years to write! Heβs making up the history of NΓΊmenor and Gondor from thin air!) Secondly, we have unusual access to his world-building materials in the Appendices, which makes the book feel even more fully formed and authoritative. We also have unusual access to his creative process in HoMe. Itβs fucking incredible watching NΓΊmenor get invented. People joke that Tolkien didnβt finish things, and use his NΓΊmenorean time travel story as an example (Lewis publishes the reciprocal three book space travel stories). But that material IS published in a deeply meaningful way. Itβs the whole texture that supplies the unique depth and believability of The Lord of the Rings. Sometimes people joke, βOh, Tolkien barely published!β Yes, but he published The Lord of the fucking Rings. And an essay that revolutionised the study of Beowulf. Iβd take that.
This quote also by necessity downplays the rewriting process of LotR which of course was years of painstaking craft and revision, and is its own story. But, yes, of course these things didnβt exist! He had to make them up! So if in doubt, go away and lie in the hammock or on the bed and gaze into nothing and really think about what the world of your story is like and how it feels and what it must be like to be inside the minds of the made-up people whose lives, for some bizarre reason, you want to make up. This actually is part of the work and itβs not frenetic. And thereβs no real shortcut. But what is nicer? Why rush this?
(I read an excellent story fairly recently which was clamouring for a sequel. The writer knew this, and was trying to write it, but was stuck and had been for a couple of years. I suspect the writer was trying to pick up directly after the dramatic events of the written story and progress from there. But that would be retelling the initial story, and why do that? Itβs already told. That work is done. No wonder they were stuck. I think this is particularly difficult if the story has been extremely successful (which it was) and a creative stretch (which I suspect it was) because the temptation to go back to that well must be overwhelming. But that well has been drawn upon. The solution most likely would be to pick up with the characters a few years down the line and see where they were now. In which case of course the sequel will take a couple of years to write because the writer would need a while to detach from the deep immersion of the previous story, and the time to immerse in and explore a new reality. Often we donβt talk about these aspects of creative practice which I think can leave them very bewildering and confusing. Lots of things happened to me between Enigma Tales and TEoTDB, and lots of books too, but one thing thatβs probably of interest only to me, but is of enduring interest to me, is observing the difference between something you might write in your early 40s and something you might write in your early 50s. This relates both to reasons and need for writing a story, and the changes in competence and craft after ten more years practice.)
Yes, so, if you are stuck, one question you can ask yourself is, βHave I hit the limits of what Iβve imagined?β If the answer is βyesβ go for a walk or a think or whatever. There will be no point trying to write further because there isnβt anything there yet to write. You can draw on habits and shortcuts and experience to a certain extent but that wonβt always be your best work.
two pictish ladies
OstruΕΎnΓ‘, Czechia by Jan MachΓ‘Δek
Supermoon in Belarus
garikparusov
details
Arrest everyone involved.
Money saved: maybe a couple million dollars.
People killed: around three quarters of a million.
250 years and most native tribal groups continue to not be federally recognized. Embarrassing!
Hey so a small thing that literally everyone who sees this is capable of is correcting any βused toβ statements about native people in this country.
βNative people used to live in this National Parkβ No. They still do.
βNative people used to tell these stories-β No. They still do.
βNative people used to use this plant as a natural remedy-β No. They still do.
Better yet, familiarize yourself with the tribes local to you. Odds are, they do not yet have federal recognition. You can still read the stories they have to share, you can share their ongoing battle for recognition with others, you can sign petitions and spread the word to others to do so as well. But do something.
Mons Klint, Denmark - Author: Intelligent-Stellar
Witchy woods ππ
My photography, Spring 2026
by Michael Gimenez Rodriguez de Vera
Watercolor steampunk airship art by Alex Alice
Assorted close-up photos of fish eyes
Water smartweed
A Cold Walk (Part II)
by Pedro Gabriel